Stuart Whitman is Shatter, an international hitman who is hiding out in Hong Kong after he has completed a contract out on an African leader. Shatter soon finds out that everyone wants him dead, including the crime syndicate, the cops and the brother of the African leader he killed. Shatter teams up with a kung fu expert (Ti Lung) to try to get the money that is owed to him. Various double crosses and fight scenes ensue.
★(🕚)1973 電影旬報年(niá(🈵)n )度十(shí )大第(dì(🗺) )七(🚡)位
忘八者，即在(🤶)(zài )吉原一代从(có(🙅)ng )事色(sè )情业(yè(🍶) )，将“孝、悌、忠(🏞)(zhōng )、信、礼、义(🎱)、廉、耻”这为(🔳)人(😺)八德抛(pāo )弃(🛤)、(😃)被世人看作(zuò(❤) )畜牲(shēng )和无赖的(🏩)人。
The end of 1940s is in extreme chaos of ideology. Park Nam-Pyo, a leader of the communist party in South Korea, is assassinated during his address in a lecture meeting. Inspector Park arrests Jung-Kwon as the criminal. Kwon is released thanks to the plot of the party's underground organization but is executed by the party. After that Hong Jeong-Kyu, a convert from communism, is assassinated again and Hwang Cheon-Il, the assassin, is caught. When the case gets into the climax, the communist party under pressure assassinate chief officer Kim. Inspector Park, who is second to none to follow Kim, makes a sudden attack the hideout of the party and clears them out with his strong combative spirit.
清兵火烧(shā(🖼)o )少(🗣)林，寺中(zhōng )人(🤺)员(🥒)(yuán )伤亡(wáng )惨重(🤚)，洪熙官（陈(chén )观(👮)泰 饰）虽(suī )然(🦋)幸(xìng )免于(yú )难(🚮)但(💖)是身受重伤，他(🐚)决定暂时偃旗(qí(⛳) )息鼓(gǔ )待到他(🎷)日能够东山再(🚙)起(💬)(qǐ )，哪知道逃(tá(📌)o )亡的(de )一路(lù )上屡(➡)屡遭到官兵的(💈)(de )追杀。某日(rì )，洪(💋)(hóng )熙官(guān )正在和(📯)追捕他的官(guā(💸)n )兵(🤦)周旋，陷入鏖(🍃)(á(🤺)o )战之(zhī )中，巧得(🧒)方世玉（傅声 饰(🛰)）路过，方世(shì(🤠) )玉(🚭)误以为洪熙(🆘)官(😀)是作奸(jiān )犯科(🎆)之徒，于是(shì )帮助(🔈)(zhù )官兵将他五(⏺)花大绑(bǎng )交至(🐩)官(🖱)府。
杰拉(lā )德·(🐱)卡萨诺瓦是，所有(⛲)(yǒu )的富饶美丽(🔉)的女(nǚ )人打(dǎ(📳) )电话的时候，他们(🏌)需要(yào )多一点那(🚲)么(me )丈夫(fū )给他(🏪)们的人
After she crossed the border to the South alone during Korean War, Seon-Hee voluntarily takes a part in a service for an orphanage. She faces various difficulties while she takes care of orphans. However she endures all the hardships with belief and home for bringing up orphans. Two troublemakers Jae and Kwang become college students thanks to her efforts. As Kwang loses his eyesight during students activities against the government in 1960, Seon-Hee gives him one of her eyes. When Seon-Hee goes to prison instead of her adopted daughter Suk who incidentally committed a crime, the orphans who grew up as good civilians appeal to the court for her innocence. In the end Seon-Hee comes back to them and dies.
Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since.
忘(🥞)八者(zhě )，即在吉原(🔃)(yuán )一代(dài )从事(💷)(shì(🙃) )色情业，将“孝(💈)、(🚈)悌、忠、信、(🈺)礼(lǐ )、义(yì )、廉(🏫)、耻”这为人(ré(👁)n )八(😍)德抛弃、被(👅)世(👼)(shì )人看(kàn )作畜(🌍)牲和无赖的人。