请将我遗忘

The son of a politician is abducted. The kidnappers play a dangerous double game to support activists against land grabbing by the Government. Kim grew up in a criminal family in the Swedish countryside. He now wants to make up for his crimes, clear his debts and free his soul. But he can't escape the evil blood that runs through his veins. 55岁的亿(🔼)(yì )万富翁保(🐋)罗(🔕)（Jon Lindstrom 饰）开始筹划(huá )晚(🎎)年的生活，其(🥋)中(🏐)包括出(🐩)售(shòu )他的公司(😿)。自(zì )以为古(gǔ(🐦) )道热肠(🐬)的姐姐(jiě )伊莉(💹)斯（Wendie Malick 饰）认为保罗应(🚐)(yīng )该(gāi )有一只(🥉)狗和一(yī )位贤淑太太(🐳)，于是她送了(🔽)他(💴)(tā )一只(🤣)哈(hā )巴狗，并且(🐦)开(kāi )始安排(🛬)他(🍲)和一(yī(😞) )群名媛约会(huì(🍖) )。然而保罗对这(👄)(zhè )些女(🕯)人毫无兴(xìng )趣(⛴)，相反在每(měi )天遛狗(gǒ(😟)u )的过程中，他(🔛)(tā(💾) )慢慢被一位同(tóng )样出(♒)来遛狗的(de )年(🧕)轻(💹)广告设(👴)计(jì )师安迪（(🏈)Chris Murrah 饰）吸引。两个(🐡)男(nán )人(🔞)滋生(shēng )了微妙(😶)(miào )的关系(xì )，然而在别(🛴)人(rén )眼里一开(✈)始它(tā )就带着功利(lì(🌻) )意(yì )味，更何(🚍)况(🐊)两(liǎng )人(⚾)在年龄、阅(yuè(🚍) )历和性格上(🈯)存(🚻)(cún )在各(🐐)种(zhǒng )差异？所(🧡)以，接下来该怎(🧦)么(me )办？(💚) The demon clown Killjoy is resurrected once again, but this time he is not given the name of his victim and is trapped in his realm. Using a magic mirror he lures four unsuspecting college students into his realm where he can have his macabre fun! A mysterious man returns and we finally discover who Killjoy's true target is! 这是玩(wán )具(jù(📝) )商Tomy制作的人偶(ǒu )丽佳(🍲)娃娃所衍(yǎ(🏳)n )生(🐜)的第一部动(dòng )画。 The true story of the greatest occultist of 1900. The truth beyond the Legend. Janis witnessed her twin brother kill their parents. Twenty years later, she waits for him to come to kill her for her testimony that put him away. Trained in martial arts, she's ready. All Janis wants is closure. 2007年(niá(🔍)n )昂西动画节(🚮)开(🌶)(kāi )幕短(🥦)片。 映画(huà )『ド(🥫)ラえもん』14作(📜)目と同(🎐)時(shí )上映され(🎐)た作(zuò )品で、原作は(🌾)同じく藤子・(🤢)Ｆ・不(bú )二雄。 "Notes From The New World" is a contemporary retelling of Dostoyevsky's novella which unfolds in Los Angeles of 2011 where dreams and harsh realities collide. It is a place where almost everyone spies on everyone else, and everyone seems to be playing a dangerous game. Steven is torn between the loves of two women, each of them pretending to be somebody else. The danger only intensifies when Steven comes face to face with the Russian Mafia. Soon he will discover who he really is. On another level the story suggests an amazing reading of the state of the post modern/post communist world. Are we witnessing certain realization of Dostoyevsky's prophecies - especially as far as the Underground Man's dilemma regarding Love/Terrorism is concerned?..