边城浪子电影

1941年第二次(📐)世界(jiè )大战肆虐时期(🛅)，德(〽)国(guó )纳粹入侵苏联(liá(💓)n )。在经历长达(dá )4个月的(🚍)攻(🎄)坚战(zhàn )无果后，希特勒(🍨)(lè )决定(dìng )用饥饿和围(😜)困(kùn )的方式夺取列(liè(🐎) )宁(🐧)格勒。纳粹(cuì )围(wéi )城三(🙃)年，尸横(héng )遍野(yě )的列(💷)宁(🏵)格勒成(chéng )为一座死亡(👂)之(zhī )城。 Nishaant is a 1975 Bollywood crime film drama directed by Shyam Benegal. At the 1976 Cannes Film Festival, the film was nominated for the Palme d'Or for Best Film. 一群武林志(zhì(🚓) )士(🏾)，响应武昌起义(yì )，与清(🍕)军展开(kāi )一场殊死的(🌼)抗(🍘)(kàng )争。 When a secret government aircraft crash lands on a remote hillside, two pilots Ben Boone and Coen Smith, find themselves alive but struggling to stay that way against a deranged cult, drug dealers and the living dead. 故事发生在(zài )罗(🧕)马(mǎ )尼亚同匈牙利(lì(🦅) )边(🏖)境上的小镇(zhèn )Salonta，很多非(💉)法移民(mín )都希(xī )望通(😢)过这(zhè )里进(jìn )入匈牙利(🔷)然后(hòu )是更远的西欧(🔈)(ōu )。四十来岁的Nelu是(shì )当(🌳)地(😇)(dì )一家超市里的(de )保安(🗄)，他的日(rì )子是固定的(🥨)，早(👳)(zǎo )起钓一会儿鱼(yú )，然(💼)(rán )后是工作，晚(wǎn )上回(❎)到(🅿)妻子Florica身(shēn )边。他俩居住(🌫)在(zài )城外(wài )人烟稀少(🐾)的(🕌)地(dì )方。一天早晨(chén )，Nelu从(🗳)河里“钓(diào )”到并不是鱼(🧓)，而(📱)是(shì )一名试图越境(jì(🤝)ng )的土耳其男子(zǐ )。尽管(🚏)语言不通(tōng )，但(dàn )他们似(🈷)乎(hū )能够(gòu )理解彼此(💯)。Nelu将(jiāng )陌生人领回家(jiā(💻) )，喂(🎥)饱他，给他(tā )干衣(yī )服(⤵)。作为回报(bào )，土耳其男(🔆)子(🔃)(zǐ )给了他一大笔(bǐ )钱(🥖)(qián )，只要Nelu能够帮(bāng )助他(💓)(tā(🍤) )穿过国境。 Four Thai directors give their take on Thailand's capital city of Bangkok. Is it possible to live aside of the system, thinking only about the present and oneself? A feature film about Manuel Vázquez, the best comic book author in Barcelona during the sixties, but, mainly, a man with a very particular way of living his life. Dr. Steven Sorenson plans to tap the geothermal energy of the Earth's interior by means of a thermonuclear device detonated deep within the Earth. Despite dire warnings by fellow scientist Ted Rampian, Dr Sorenson proceeds with the experiment after secretly learning that he is terminally ill. This experiment causes a crack to form and grow within the earth's crust, which threatens to split the earth in two if it is not stopped in time. Considering all the critical attention Howard Hawks has received over the years it's rather surprising that this film, the sixth he directed, is so little known. Admittedly, FAZIL is not at all typical of Hawks' work and lacks most of his recognizable directorial motifs, and on top of that features stars whose names only buffs will recognize, but it's a beautifully filmed, sumptuously mounted late silent drama that's worth seeing for its production values alone. For viewers of our era the most striking aspect of the film is that its story is based on a culture clash of West vs. East, specifically, the difficulties that arise when a European (presumably secular) woman who prides herself on being "free" and modern marries an Arab man who follows the old ways and is a devout Muslim. This material lies in a danger zone that Hollywood has rarely ventured into, even in recent years, and while to our eyes FAZIL is quite dated and very much a product of its time in its depiction of Arabic culture, it's nonetheless surprisingly even-handed in presenting both sides of the case in a painful divide that, needless to say, is still with us.