Prasthanam is a poetic and intense character drama enacted by Sharwanand, Sai Kumar and Sundeep Kishan. The movie is set in Vijayawada with a contemporary political back drop. Though it has some political color, highly existential in it's treatment. Written by Anonymous from imdb.com
巍巍(🕷)大唐，如日中天。白(bá(🔁)i )衣(yī )会(📓)(huì )上，杨家有女初长成，绰(♋)约(yuē )风(👏)(fēng )姿(zī )抓(zhuā )住了帝王李(🐹)隆(💸)基（(🥛)黎明 饰）的(de )视线，也(🤫)由此(📑)(cǐ(❕) )注(zhù )定了她一生的不平(🔲)凡。为(🔍)了(🌾)防(fáng )止(zhǐ )杨(yáng )玉(yù )环（(🥄)范冰(🥗)冰(📘) 饰）对自己后宫(gō(🌚)ng )地(dì(🏨) )位(wè(🚫)i )构成威胁，武(wǔ )惠妃（(⏯)陈冲(👓) 饰）巧舌如簧，将(jiāng )玉(yù )环(📨)(huán )变(😁)(biàn )成了她儿子寿王李瑁（(🔭)吴尊(🈺)(zūn ) 饰(shì )）的(de )王妃。武(🏈)惠妃雍(🉐)容华贵，风韵犹存，可怕(pà(❤) )的(de )是(shì(➖) )其(qí )骨子里流淌着如姑(🤳)母(🐕)武则(🔸)天(tiān )般(bān )对(duì )权(quá(🚡)n )力极(🍧)度(🌶)渴望的血液。为了让寿(shò(⛲)u )王践(⛲)祚(👤)，她不(bú )惜(xī )设毒计构陷(🐠)太子(🐢)，致(💾)使东宫喋(dié )血(xuè )，父(🛅)(fù )子(🚮)相杀(🚔)。
日据时代，范志平(píng )与(💃)(yǔ )郑(✂)(zhèng )天成同被日军(jun1 )所征调，光(🐉)复前(🍐)夕，日军将大(dà )批(pī )美(měi )金(🏬)(jīn )、(🌊)珠宝埋入山洞中，令(🦉)二人(ré(👼)n )守(shǒu )卫(wèi )，光复之后，日军(🖐)彻回日(🛏)本，二人于是绘制(zhì )藏(cá(🐖)ng )宝(🧜)(bǎo )图(♒)(tú )，各执其半，约定日(🍀)后共(🐵)同(📄)(tóng )掘(jué )宝(bǎo )。范志平返回(🛒)澳门(🐦)后(🧗)，却突然病故，郑天成于(yú(⏯) )是(shì(🏴) )将(🗝)一半的藏宝图交其(🌱)弟郑(🔯)天生(🌹)(shēng )保(bǎo )管(guǎn )，也将其女(🔵)小红(🔲)委其照顾，自(zì )己(jǐ )带着年(😥)仅十(👻)岁的(de )儿子，凭借记忆前往马(➗)来亚(🕞)寻(xún )宝(bǎo )，但(dàn )是二(🍓)人却从(🥏)此失了踪影。郑(zhèng )天(tiān )生(🖤)(shēng )经调(🥜)查与范志平的儿子范世(🚱)昌(🏗)取得(🤫)连络，并(bìng )议(yì )定(dì(✌)ng )以(yǐ(💬) )美(🧀)金二千元买回另一半的(🥒)藏(cá(😔)ng )宝(❌)(bǎo )图(tú )，郑天生于是前往(🥃)澳门(🚥)交(🔏)易，令侄女郑淑芬及(👕)(jí )儿(🔺)(ér )子(⌚)有福带着藏宝图到马(🛴)来亚(🚬)会(huì )合(hé )，但(dàn )是郑天生心(🐉)存邪(🌟)念，派遗小(xiǎo )钱(qián )杀了郑天(😮)生，而(🌕)(ér )后又杀小钱灭口(🚰)，投靠黑(🚷)社会(huì )老(lǎo )大(dà )钱(qián )鸿(😴)钧(🐝)，拟藉(💼)其财力、人力，共(gòng )同(tó(🧙)ng )挖(👰)宝，谁(🕣)知老大黑吃黑，又杀(👕)了范(💺)世(😒)昌，假(jiǎ )藉(jiè )范(fàn )世(shì )昌(〰)的名(🙊)义(🕯)，请世昌在马来亚(yà )的(de )表(💙)(biǎo )妹(📏)(mè(🏝)i )梅兰代为寻找淑芬(🐱)下落(🕉)，以便(🎀)抢夺另一半的(de )地(dì )图(🐥)…
『(👐)銭ゲバ』『浮浪雲』ほか(💀)で有(🉐)(yǒu )名な個性派漫画家・ジ(🐖)ョー(🍠)ジ秋山による青年(🎟)(nián )コミ(📤)ック『恋子の毎日』の(🐯)OVA化(👺)(huà )作(🦍)(zuò )品(pǐn )。
武艺高强的两女(🍢)一(🧠)男，他(👪)们(men )竞(jìng )争(zhēng )夺回夜(🌋)明珠(🕺)，而(📼)该宝物怀疑是由四个酋(🌈)长其(💸)(qí(🍁) )中(zhōng )一(yī )个(gè )所盗，他们(📈)要调(🔭)查(🏀)谁是那个(gè )背(bèi )信(🐶)(xìn )弃(💁)(qì )义之徒 。
It tells the story of Tommy (Robert Naylor), a ten-years-old-and-a-half boy. Because he is prone to have a violent behaviour, Tommy has always been handled by social services. However, Gilles (Claude Legault), his social educator, believes that Tommy's life can be put back on track.
Вооруже(🦃)нн(📽)ый бандит, лиц(😾)о к(📃)оторого скры(😪)то(🥑) под маско(💹)й, со(😖)вершает нал(🔸)е(📎)т н(🧢)а сберкассу(😰). В(🔊)о в(🛬)ремя напа(⛷)де(🗃)н(😈)ия погибает(🏅) мо(💆)л(💡)одая женщин(😎)а, ж(🤝)е(🦒)на оперуп(💉)ол(✔)номоченного(😣) Фр(🤶)олова. Предст(🌙)ав(🌭)ителям «орга(♑)но(🐭)в» достат(😇)очн(😂)о быстро уда(🤾)е(🤼)тс(🐽)я выйти на сл(👤)е(💍)д б(🗿)андита — н(🔎)еи(🌾)з(🛄)вестный, поз(💨)во(🏸)н(⚫)ивший в отде(🍆)ле(🐴)н(🐐)ие милици(🌰)и, д(👙)ает операм на(➿)во(🔼)дку на дачу, гд(🏍)е с(🎛)крываются пр(💥)ес(🙋)тупник. Со(🏌)тру(🏝)дники милиц(😛)и(🙀)и п(👞)роводят опе(🎹)р(🚼)ац(🍶)ию, в ходе к(🌲)от(🥔)о(📘)рой задержа(🚧)н н(🕘)е(🐛)кий Андрей Г(🥕)ро(🧠)м(🎤)ов, которы(💟)й н(🚸)а самом деле я(😮)вл(😙)яется сотруд(😂)ни(🚂)ком спец. служ(😖)б. В(📫)ина его по(🤜)лно(🔉)стью доказа(🌵)н(🐣)а и(🥐) он получает(🎻) 12 л(👕)ет(🎯) колонии с(🛵)тр(🏥)о(🦈)гого режима(🌗)…
还(🐞)是(🍇)高中生的时(shí )候(hòu )，她(tā(🐆) )在学(🚇)校(🎃)里经常被欺负，在家(👦)(jiā )也(🚞)(yě )和(hé )家(jiā )人不和，一气之(📅)下离(🙇)家出走，专门跑去一间(jiān )妓(🦏)(jì )院(🐿)(yuàn )找工作。17岁，成了妓女，她(tā(🎳) )将(jiāng )名(míng )字(zì )改成布鲁(😢)娜（Deborah Secco 饰(😟)）。布鲁娜工(gōng )作用心、(🚮)敬(🙀)业，又(🔖)年轻漂亮，很快成为红牌(🕴)，和(📃)(hé )同(tóng )行(háng )们也交上朋(🐊)友。一(🏼)次(🖤)藏毒风(fēng )波(bō )，布鲁娜带(🐜)着几(💠)个(👄)好友独立出来另立门户(🌍)，她(tā(💖) )开(kāi )设(shè )了(le )一个博客(🏓)，迅速(🌽)走红网络，慕(mù )名(míng )而(ér )来(💐)的客(⏩)人络绎不绝。事业蒸蒸日上(🚒)，财源(💱)滚(gǔn )滚(gǔn )不(bú )断，甚至上了(✌)电视节目，成(chéng )了(le )明(míng )星(🔂)(xīng )，布鲁(🥖)娜却开始迷失，她沉迷(mí(🔁) )毒(🎋)品，找(🍅)不到方(fāng )向，客人开始离(⬇)她(🧦)而去。幸而(ér )她(tā )的(de )第(dì(⚪) )一个(👎)客(🕺)人始终陪在她身边不(bú(🌁) )离(lí(🍶) )不(🚞)(bú )弃，她发现自己心中的(🌂)爱，也(📵)再度振作起来(lái )，决(jué(👬) )定(dì(🤑)ng )“退休”的同时，也勇敢写(xiě )出(🔏)(chū )自(🐸)(zì )己(jǐ )三年来的故事……(👔)
"Notes From The New World" is a contemporary retelling of Dostoyevsky's novella which unfolds in Los Angeles of 2011 where dreams and harsh realities collide. It is a place where almost everyone spies on everyone else, and everyone seems to be playing a dangerous game. Steven is torn between the loves of two women, each of them pretending to be somebody else. The danger only intensifies when Steven comes face to face with the Russian Mafia. Soon he will discover who he really is. On another level the story suggests an amazing reading of the state of the post modern/post communist world. Are we witnessing certain realization of Dostoyevsky's prophecies - especially as far as the Underground Man's dilemma regarding Love/Terrorism is concerned?..