盛夏晚晴天分集剧情

流浪汉Frank Chambers（约翰(hàn )·加菲(👕)(fēi )尔(⚽)德 John Garfield 饰）(🤯)在路边的一间小(xiǎo )餐馆(⭐)里(lǐ )，被(👈)美丽(🚐)的老板(🅾)(bǎn )娘Cora Smith（(🤪)拉(lā )娜·特(tè )纳 Lana Turner 饰）所(🏕)吸引，正(🚩)(zhèng )好那间(jiān )餐馆正在招(🤟)工，他便(🙍)留(liú(👩) )了下来(🐨)(lái )，成为(💰)一名服务(wù )生(shēng )。餐馆(guǎ(🛋)n )老板Nick年(🧘)纪比(👅)Cora大得多，Frank见(jiàn )有机可(kě )乘(ché(👓)ng )，便多(🏜)次(🍀)挑逗(🕙)Cora，最后两(🥣)(liǎng )人终于坠入爱河。两人(💓)(rén )准备(📐)私(sī(💢) )奔(bēn )，走(🤞)到半路却发(fā )现从此(cǐ )没(🛣)了经(🗺)(jīng )济来(⭐)源，便回到(dào )餐馆，决定谋(🌲)害Nick，制造(🚃)Nick出了(🍤)意外(wà(😭)i )的假象(🌛)(xiàng )，他们就可以获(huò )得Nick的(🚞)遗(yí )产(🐥)。第(dì )一次行动阴差阳(yá(📮)ng )错(cuò )地(🦆)没有(🍂)(yǒu )成功(🙋)。第二次(🔴)行动，他(tā )们成功(gōng )把Nick杀(🎫)害，却被(⏱)一(yī(💓) )个(gè )检察官(guān )发现。Cora被告上(🈹)法庭(⌛)。在(📘)(zài )一(🐫)个律(lǜ(✒) )师(shī )的诡计下，两人(rén )逃(🐉)脱了(le )法(😚)律的(😸)制裁。但(🎽)他们的(de )好日子(zǐ )却(què )还没(👫)到来(📟)...... 身处广(⏬)(guǎng )州的梅(méi )梦云见(jiàn )战(🌝)火迫近(🚄),决定(💠)举(jǔ )家(🔎)与爱(à(🕘)i )人阿芳及其母亲逃到香(➕)港(gǎng ).岂(🥘)料起(qǐ )程之际,梦云无法(🌵)(fǎ )与芳(🍷)联(liá(🔓)n )络,二人(🛐)(rén )就此(🕳)失散.到港后(hòu ),梦(mèng )云在(🦈)洋(yáng )行(🛵)觅得(🍋)一职.行长之妹余(yú )晚萍对(🖊)(duì )他一(🅿)见钟(🕒)情,且多(✌)(duō )番(fān )示爱.梦(mèng )云对芳(🕘)念念不(🏮)忘,不(🧝)为晚(wǎ(😳)n )萍所动(dòng ).其(qí )后晚萍得知云父(🤣)(fù )生意(🕥)失(shī )败,急需向晚萍兄长(♉)借贷(dà(😍)i ),便吩(🎶)咐(fù )兄(🥩)(xiōng )长以(🗼)婚事作交换(huàn )条件,梦(mè(🏏)ng )云只得(🔎)(dé )无奈应允.订婚之(zhī )日,梦云(yú(🌝)n )竟重(😟)遇前来(🚛)表演的(👌)阿芳,芳(fāng )见爱人(rén )跟别(👿)人订婚(🎛),伤心(➗)(xīn )而去,云(yún )父为使(shǐ )儿子死心,央(🧠)求芳(🍨)(fāng )装(zhuā(🐥)ng )作已婚(hūn ),前来参加梦云(⛎)的婚礼(🔽).新(xī(🦔)n )婚之夜(🛬)(yè ),一对新人吵将起来(lái ),梦云更(🌌)(gèng )一去(🚺)不返.晚萍老羞成怒(nù ),嚷(👚)着离(lí(🔇) )婚(hū(🎮)n ),又教唆(😸)兄长娶(💜)芳(fāng )为妻,作(zuò )为借钱给(🛬)云父的(📋)条件.芳(fāng )为救云(yún )父(fù ),亦暂时(🏫)答允(🥐),可是婚(🤖)期日(rì(🛑) )近,梦云(yún )踪影全无,芳在(🌿)绝(jué )望(👕)之下(🏒)(xià )企图服毒自杀.幸而梦云(yún )赶(gǎ(🥩)n )及制(🛄)止(zhǐ ),二(🍜)人终能团聚. 威爾斯啟(qǐ(🚞) )發了黑(🌃)(hēi )色(📩)電影風(🍜)格，又(yòu )以(yǐ )這個類(lèi )型風格來(🏳)處理本(💤)片。平(píng )靜小城(chéng )受人尊(⏮)敬的教(❤)授原(🕠)(yuán )來是(🐦)納(nà )粹(🔀)餘孽，聯邦密探微服(fú )偵(🕘)查，引(yǐ(💧)n )發出連場殺戮。威爾斯(sī )飾演教(🐍)授，與(😒)康(👖)城影(🦎)帝(dì )愛(🤔)德華(huá )．羅便臣飾演的(🆘)聯邦密(🔦)探(tà(🔄)n )，大鬥(dòu )演技，成為一時(shí )佳話。殺人(🚇)毒計(🎚)更為影(❇)片帶來(lái )奧(ào )斯卡最(zuì(🐓) )佳原著(🏟)劇本(👅)和威尼(🏳)斯影(yǐng )展最佳(jiā )電影金獅獎提(🖋)名(míng )，又(🐊)是他(tā )最賣座的電影。 曾(✊)在西(xī(⤵) )班牙(🔏)杀(shā )过(🔈)人的水(🦀)手Michael O'Hara（奥逊(xùn )·威尔(ěr )斯(🏡) Orson Welles 饰）回(🔙)到了纽约，一(yī )天夜里(lǐ )他(tā )在(😱)路上(🤲)救(🧥)了遭(🍑)到(dào )打(🌆)劫的(de )美女Elsa（丽塔·海华(🎦)斯 Rita Hayworth 饰(shì(🔓) )），于(📠)(yú )是(shì )Elsa让她的丈夫，律师Arthur Bannister（埃(āi )弗(🥓)雷特(🔲)(tè )·斯(📜)隆 Everett Sloane 饰）找到(dào )Michael，让他(tā )来(🥓)船上当(🎷)水手(🛸)。Bannister一家刚(🙂)(gāng )从(cóng )上海回(huí )到纽约，正要坐(🕦)船前往(💛)(wǎng )旧金山(shān )。在海上航行(📼)的(de )时(shí(🗄) )候，Michael和(🌹)(hé )Elsa情愫(🐲)暗生。而(🥇)Michael也认识了(le )Arthur的朋友(yǒu )George Grisby（Glenn Anders 饰(✔)）。George知道(🐟)Michael曾经(jīng )杀过人(rén )后，想让Michael再杀一(🧐)个人(🍪)，并(📭)承诺(📺)(nuò )给(gě(📧)i )他五千美元的佣(yòng )金，而(🚬)(ér )他想(🏦)让Michael杀(✴)的人，就是George自(zì )己。原(yuán )来George想制造自(🎳)己已(🖼)经死了(🐊)的(de )假象，然后从现在的生(🐿)(shēng )活和(🌞)他(tā(🎇) )的妻子(🖇)身边逃走。两人(rén )的(de )计划看(kàn )起(🤶)来天衣(🔂)无缝，George却失手(shǒu )杀死了(le )Arthur的(🎧)管家，随(🤼)后George也(📊)(yě )真(zhē(🏾)n )的被杀(😒)(shā )。Michael被认为是两个死者的(👠)(de )凶手，法(♏)庭上，为Michael辩论的(de )却是他(tā )的情敌(😮)Arthur，到底(🔟)谁(⏪)才是(😨)杀(shā )死(🍅)George的真(zhēn )正(zhèng )凶手？ Jean Arthur stars as Congresswoman Phoebe Frost in Wilder's satire of American sexual mores. She arrives in bombed-out postwar Berlin in 1947 as part of a congressional delegation assigned to investigate the moral behavior of the American occupying troops. As part of her mission, she delivers a cake baked by his fiancee to Capt. John Pringle (John Lund), who immediately trades it on the black market for a mattress, which he takes to the apartment of his current girlfriend, Erika von Schluetow (Marlene Dietrich), an alluring German nightclub singer. While touring the city, researching the G.I.s appetite for blond German women and alcohol, Phoebe, mistaken for a German, is picked up by some of the soldiers and taken to a club which features the singing of Erika. When she sees a familiar cake being served, she becomes suspicious and orders John to watch the woman's apartment to identify her American lover. After seeing some newsreel footage of Erika with Hitler, Phoebe asks John to show her the woman's file, but he distracts her from further investigation by coming on to the congresswoman, who responds with surprising passion. A comedy edged with cruelty, it features one of Dietrich's quintessential performances. "Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’(⬜)s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’(❇)s acknowledgement of Indian rights ("We’re on their land. They ain’(🤰)t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."