Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.
Thyra arrives in Chekia to wed its old and ugly king. The Duke falls in love with her. A revolution erupts and the king is assassinated. Chief revolutionary Gigberto also falls in love with Thyra. The revolutionaries plan to drown Thyra and Gigberto in a boat, but the Duke takes Gigberto's place. And the loving couple are rescued.
Survives complete with color sequences. Directed by Cecil B. DeMille. (Color was billed as the "DeMille-Wyckoff Process")
A scientist discovers a death ray and locks it in a box, giving the key to his daughter, who soon finds herself hunted by criminals looking to steal the deadly mineral.
米(mǐ )拉(👓)德是一(📙)个(gè )会偶尔上(🌇)学(xué )迟(🚙)到的小学(xué )生，老师没(➡)(méi )少(⛳)批评，爸(bà )妈没少(🐷)教训(🌮)。可这一天，米拉(⬛)德又旷(👎)课了，校长让他(😉)把家长(🧤)请来，结(jié )果米拉(lā )德(😢)挨(āi )了顿打(dǎ )。可(kě )他(〰)这顿(🍶)(dùn )打挨(āi )得很(📛)冤(🏇)(yuān )枉(🤔)，因为他(tā )并不(🕔)(bú )是有(👒)意(yì )旷课。原来(lái )在上(🍫)学的路(lù )上，他看到(dà(😱)o )一名(♓)从外地(dì )来找儿(⏮)子的(🛍)(de )老妇人，虽(suī )然(🚅)听不懂(👇)她(tā )的话，虽然(👤)(rán )怕迟(🚪)到，可(kě )米拉德还是(shì(🏄) )想方(💂)设法把(bǎ )老妇人(🤥)送到(😼)(dào )了他儿子住(⛹)(zhù )的大(🍋)街上，老妇人还(🔄)奖励了(🈯)他两颗巧克力。米拉德(🕋)只有把这件事写进(jì(❓)n )作文(🎮)以诉说(shuō )自己(🐶)的(🐝)(de )委屈(🍤)(qū )。第二(èr )天的(😩)(de )听写课(🍭)(kè )上，老师也(yě )悄悄(qiā(📢)o )地塞给(gěi )他两(liǎng )颗巧(🐊)克(kè(😌) )力。
全球首(shǒu )部剧(🤶)情片(💆)
瑞(ruì )典當年成(🍭)本(běn )最(➰)高的默片(piàn )，也被視為(😬)(wéi )早期瑞典影(yǐng )史必(🕜)看經(🏴)典(diǎn )。全片幾乎(hū(🎱) )實景(💥)拍攝，拍攝難度(💸)與(yǔ )戲(⏺)劇張力超(chāo )越(📙)當代。原(🌸)(yuán )本平凡的水手，戰時(🍊)為了養家活口冒險出(🚑)航，卻(🍞)被軍人所俘。多(😍)年(🗺)後脫(🅿)身返家卻(què )人(♑)事已(yǐ(🔇) )非，只有滿(mǎn )腔怨(yuàn )怒(🍈)相伴(bàn )。某(mǒu )天，當(dāng )年(🐽)俘(fú(👞) )虜他的(de )仇敵(dí(🌱) )與(🏛)相隨(🈺)(suí )的妻女海上(🏜)(shàng )落難(🈂)待援，他奮勇而至(zhì )，卻(🔯)陷入「復仇還是救(jiù(🐃) )援？(🐱)」的天(tiān )人交戰(🍻)。
After the death of his brother Georg, John Vanderheit expects to inherit his fortune. Unfortunately, just before he died Georg made a will in which he bequeathed his entire estate to his wife, Irmgard. Unwilling to yield to John, Irmgard takes flight and undertakes a hazardous journey into the mountains. Here, she meets a kindly hermit who offers her shelter. John is not far behind, however, and when Imrgard repulses him he causes an avalanche in an attempt to kill her. Trapped in the hermit’s shelter, Irmgard’(🏧)s new friend removes his hood – and reveals that he is her husband Georg...
In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s.