The Last Desperate Hours benefits immensely from two great leading performances; chiefly Antonio Sabato in the lead role. Sabato fits his character like a glove and comes across excellently as the detestable sleazebag at the centre of the film. He gets great backup from Pier Paolo Capponi as the lead cop on the case. The atmosphere created by Giorgio Stegani is just great and he manages to create an impression of Milan that is as downtrodden and corrupt as the lead character. The film features the Spaghetti style that most genre fans will appreciate - the score by Gianni Marchetti is truly memorable. The plot flows quickly throughout and none of the ninety minute running time is wasted. The director ensures that we always know the central figure is on a deadline and he keeps things interesting by keeping up the cat and mouse game between cop and criminal, as well as implementing a good few murder scenes - one involving a medical saw is a particular highlight! It all boils down to a surprising, yet fitting ending and overall this crime flick is one of the best Eurocrime entries that I've seen and is well worth the trouble of tracking down!
“另一边(🛄)的背后”是1972年由(🏗)简(🙊)(jiǎn )·雅(yǎ )顿(dùn )（(👛)女(🛂)）编剧和执导(🤔)的一部英国独立(lì(🛄) )制(zhì )作(zuò )故(gù )事(🧖)片。它是20世纪70年(🐝)代(🍷)唯一的(de )一部完(wá(👁)n )全(⛎)(quán )由一(yī )个女(🏢)人(🏜)执导拍摄的英国(🔍)独(🎀)立(lì )制作电(dià(👛)n )影。简(jiǎn )·雅顿(🏏)自(🅿)己也在影片中客串(👜)(chuàn )了(le )一把(bǎ )。电(😗)影(🍀)片名是取自简·(📒)雅(🥚)顿1969年伦敦(dūn )艺(🛹)(yì )术实(shí )验室剧(💙)院取得巨大反响和(🐲)成功的舞(wǔ )台(🕥)(tá(✉)i )剧(jù )“Vagina Rex and the Gas Oven”（阴道脉动(🧥)（(🍊)或者翻译成阴(👡)道痉(jìng )挛(luán )）和(hé(😊) )燃气炉）。
Film follows a young couple who are parasites on the lives of others. The film makers largely leave out explanations. Viewers find themselves in the middle of a thriller-like story without knowing the background of the two, and is also left with questions at the end. In the meantime, a strange life becomes visible. The couple lives in a small camp in the woods, with a tent, sleeping bags and empty wine bottles. Isolated, but also unprotected. The girl visits a lonely old lady, for money. The boy also goes to see a married couple whose son died, for a fee. Both think they aren't doing anything wrong, but their work is not without risks.
An investigative reporter works to solve the mystery of a haunted house constructed from rooms of the deceased.
伦敦巴(🌉)拉德街区的一(🕋)群(🎏)(qún )小(xiǎo )混(hún )混(hú(🐫)n )莫(✨)斯（John Boyega 饰）、丹(⏪)尼(⛄)斯（Franz Drameh 饰）和卡文(🏏)(wé(⭕)n )等(děng )人在(zài )夜(🐷)色中打劫了女护(🌯)士萨姆（茱蒂•惠(⛸)特克(kè ) Jodie Whittaker 饰），正(🤼)在(👋)他们作案时，一(yī(🐲) )不(🕘)(bú )明生(shēng )物从(🎭)天而降，将莫斯咬伤，萨姆趁(chèn )机(jī )逃(😮)脱(tuō )。愤怒的莫(♍)斯(💲)将这只非猿非犬(🔏)的(⤴)小(xiǎo )生(shēng )物(wù(🎉) )杀(shā )死，带着尸体拜(🎿)访种植大麻的朗(🍟)与(yǔ )高(gāo )帽(mà(➕)o )等(🤨)(děng )人，在得知该生(🔧)物(✅)可能是外星来(⤵)客(🥏)(kè )后(hòu )，莫(mò )斯萌(🏻)生(🍥)了赚钱的念头(🚿)，但在(zài )他们出(chū(⌚) )门(mén )后形(xíng )势急转(😻)直下，先是天空(🔥)降(👥)下(xià )大批体(tǐ )型(💙)(xí(📠)ng )庞大(dà )的同类(⬆)生物，而后莫斯又被(bèi )萨(sà )姆带(dài )来(😻)的警察逮捕，一(🌃)番(😃)混乱中，莫斯(sī )与(🏌)(yǔ(🚝) )同伴(bàn )逃出，因(📮)为(✌)半路冲撞了高帽(👯)的车子(zǐ )不(bú )得(📒)不(bú )躲在萨姆(❌)家(🔦)中，以此避开外星(💖)怪(📕)兽(shòu )、高(gāo )帽(🧟)(mà(🏨)o )和警方的追踪。莫(🍽)斯(⌚)率领众伙伴试(🌾)(shì )图(tú )保(bǎo )卫(wè(🌗)i )街区但只能在怪兽(🔖)的追逐下(xià )亡(🀄)命(🅱)奔(bēn )逃(táo )，而(ér )且(👧)更(🚙)糟糕的是，这些(♍)怪兽的(de )主要目(mù )标(biāo )似乎(hū )是杀死(👋)了小怪兽的莫(❎)斯(🏥)……
杨(yáng )尼（尤(🥢)西(😃)·瓦坦恩 Jussi Vatanen 饰）(👫)是(✖)一个整天无所(suǒ(🏏) )事(shì )事游(yóu )手好(🦀)闲的无业游民(📞)，靠(🤩)着领取政府(fǔ )发(fā(🌏) )放的(de )失业救济(🛑)金(🌍)生活，一晃眼五年(🛎)就(🈁)这(zhè )样(yàng )过(guò(🐛) )去(qù )了，杨尼的女(🎸)友依娜丽（帕梅拉(👻)·托(tuō )拉(lā ) Pamela Tola 饰(🌌)(shì(🍉) )）对男友如今的(🐢)现(📖)状感到非常的(💚)不(bú )满(mǎn )。一(yī )天，依娜丽拜托杨尼去(❇)买一(yī )台信号(🌖)(hà(🗯)o )转(zhuǎn )换器(qì )，但杨(🍲)尼(🥗)给忘记了，当他(⛺)想(🛑)(xiǎng )起来的(de )时候，商(🐍)场已经关门了。依(🕳)娜丽彻(chè )底(dǐ(⏩) )的(⛄)爆(bào )发了，她向男友(👍)发出了最后的(🌹)通(🥈)牒(dié )，如果(guǒ )不能(🌻)在(🎰)今天买到数字(🍢)转换器，那么(me )他(tā(🍒) )们(men )就(jiù )分手。
Just released ex- convict Guido watches his girlfriend get killed on the way home from prison. He thinks the killing is connected with the events that led to him going to jail five years back. Guido starts to investigate...In many ways a typical late DiLeo- crime film: unimaginative lightning, boring sets, unimpressive action sequences. Yet I think just because of the grittiness of the script, this one easily rises above the other DiLeo- turkeys I've seen. Decent acting in the form of especially Barbara Bouchet and Guido's main adversary Martin Balsam, who stand out positively. Most importantly, the plot really thickens towards the end climaxing in a truly memorable final scene between Guido and Martin Balsam's Rizzo.