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玛(mǎ )丽是一位美丽而(é(🚪)r )孤(🕖)独的十六岁少女(nǚ )，居住(zhù(♎) )在丹麦一个偏僻(pì )的海边(🐞)渔(🛳)(yú )村。她的(de )母亲患(huàn )上了重(🤺)病(🆎)，终日(rì(🐍) )坐在轮椅(yǐ )上，神志(🏬)不(💺)清。玛丽(💑)的父亲托尔依(yī )靠(🚻)经(🥂)营(yíng )一(🔯)间小(xiǎo )型的杂货(huò )店(💴)来养活(❓)(huó(⏸) )全家。从(cóng )表面上(shà(🈵)ng )来看，日(🕢)子(🔍)过得很(hěn )寻常，然而(👃)玛丽却(😖)怀(🧦)疑(yí )在她母亲(qīn )患病的背(🔙)(bè(🔸)i )后有着(zhe )不可告(gào )人的秘密(⛸)(mì(🐲) )。via.张咏轩(xuān ) 高谭市接二连三(🐂)(sān )发生绑架案，嫌疑(yí )人都(📟)指(📑)(zhǐ )向了蝙蝠侠。蝙(biān )蝠侠（(💞)杰(🤚)(jié )森·(👼)奥玛(mǎ )拉 Jason O'Mara 配音(yīn )）(🕉)和(💗)绿灯侠(🗼)（贾(jiǎ )斯汀·柯(kē(🥢) )克(🗨) Justin Kirk 配音）(⌛)分头找(zhǎo )到真凶的线(🔏)索，对(duì(📿) )方(📛)留下(xià )一个神(shén )秘(📂)仪器后(🎁)(hò(📬)u )自爆。为(wéi )了解开仪(⛪)(yí )器的(Ⓜ)秘(🏧)(mì )密，二人出发寻找(zhǎo )超人(👙)（(🚄)艾伦·图代克 Alan Tudyk 配(pèi )音）希(🔔)望(🤙)(wàng )弄清真相(xiàng )。当他(tā )们正(🛩)逼近事实时(shí )，仪器突(tū )然(🤚)启(🔛)动，原来这(zhè )是某个外星入(🤶)侵(🕹)者(zhě )设(🎸)置的(de )时空通道装置(🔛)，大(🧕)批外星(🥘)(xīng )人通过它(tā )开始(🍷)侵(👀)(qīn )略地(🚐)球。与此同(tóng )时，斯通(tō(🍖)ng )博士也(✌)就(⛴)神秘仪(yí )器展开调(⛷)查，斯通(🐼)(tō(💪)ng )博士的(de )儿子维(wéi )克(🐥)（谢默(🕎)(mò(🐁) )·摩尔 Shemar Moore 配(pèi )音）意外(wài )被(👆)仪(🧓)器(qì )感染，死而复生化(huà )身(🎵)拥(🚳)有(yǒu )强大实力的超级(jí )战(❄)士。 Seamstress Nutsa marries Goga, the father of her children. The ceremony is brief – both of them just give their signature and then she has to leave. Goga is in prison, where he will remain for another six years. By marrying him, Nutsa gains the right to talk to Goga once a month on the other side of the glass. Her children don't want to accompany her on her next visit: their father has become a stranger to them. One day at work, Nutsa meets another man. They have a conversation and later the man pays her a visit. At that moment, Goga phones with news that there's a change in the prison's rules: married inmates are now allowed to have their spouses stay overnight. Nutsa puts on the dress she wore on their first date. But Nutsa and Goga feel awkward with this sudden intimacy ... In her feature film debut Tinatin Kajrishvili depicts the daily routine of life in prison with strong images, the camera staying close to her protagonists. Patardzlebi is a dark film about human dignity and the repressive judicial system in Georgia. (Berlinale 2014) 阿宅（萧(xiāo )敬腾 饰(shì )）(🈸)和他的室友抠(kōu )男（大鹏(🧣)(pé(🕰)ng ) 饰）是(🐈)大学里的(de )“铁血纯屌(💱)丝(🎁)”，他们最(📖)(zuì )大的梦想就是可(✈)(kě(🐏) )以献身(♋)女(nǚ )神。抠男(nán )为了接(🥋)(jiē )近他(👷)的(💣)女神川美（谢娜 饰(📪)(shì )），假(📍)扮(😋)富二代(dài )，在川美身(👱)边神出(🤧)(chū(💗) )鬼没，闹出很(hěn )多笑话。而不(🎅)善(🥧)于(yú )表达的阿宅则通(tōng )过(🤴)“计(😾)算与奔跑”努力制(zhì )造出一(🎬)次(🈺)次走廊(láng )偶遇，来(lái )与女神(📐)雅(yǎ )玲（江(jiāng )疏影 饰）搭(🔼)话(📓)，但他这(👶)些(xiē )伎俩总会被高(🏠)冷(🧦)(lěng )的雅(🎞)玲看穿，最后(hòu )尴尬(🐷)收(⏸)(shōu )场。 在(🎻)极度的身(shēn )份歧视严(♈)(yán )重的(🅰)朝(🥪)鲜(xiān )时代,金(jīn )有贞(🐋)饰演哭(⛱)婢(🤢)的女(nǚ )儿，徐(xú )俊英(🐈)饰演两(🛎)班(📥)庶(shù )子妓生的儿子。此(cǐ )剧(🈯)为(💴)KBS2 2014年(nián )电视剧(jù )特别独幕(mù(🍈) )。 After being bullied out of boarding school for being poor, Liam Hunter went on to make millions from creating a revenge website where jilted lovers post compromising 'selfies' sent to them by their exes. But when a picture of his fiancé(🎍)e with another man surfaces on his website, Liam decides to leave behind his superficial life and go in search of something real. On his journey, he meets and falls for Anna, a feisty ex-actress who had her career ruined by a selfie sent by her ex to Liam's website. Can Liam keep his past a secret and build a future with Anna? Seamstress Nutsa marries Goga, the father of her children. The ceremony is brief – both of them just give their signature and then she has to leave. Goga is in prison, where he will remain for another six years. By marrying him, Nutsa gains the right to talk to Goga once a month on the other side of the glass. Her children don't want to accompany her on her next visit: their father has become a stranger to them. One day at work, Nutsa meets another man. They have a conversation and later the man pays her a visit. At that moment, Goga phones with news that there's a change in the prison's rules: married inmates are now allowed to have their spouses stay overnight. Nutsa puts on the dress she wore on their first date. But Nutsa and Goga feel awkward with this sudden intimacy ... In her feature film debut Tinatin Kajrishvili depicts the daily routine of life in prison with strong images, the camera staying close to her protagonists. Patardzlebi is a dark film about human dignity and the repressive judicial system in Georgia. (Berlinale 2014)