李玉刚照片

ビッ(📴)グシ(🕠)ティ・TOKYO。クラ(🐃)ブに(👇)集う(🛠)仲間(jiān )のひ(🍽)とり(🎊)・PLATIMUMの女(nǚ )が何者(🍮)かに誘拐され、彼(bǐ )女の命(🥕)と引き換えに、(💡)CD-ROMを隠(🎡)したテディ(🥚)ベア(🐥)を新(🚄)宿の廃病院(🍲)から(🚄)東京(jīng )タワ(🤟)ーの展望台まで、行く手を阻(zǔ(🌺) )む敵の攻(gō(📁)ng )撃を(💎)かわ(🔐)しながら夜(🌉)明け(💍)までに届(jiè )ける(🐋)ことになったHIRφ(⛷)とZEEBRAと仲間たち。だが、これは(🌬)謎の(🧓)黒幕(mù )によ(🏉)って(🖌)仕組(🎑)まれたゲー(🌬)ムで(♈)、その全容は大(🌧)金をベットし興奮する客た(🕴)ちのもとに同時(🥘)中継(😾)(jì )されてい(🎥)た。病(🚚)院(yuà(🚌)n )から首(shǒu )尾(🐔)良く(🦋)テディベア(🎉)をゲットしたHIRφとZEEBRAたちだったが(🎊)、新宿のカ(🚏)ラス(👅)軍(jun1 )団(🤴)、渋谷(gǔ )の(🐪)オオ(🤨)カミ軍団、六本(🍙)木(mù )のトラ軍団(😢)たちの攻撃に、HARU、リオ、純(🤖)が次(🙊)(cì )々に殺(shā(💼) )され(🦄)てい(🛬)く・・・。 男(⛸)子高(🐶)中——朝日高校(😻)(xiào )，是一所(suǒ )不良少(shǎo )年云集(🈳)的(de )学校。这(zhè )些正(🐓)处(chù(📇) )在躁动青春(🌠)期的(🛶)男(ná(🥤)n )孩们仿佛看(💥)不到(⛓)未(wèi )来的方(🌌)(fāng )向，他们(men )通过拳头(tóu )征服对(duì )手(🛄)，向顶(dǐng )点进(🤬)发，以(🥖)此证(⭕)明着自己(jǐ(🖋) )存在(😫)的意(yì )义。不过(guò(🚇) )，这里(lǐ )的学生却(🔛)发明了新(xīn )的决定老大的方(🐽)式：(🎆)自认(rèn )有实(⬅)力的(📞)挑战(🎭)者一(yī )字排(😩)开(kā(🆙)i )，站在顶(dǐng )楼露台(📡)的(de )栏杆外，随着号(hào )令松开握(🏁)(wò )着栏杆的(de )手同(🔤)时(shí(🎸) )双手击掌(zhǎ(🍩)ng )，击掌(🗒)次(cì(🔔) )数最多(duō )且(💆)没有(🥣)摔下楼的便(🐬)(biàn )可称为朝日高校的(de )老大。 夏天的(👲)某(mǒu )个周末(🦑)，金小(🎹)蓓(bè(😑)i )（张雅琳(lí(🐢)n )）、(👊)张建(jiàn )力、侯红(🐣)携带北(běi )京的朋(🛋)友(yǒu )赵尘（黄(huáng )志忠）、马(🌖)洋回(📓)到长江边(biā(💍)n )的家(💍)乡游(🔷)玩，仍呆在故(😌)乡(xiā(🚍)ng )小县城的如今做(🔼)了(le )警察的(de )中学同学(xué )于栋（(🎬)郭(guō )晓冬）高兴(🏈)过后(😥)(hòu )，同他们(men )一(👋)道迎(🚹)来(lá(👹)i )想藏也(yě )藏(🐻)不住(🐀)的(de )现实生活(♊)(huó )中的无(wú )趣和尴尬。 一位女(nǚ )记(👡)者在传说有(💎)丧尸(🗓)(shī )出(🚔)现的(de )地方采(🍈)访(fǎ(🤱)ng )了神(🍏)秘的(de )老者，他(🔍)告诉记(jì )者两个(✏)故(gù )事：第一个讲述(shù )的是(🈶)退役(🈲)(yì )军人本在(🕥)(zài )进(🕋)行某(🚜)(mǒu )种秘密交(🥃)易时(🐣)发现(xiàn )曾经被(bè(⛏)i )自己亲手杀害的士(shì )兵复活(⛲)并向他寻仇(chóu )；(💕)第二(🥋)(èr )个故事讲(💟)(jiǎng )述(🎱)的是(💞)三(sān )个年轻(🥫)人来(🌉)到森(sēn )林野营，无意中碰见了巫(wū )术女孩泰(tà(🥝)i )拉，她将(jiāng )死(😭)去的(🎡)(de )双亲(🍿)复活并对年(🕵)轻(qī(🍆)ng )人展(🕞)开大肆的杀(🥂)戮(lù )。当记(jì )者听(🚰)完两个故事后(hòu )老者便(biàn )失(💈)踪了(🔴)，然而她并(bì(🛣)ng )不知(🏨)道，真(🛴)正的(de )恐怖现(🛀)在(zà(🏿)i )才开始…… A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended. 影片(👒)(piàn )根据真实事件改编(biān )； 在(🛫)洛(luò )杉矶有这样(🚿)一个(🛥)家(jiā )庭，丈夫(🖨)贝斯(🎀)患有(👡)(yǒu )严重的(de )心(🔈)理疾(➿)病(bìng )，自从他(tā )的母亲去世后，这种情况(kuàng )变本(🖨)加厉。他不(bú(📱) )但限(👰)制家(👔)(jiā )人的自由(💙)(yóu )，更(📻)把(bǎ(🈁) )只有四岁的(🌱)小女儿(ér )卡蒂囚(🌳)禁起来，并(bìng )加以残(cán )酷的虐(🏦)待。转(🚅)眼之(zhī )间八(🖌)年(niá(📢)n )过去(🍸)了，卡蒂已经(🏃)(jīng )变(🔝)成一个十二岁(suì(😺) )的小女孩(hái )，但却始(shǐ )终过着(🐂)(zhe )与世隔绝的生活(♊)。由于(😆)错(cuò )过了最(🖊)佳的(👜)语言(🕓)学(xué )习时期(🏪)，她甚(⏩)至还(hái )不会说(shuō )话，面对(duì )这一切，温顺的妻子(🔰)斯坦(tǎn )蒂只(🎏)能忍(🏤)(rěn )气(🔎)吞声。但丈夫(💜)(fū )日(🌠)益不(🤰)正(zhèng )常的举(🍬)动(dòng )，让她(tā )似乎(📠)预感到了什么(me )。为了挽救小女(🌓)儿(é(🔒)r )的生命(mìng )，在(🖲)儿子(🤞)的帮(🍆)助下(xià )，斯坦(🐓)(tǎn )蒂(🍘)带着卡(kǎ )蒂逃了(🍉)出(chū )来并向警察求救(jiù )。一时(✖)间(jiān )，被囚禁(jìn )八(🤷)年，几(😠)乎像野人一(🚇)样的(💏)(de )小女(✈)孩(hái )卡蒂成(🍝)为了(🆒)社会的(de )焦点，每天都有数(shù )不清的(de )记者和好(hǎ(🤔)o )奇的人们(men )想(🔒)要一(🧝)探究(🏾)竟。 赛斯上校(📠)(xiào )及(🎠)其同(🎎)伙因对平(pí(🗒)ng )民展开报(bào )复行(🧠)动被(bèi )送到军(jun1 )事法庭审判，他为(wé(💔)i )了避开终生(🐛)监禁(🥏)的(de )刑(🐉)期，而与皮斯(〰)卡法(🕋)官达(dá )成认罪(zuì(😯) )协议，但(dàn )皮斯卡出(chū )尔反尔，赛斯相(xiàng )当生气(👖)在(zà(🛄)i )逃狱后挟(jiā(⏹) )持了(💮)皮(pí(🤥) )斯卡所搭乘(🗻)的客(💷)机(jī )，打算(suàn )将皮斯卡携带的间(jiān )谍资料公诸(👍)于世，让皮斯(sī )卡(🐶)身败(🚙)名(míng )裂.. 军方(🎁)派(pà(🧝)i )出救(🔰)援队却宣告(📻)(gào )失败，救(jiù )援队(🎱)唯一的生还(hái )者麦特跟(gēn )空服员(🐫)凯(kǎi )丽携手(🤢)(shǒu )合(🎟)作，一(🐠)起制服了(le )劫(💒)机犯(💎)，凯丽在机(jī )场人(🕟)员(yuán )的指导下顺利让飞(fēi )机安全(quán )降落。