韩国bl电影

In attempting to develop a chemical which would make a person super-intelligent, Dr. Montrose fails and the subjects of his experiments metamorphose into hideous monsters who band together and prey on humans. With the police stymied, a young detective attempts to track down the leader of the group of killers, known only to have a small crimson stain in one eye. Edith Hardy uses charity funds for Wall Street investments in hopes of buying some new gowns. She loses all the money and borrows from wealthy oriental Tori. When her husband gives her the amount she borrowed, Tori won't take it back, branding her shoulder with a Japanese sign of his ownership. She shoots him. Her husband takes the blame. In court Edith reveals all to an angry mob. Written by Ed Stephan {stephan@cc.wwu.edu} 丹麦(😃)人斯特(tè )伦•赖(🐛)伊在柏林(lí(🌔)n )导演(🙂)了几部影片(🐛)(piàn )（如《一切罪恶(👆)(è )都在地上》）之(🕦)(zhī )后，给德(dé(📃) )国电(🤧)影(yǐng )制作了(🐴)他(tā )的第一(yī )部(👔)重要作(zuò )品《布(bù(⛺) )拉格的大(dà(🏗) )学生(💺)》。这部摄(shè )制(💻)费达(dá )两万马克(👘)(kè )的影片(piàn )是根(😮)据小(xiǎo )说家(🌦)汉斯(🏉)•埃弗(fú )斯(🏏)所写的剧本、由(🤔)摄影师(🙂)基杜(📞)•齐(🥁)佩尔在波希(👘)米(mǐ(🍔) )亚拍摄的。它(🐠)的(de )主要演员是保(🏣)罗(luó )•威格(💎)纳和(📫)丽第(dì )亚•(〰)沙尔莫诺瓦(wǎ )。保(🛋)罗•威格纳(nà )当(🍓)时是马克斯(⚽)•莱(📱)因哈特(tè )手(⬅)下最(zuì )有名的一(🍤)(yī )位演员(yuán )。 该片(📓)为(wéi )中国最(🔅)(zuì )早(🐦)的长故(gù )事(🕘)片之(zhī )一，也是(shì(👻) )但杜宇(yǔ )创办的(📔)上(shàng )海影戏(🉐)(xì )公(🍷)司的第(dì )一(🖱)部影(yǐng )片。故事(shì(📆) )写一个名叫福珠(🥌)(zhū )的女子，和(🥣)穷画(🗄)(huà )师周选青(🍦)相爱，两人订立了(🉑)婚约(yuē )，并盟(🐦)誓如(🚑)将来(lái )负约(💞)，当蹈海而(ér )死。后(🚧)来，福珠(zhū )被有钱(🌙)的表兄诱(yò(🤔)u )惑，竟(🕊)负前约与(yǔ(🐂) )表兄结婚。当他(tā(🧤) )们在教堂(táng )举行(🌘)婚(hūn )礼之时(🏬)，福珠(👝)忽(hū )然天良(💖)发(fā )现，逃(táo )离了(👛)教堂(táng )去找画(huà(🎴) )师，周选(xuǎn )青(✴)拒绝(🚔)(jué )了她，于(yú(🥠) )是她跑(pǎo )去投海(🤦)自(zì )杀，幸(xìng )而画(😰)师前(qián )去相(📰)救，最(📧)后两(liǎng )人终(🛠)成佳偶。 In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s. “我的手不(🐭)是我的(de )手。他(🛷)将我(📸)引向(xiàng )罪恶(😊)。我该怎么(me )办...” This charming film is practically unknown, but it is one of Klein-Rogge's best performances, as he plays a romantic lead with a dash of villainy. Klein-Rogge is the feared Master who lives in a bleak castle on top of a mountain, and the villagers in the valley below dread his ill-omened arrival at every wedding. The story concerns one couple who marries despite the master's baleful influence, only to have him crash their wedding party and bring about the death of the bride. The bride's sister, seeking revenge, tries to kill the Master but instead they fall in love, as she realizes that he is not really evil, but blighted by a loveless existence. Their love is ill-starred, however, as the Master kills an insolent guest at their wedding who takes liberties with his bride, and this is followed by a peasants' revolt, where the castle is stormed and the Master captured. In the end, the lovers escape, but their love is finally doomed. The year before this film, Klein-Rogge had his great triumph as the evil Dr. Mabuse in Fritz Lang's 'Dr. Mabuse, Der Spieler', and his most memorable roles have been as villains. This movie demonstrates what a really wide range he had as an actor - he starts off with his very characteristic glowering villain, but once the girl enters his life he demonstrates both joy and tenderness, as well as grief and pain when he thinks he has lost everything. I don't know if such an obscure film could be a candidate for restoration, but it would be a worthy project, as the sets, costumes and many of the performances are as classic examples of expressionism as one could hope to see. Sylvester, by the hugely underrated Lupu Pick is one of the least known films of the silent era, and unjustly so. Pick, the director of the slightly less obscure Scherben (Shattered), is almost as forgotten as this, his masterpiece... a film that without doubt, in it's time, was one of the most important of the German silent era.