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一个(🖐)有(yǒu )婚姻(⛅)危机的(🚖)中(zhōng )年男(🛺)人，某天(🔌)(tiān )一个漂(🚔)亮的年(😲)(nián )轻女人和(hé )她粗(cū )鲁的丈夫(fū )搬进了他的隔(🌬)(gé )壁，让(📶)他的生(shē(㊙)ng )活发生(😑)(shēng )了翻天(🔹)覆地的(🉐)(de )变化...... 19-year-old Celeste and 26-year-old Sihem, both heroin addicts, are admitted to a rehab clinic the same day. They have a feeling they’ll be good friends. When Sihem tells Celeste that she had been pregnant but ended up having an abortion, Celeste says, “That’(🔤)s not your fault.” Celeste is also comforted by Sihem when Celeste blames her mother for visiting her. However, the clinic takes to issue their intimacy and the two end up leaving the clinic to find a new home. For the two, everything is uncertain, and it is also heartbreaking to see their families suffer because of them. It is also not easy to resist the temptation of drugs. 罗泓轸(🔭)导演有(yǒ(👮)u )望执导(💚)根(gēn )据动(🛹)(dòng )漫改(😅)编的(de )电影《Robot Taekwon V》，收(shōu )到提议，正在积极讨(tǎo )论中。 BOYS ON FILM comes of age with ten uplifting and powerful tales recounting the lives of everyday heroes with no special powers except striving for their own identities and fighting for the right for us all to be ourselves. At one and the same moment, at different places in the world, three people find themselves in limbo. In his mysterious film debut, photographer John Clang edited details from the lives of these three characters aside and after each other, resulting in a continuous narrative in stunning black-and-white about the desire for human contact. 當監獄(yù )的大(👅)門重新開(🐢)(kāi )啟時(🌰)，阿(ā )東呼(🌍)(hū )吸到(⚫)了自(zì )由(🃏)的空氣(⏲)。但(dàn )他的(😥)時光記(🐧)憶(yì )還留(🔳)在(zài )十(😉)二年前，當(🏍)(dāng )時他(✨)有個年輕(qīng )的老婆和小女(nǚ )兒，在一(yī )時衝(chōng )動(⛄)殺了人(🎧)(rén )後，所有(💎)一切(qiē(🆗) )已人事全(🎹)非。