电视剧二叔

Like in the novel of Jules Verne four persons try to get to the centre of the world by entering into a world of caves by a volcano. On their way they discover among other things also prehistoric animals like some dinosaurs. 本片改编自七十年(🛅)(nián )代(🍢)(dài )知名(🔧)小说家江之南(nán )的(🛰)(de )作品，由华山(🍟)导演(yǎn )。故事(💁)描述(shù(🏡) )，涉世未(wèi )深(🏪)(shēn )的刘大江（刘永(🆑)）与(yǔ(🐖) )结拜(☔)兄弟四人行，劫(jié )得一批金(🈸)饰，但(🌕)有人(ré(💤)n )挑拨离间，致互相残(🌦)(cán )杀，只得刘(🖋)(liú )生还(🚲)；后(hòu )刘被(🌈)掠去财(cái )物(⛅)，为生计打劫(📉)赌档(dà(🐄)ng )，却开罪(🦌)了欧(🗒)阳帮，但(dàn )其帮主欣赏刘胆(🚛)色(sè(👴) )，交上朋友(yǒu )来。帮主(zhǔ )女(nǚ(📮) )保镖(👍)金燕（(🎖)李丽丽(lì )）对刘有(🖍)好感，协助(zhù(🧠) )杀(shā )了劫刘(❔)财物的(👬)人；死(sǐ )者(⛱)为黑旗门主之女(nǚ(🍢) )婿(xù )，但(💱)遣孀(🐽)张玫瑰（胡(hú )锦）有感丈(🏢)夫死(🕷)有余(yú(🌖) )辜，也因对刘有好感(🔡)(gǎn )，遂网开一(🦅)(yī )面…(😸)… Loosely based on the notorious Richard Speck murders, this is the grim tale of a disturbed Vietnam vet returning home via Belfast, who invades a house shared by eight nurses and proceeds to terrorize and murder them. 描(miáo )寫印(🌨)度的牛(niú )奶(🌑)供應商(shāng )一(🤯)同對抗(🈁)強(qiáng )大(✏)的牛(📗)乳製造商。在(zài )這一部影片(➕)裡，導(🎎)演(yǎn )貝(bèi )內佳刻畫出了一(🔧)個(gè(🐎) )痛(tòng )苦(🈵)的社會(huì )演變過程(🌡)(chéng )，印度於是(👶)在封建的(de )社(🐋)(shè )會制(🦀)度中慢慢的(♎)走(zǒu )出(chū )來。 星州探(🔭)员龙健(🌓)(jiàn )天(🚳)(tiān )在日渡假，忽接急(jí )电(dià(🐷)n )获悉(🕘)经营小(😴)店之老(lǎo )父(fù )遭人(🦋)杀害。遗物中(🚔)有(yǒu )录(🧗)音带一盒，乃(🗞)亡父(fù )预先(🌤)录下的(de )遗言(🎸)，说(shuō )生(🕵)前曾与(😂)陈(ché(🍣)n )、 张两友(yǒu )合作走私贩(fà(📸)n )毒。龙(😜)出世后，其母(mǔ )劝父改邪归(🐏)正，但(🍶)為(wéi )陈(🎶)(chén )所迫，无法脱离贩(🎽)(fàn )毒(dú )集团(🦐)。龙(lóng )长大，父(📔)(fù )暗(à(🌊)n )充线人，供龙(🍲)情报(bào )。龙向张求助(🤚)，张告(gà(🐁)o )以(yǐ(😦) )欲得杀害其父之主(zhǔ )谋(mó(🖖)u )，必须(🕕)先赴香(✴)港，找(zhǎo )已化名為王(🏭)大雄之(zhī )杀(🐨)(shā )父仇(♋)人…… Director Mario Caiano is not one of the better known Italian directors; but he's certainly one of the most underrated and has proved himself more than capable of delivering the goods on a number of occasions with films such as Calling All Police Cars, Night of the Doomed, and this film. The Polizi genre is best known for it's fun action flicks with a focus on car chases and shootouts; but with this film, the director has taken the theme and added an extremely grim atmosphere to it, and this bodes well with the plot line which takes in a robbery gone wrong, a resulting war between the criminals and a police investigation. The film opens with a bank robbery in which the crooks make off with a load of money which was intended for some workers' pay packets. This interests Police Commissioner Foschi as the wages are normally paid in cheque. Things haven't gone well for the criminals either, as two of them have decided to rip the other one off, leading him to track down his former partners with the cops on all of their tails. 内向(🎊)的波(bō )兰裔(📇)青年塔尔科(💨)夫斯(sī(⏹) )基（罗(👬)曼·(🤦)波兰斯基(jī ) Roman Polanski 饰）独自来(lá(💝)i )到巴(🚦)黎，希望在此租(zū )住一间公(🌚)寓。这(✝)间房(fá(🔥)ng )之前的房客西蒙·(🗒)肖(xiāo )（Romain Bouteille 饰）(🍷)不知出于何(🏓)种(zhǒng )原(🧒)(yuán )因跳楼自(🤸)(zì )杀。在西(xī )蒙(méng )于(💂)医院中(🍹)气绝(😒)身亡(wáng )后(hòu )，塔尔科夫斯基(👲)顺(shù(🍬)n )利(lì )地(🏵)成为了新的房客(kè(🦕) )。 The title of the film leads the viewer to expect lots of violence, and Lenzi certainly doesn't disappoint in this respect. We've got bowling balls to the head, a young woman having her face scraped off on a moving train, a man impaled on a sharp fence and many other such delights. Overall, it has to be said that this film isn't very original, but Lenzi injects some freshness into it with a barrage of exciting chase scenes (the best of which take a point of view shot from the front of a motorbike) and violent shootouts. The good thing about these Polizia movies is that they are played out for pure entertainment value, meaning that Lenzi is free from trying to be arty, and can pack in as much violence as he likes; a fact which is often capitalised on. The film benefits from a strong Italian cast, including Maurizio Merli; who may be no Clint Eastwood, but still delivers a strong and entertaining lead performance. John Saxon gets to join in the fun also, and there's also a place for fellow American actor Barry Sullivan, in the role of the villain. Overall, if you're into Italian cop movies; this isn't one to miss! 人影もまば(💗)らな別(😒)(bié )荘(zhuāng )地の(😚)スナックを(📡)訪(fǎng )れた数(💨)人の男(✔)と女が(⏰)巻(quà(🈷)n )き起こす、性と暴力(lì )の(🈚)嵐を(🏈)描く日活バイオレンス・(👖)ポル(🚘)ノ。R18+指定(⏸)作品。佐治乾と斎藤(🕌)信幸による(🧐)脚本を、沢(🍖)田幸(xì(🧀)ng )弘(hóng )が監督(😟)した。夏も過(guò )ぎ、(🍺)避暑(shǔ(🤰) )客も(🔨)ほとんどひきあげて人影(👳)(yǐng )も(💆)まばら(🎙)な別荘地のはずれ(🎂)に、別荘の(🐪)管(guǎn )理(🌠)(lǐ )事務所を(🤛)兼ねている(❇)一軒のスナ(💧)ック・(✔)黒(hēi )い(🐁)湖が(🎿)あった。そこの主人・黒木(🚾)は、(⛱)3年(nián )前ここのバーテンだ(👴)った(💱)が、妻(💌)(qī )の京子に男と逃(🎞)げられ、そ(🛑)のあと自分(🔴)でこの(🙆)店を買い取(🥉)って、じっと京(jī(⭐)ng )子の帰(🍔)るの(🤫)を待っていた。激(jī )しい雨(🖕)が降(👎)る日だ(🤸)った。黒木は、客の(🥒)いない店内(🆘)でタバ(⛳)コを喫(kài )い(🚌)ながら、思(🗿)いに沈(shěn )んでいた(🗄)。その時(😺)、一(😓)陣の風が店内に舞(wǔ )い込(🈯)んで(🍫)きたと思うと、ズブ濡(rú(🔄) )れの女が入(🈁)口に立(📏)っていた。黒(📐)木は、一(yī(🕴) )瞬凍りつく(😡)ような(🔙)表(biǎo )情で唖(🤾)然として女を見(jiàn )つめて(🥁)いた(💖)・・・。