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本(📶)(běn )片毫不含糊地(🌐)正面(miàn )描写了同(🚸)性恋情，有(yǒu )些(xiē(⤵) )镜头对今天的观众(zhòng )来(lái )说还是非常(📺)具有挑逗(dòu )性(xì(🌳)ng )。男主角保尔有一(🎎)(yī )种(zhǒng )说不出是(👾)男性还是女(nǚ )性(🚠)的魅力，让这部(bù(😒) )本(bě(🔐)n )来(lái )是控诉(🏊)同性(😶)恋受社会(huì(🕡) )剥削(🔉)的影片带上(🎍)了(le )强(🏦)(qiáng )烈(liè )的同性情(👵)欲色彩。编剧兼演(🗄)员费尔德当时(shí(🈸) )是(shì )德(dé )国声名(🔦)赫赫的同性(xìng )恋(💃)组织领袖，影片上(🏠)(shàng )映(yìng )后(hòu )立即(🎖)引起轰动，警(jǐng )方下了禁演令。一年(nián )后(🎣)(hòu )终于被德国政(📵)府全(quán )面(miàn )禁示(💫)在戏院上映，但(dà(🐚)n )是(shì )在进行科学(💅)研究的(de )场(chǎng )所，医(🐢)生和(💿)医学生还(há(🙁)i )是可(〰)以看。在1961年于(📣)(yú )好(🚱)(hǎo )莱(lái )坞出(👮)现的(🕛)影片《受害(hài )者》（(㊗)Victim），跟本片(piàn )有(yǒ(🌎)u )着(zhe )类似的主题和(🐦)剧情重点，它描述(🐃)在同性(xìng )恋(liàn )仍(🎓)(réng )属(shǔ )禁忌的1960年(✳)代，狄·鲍嘉饰演(🍎)的律师负责(zé )对(duì )付(fù )一名专门恐吓(🕥)男同(tóng )性恋的勒(🦄)索者，不料(liào )他(tā(🧓) )本身就是一个同(🎭)性(xìng )恋(liàn )者！ Gotthold Ephraim Lessing published his "dramatic poem" in 1779 as a direct response to censure by official orthodox religious circles, to which he was subject after publishing a work by Samuel Reimarus that was critical of religion. He set his story in Jerusalem at the time of the Crusades, where Christians, Jews and Muslims were in constant and close confrontation. It threatens to end tragically in religious conflict, but the main character succeeds, with insight and shrewdness, in reconciling the religious communities. Lessing's drama is acknowledged in German literary history as a "humanist manifesto" that defends "religious tolerance and the freedom of ideas". Scriptwriter Hans Kyser adapted the drama to great cinematic effect, incorporating as a powerful prologue, the opening episode that Lessing resolved only at the end of his drama. Manfred Noa used the brutality of the Crusades and their exotic setting to stage visually impressive crowd scenes. Experienced actors from box-office hits were magnificent in the leading roles, among them Werner Krauss (Das Cabinet des Dr. Caligari / The Cabinet of Dr. Caligari by Robert Wiene) as Nathan, and Carl de Vogt (Die Spinnen / The Spiders by Fritz Lang) as a young Templar knight. As in the original drama, this emotionally charged production ends in an impassioned plea for reason and for tolerance towards people of other faiths. 安·(🏪)雪莉是一個(gè )紅(🍩)(hóng )髮(🍬)的少女，她是(🌆)一(yī(✳) )個(gè )孤兒。故(😱)事的(🏡)開始是(shì )說(🚍)島上(🎤)一對兄妹要(yào )領(🎯)(lǐng )養(yǎng )一個男孩(🔏)來幫忙農務(wù )，但(🏖)領養中心卻誤(wù(📃) )送(sòng )了(le )一個女孩(🚨)給他們，但這個女(🥊)孩最後還是(shì )住(⛹)(zhù )了(le )下(xià )來，這對單身的兄(xiōng )妹分別叫(👡)作馬修·卡(kǎ )斯(🍇)(sī )巴(bā )德和瑪莉(✴)拉，他們(men )住在愛德(🏛)華王子島的(de )艾(à(😀)i )凡里鎮上。安有著(🍼)(zhe )豐(fē(🙍)ng )富的想像力(⌚)且能(🌾)言善(shàn )道(dà(🗑)o )，更有(🦉)著創作的天(🎠)(tiān )份(🏾)(fèn )……。 Morhange上校跟Saint-Avit中(🚛)校误(wù )入撒哈拉(🚟)中部名为(wéi )亚(yà(💔) )特(tè )兰蒂斯的山(⏮)谷，那在(zài )很久以(🛩)前曾是大西(xī )洋(🐑)(yáng )中(zhōng )的孤岛之(🍇)国，后海水褪尽，成了高山阻(zǔ )隔(gé )的(de )世(😣)(shì )外桃源。该地区(😱)的(de )统治者是一名(🍧)叫做Antinéa的(de )妖(yāo )娆(✨)女王，数年来相(xià(⚾)ng )继有不少正当壮(🍷)年的(⛓)(de )法(fǎ )国军人(🍲)（阿(😉)尔及利(lì )亚(🍴)(yà )的(🐾)殖民军官）(🐮)误入(🌍)此(cǐ )地(dì )，然后为(🍢)女王的美(měi )貌(mà(🍘)o )痴迷最后疯狂而(🚺)死，并被做成镀金(🍳)木乃(nǎi )伊(yī )陈(ché(🛩)n )列。Morhange是虔诚的基督(🕓)徒(tú )，不为异教的(🛳)Antinéa的(de )诱(yòu )惑(huò )所动，俗(➗)话说，越是得不到(🐟)的越令人着(zhe )迷(mí(🧔) )，往(wǎng )常都是男人(🥙)哭着喊(hǎn )着要亲(🆘)近的女王第一(yī(🌋) )次(cì )为(wéi )Morhange动了真(💘)情。然(🏄)而，妒火却在(🍹)另一(🚍)个男人(rén )的(🧀)(de )胸中(🎧)熊熊燃烧，爱(🐥)(ài )情(🧙)(qíng )、友情、室外(👚)桃源、逃(táo )离、(👛)回归？？到底(dǐ(📖) )是(shì )怎样的抉择(👒)呢，请看(kàn )片吧。 L'un des premiers chefs d'oeuvre du ré(🚎)alisme cinématographique. Il s'agit là de la première version de l'oeuvre de Zola. L'originalité du film tient à sa longueur (107 mn) tout à fait inhabituelle pour cette é(🏔)poque ainsi qu'au tournage en extérieur, sur la fosse 5 d'Auchel. 导演：卢觉非(🤝) 赌(dǔ )城拉斯维加斯，除(⛵)(chú )夕(xī )夜(yè )。轮盘(⛔)赌盘在疯狂地旋(🥟)转，纸牌的劈啪(pā(🔤) )声(shēng )愈(yù )发(fā )刺(🤐)耳。老虎机鸣响(xiǎ(📁)ng )，香槟酒气熏天。突(🥣)(tū )然(👬)(rán )间(jiān )，灯火(🧕)骤熄(📄)，一片(piàn )黑暗(💛)。这是(🧥)一个多么(me )完(🛥)(wán )美(👃)的时刻，无论你(nǐ(➖) )是(shì )去偷吻香艳(❎)的女郎还(hái )是(shì(✴) )顺手牵羊地私密(🙃)几(jǐ )张(zhāng )钞票。当(📡)然，对于丹(dān )尼·(🍠)奥逊（弗兰克(kè(🚇) )·辛(xīn )纳特拉 Frank Sinatra饰）和(🌆)他的十(shí )一个犯(⛷)罪团伙来说(shuō )，这(🐒)(zhè )更是一个偷天(🔲)换日的绝佳盗窃(🥅)机会。以(yǐ )丹(dān )尼(📓)(ní )为(wéi )首的十一(🦍)罗汉(👅)，均(jun1 )是二战退(💈)伍后(🥌)最优秀(xiù )的(🔲)(de )空(kō(🥂)ng )降部队成员(🛹)，个个(😪)(gè )身怀绝技。丹尼(🛍)伙同(tóng )山(shān )姆·(👃)哈蒙（迪恩·马(📥)(mǎ )丁 Dean Martin饰）、约什(🐿)·霍华(huá )（小萨(🍵)米·戴维斯 Sammy Davis Jr.饰(shì(🎸) )）、吉米·福斯特（彼(bǐ )特·劳福德(🛤) Peter Lawford饰）和(hé )康(kāng )纳(💊)(nà )斯（乔伊·毕(😝)晓普 Joey Bishop饰(shì )）等人(💑)，开始了一(yī )场(chǎ(🤞)ng )有(yǒu )史以来最大(👒)的赌场抢劫案。然(💁)而这(⬇)场看(kàn )似(sì(📉) )天(tiā(♈)n )衣无缝的“完(🕟)美”盗(💝)窃案，却纰漏(🥄)百出(💕)、波(bō )澜(lán )起伏(⬅)。 For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence. 又称《四神(shén )奇》《不(📝)莱梅四重奏(zòu )》