民国(guó )初(😻)年，滦县某地(🎱)，地(dì )主之(zhī )子高(🔼)(gāo )占英（张(🥦)彦生 饰）娶(🔱)(qǔ )普通(tōng )农(🏖)家(jiā )出身的(🗨)杨二姐（张(👎)秀(xiù )兰 饰(shì )）为(🐞)(wéi )妻。谁知高(😇)风流成性(xì(🛂)ng )，禽(qín )兽不如(🙄)，竟与(yǔ )嫂子(🍧)做出苟(gǒu )且(💹)之(zhī(🍜) )事。在此(🤬)之后(🌧)(hòu )，高嫌二姐(🔫)碍眼(yǎn )，残忍(🐭)杀妻。惊悉噩(🏾)耗，杨家母女(🌯)连忙(😐)(máng )赶去(🍍)(qù )奔丧，聪颖刚强(🙃)的杨三姐(jiě(🦕) )（谷(gǔ )文月(🌰)(yuè ) 饰）发现(🎡)姐姐尸首存(🎁)(cún )有异(yì )样，而高(🍥)家虚与委蛇(😦)草草(cǎo )下葬(🎴)(zàng )的举(jǔ )止(🌞)更令她心生(🌚)疑惑，怀疑(yí(⏺) )姐姐(jiě )并非急症(🦆)而亡。与胆(dǎ(🔮)n )小怕(pà )事的(🐻)(de )母亲（赵丽(😱)蓉 饰）不(bú(🦃) )同，三娥自幼(📜)果敢(🤽)(gǎn )正直(📦)，她断(🤥)(duàn )然向(xiàng )县(🦈)衙告状。高(gā(🔇)o )家则买通官(💑)(guān )府颠(diān )倒(🏸)黑白(🎌)。万般(bā(🙇)n )无奈之下，杨三姐(🧥)只得赶(gǎn )赴(🅾)天(tiān )津告状(🔹)，势要还苦命(🍾)的姐(jiě )姐一(📌)(yī )个公(gōng )道……(🐪)
十八弯生产(⛹)队(duì )，是(shì )所(✖)谓(wèi )的学大(💷)寨先进队。1977年(🦆)(nián )，古(gǔ )队长(🥋)(zhǎng )忠实地贯彻上(🤚)级的"指(zhǐ )示(🐖)"，认真(zhēn )学习(🖋)大寨"经验"，在(🗼)本(běn )队大(dà(👾) )砍"资(zī )本主(🦋)义尾(🖤)巴"，大抓(🤽)"修(xiū(🛵) )正主(zhǔ )义苗(🍀)子"。他严(yán )禁(🍝)社员搞家(jiā(🐛) )庭副(fù )业，强(🦄)硬地(🥤)封(fēng )了(⛽)养蜂专家(jiā )蜂王(🖌)(wáng )德的蜂箱(🔼)，把(bǎ )养鹅、(🎺)养鸡能手冯(🐖)喜和高(gāo )富(👕)当(dāng )成走资本主(🌲)义道路的典(🍅)型(xíng )进行(há(😂)ng )批判(pàn )。孤寡(🙎)温大娘家多(📆)养(yǎng )了几(jǐ(🏪) )只鸡(jī )，也被列为(🎰)"黑户口"而(é(💛)r )要她(tā )限期(🚼)(qī )消灭。老实(🛹)而僵化的(de )古(🏄)队(duì )长，连丈(🗄)母娘(⛔)给自己(✉)家送(🔯)(sòng )来的(de )一只(🚋)(zhī )小猪，一发(🚑)现是母的(de )，也(📟)(yě )责令妻子(⏸)立即送还，因(🙌)为(wéi )"母猎(liè )大了(💥)会生小猪(zhū(🛐) )，当干部的(de )不(👈)能(néng )开这个(💙)头"。古(gǔ )队长(🛴)还把一个提出在高寒地区(qū(🦀) )改种二季稻(🔔)，积极试种秋(🕠)(qiū )天番(fān )茄(🥣)，为扩大多种(🙍)经营、改(gǎi )进穷(🆖)(qióng )队的(de )落后(🎅)面貌而忘我(🅰)工作(zuò )的本(🎗)(běn )村知(zhī )识(🚤)青年辛明亮(⛰)定为(🥃)白(bái )专(🥔)尖(jiā(🕙)n )子，对他进行(🐇)批判、关押(➗)(yā )，并(bìng )且设(⚫)(shè )法要把他(🗼)轰走。就连(liá(🐽)n )自己(jǐ )的女儿花(📑)妹子与辛明(🙅)亮的(de )美满(mǎ(🐌)n )姻缘他也横(🔃)加(jiā )阻挠。结(🎑)果(guǒ )，辛(xīn )明亮很快被邻(lín )县(🏧)刘队巧计接(🏻)走，并成了刘(🦆)队(duì )的一棵(👽)"摇钱树"。古队(🛍)长的(de )"革命(mìng )行动(🚙)(dòng )"，深得公社(🥝)章书记的(de )常(😠)识(shí )，十(shí )八(🐿)弯生产队因(✋)此被誉(yù )为(👨)全(quá(🎣)n )县连(liá(🍼)n )年学大寨的先进(🕑)队，同时(shí )也(🚻)成(chéng )了远近(🥗)闻名的穷队(🕓)。古队(duì )长自(🏽)(zì )己要到县里开(🥛)劳模会(huì )，连(🍣)(lián )一条不打(🎵)补钉的裤子(🕷)也没(méi )有。因(🌇)为太穷，姑(gū )娘们都不肯(kěn )嫁(🛰)到(dào )这个队(🐗)，不少(shǎo )30多岁(👲)的光棍没找(🤺)不到戏象。在(🍈)(zài )党的十一届三(🤷)中全会的春(🌞)(chūn )风吹(chuī )拂(📪)下(xià )，古队长(👲)如噩梦初醒(😤)(xǐng )，他(tā )感到(💆)(dào )他(🔇)非常需(⛸)要辛明亮。于是(shì(📻) )，贴(tiē )出招贤(🤙)榜，请回辛明(🏤)(míng )亮，大搞(gǎ(📤)o )科学试验，积(🏹)极民展(zhǎn )农村(cū(🐊)n )的多(duō )种经(🥡)营，鼓励社员(🎓)搞(gǎo )副业(yè(🙍) )……他笑着(⏮)和自己的过去(qù )诀别(bié )，带领(🍕)社员放(fàng )开(⛪)步子在"谁(shuí(🍣) )先富(fù )，谁光(🐭)荣"的康(kāng )庄(📴)大道上迅猛(🏬)前进(😘)。
安东尼·霍(💥)普金斯版希(🔴)特勒~
秦梦丈(🚿)(zhàng )夫被(bèi )谋(🍇)财害命，化成(💌)冤魂(💻)求助(zhù(💇) )妻子(zǐ )附身(shēn )布(🆎)娃娃上京告(⏸)御状的(de )故事(🧗)(shì )
Two children who have psychic powers use them to avenge the death of their father, who was murdered by a biker gang.
A fictional narrative and a documentary interview are mixed together in this film about two women deprived of independence for many years because of either their family obligations or an authoritarian spouse. In the fictional segment, based on a novel by Alexandra Kollontai (the first Soviet ambassador to Sweden and an early advocate of women's rights), the young woman Vassilissa (Sascha Hammer) learns how to stand up to her womanizing husband (Mark Eins). Director Rosa von Praunheim plays this story out in the tone of an early 20th century "morality" play. The second focus of the film is about Helga Goetze, a mother of seven children who left her brood when she was 50 years old (and her youngest was already 16) to join the Otto Muehl Commune in Vienna and live a liberated life of sexual freedom, filled with involvement in the arts, literature, and politics. Helga moved to the Kreuzberg district of West Berlin, where the on-camera interview was conducted. Director Praunheim opted for interspersing fictional and documentary segments so as to better chronicle the move toward independence and sexual "liberation" on the part of the two main female protagonists.