木乃伊1

“Jon Jost’(😁)s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’ of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’(⏹)s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption. Two 12 year olds, the products of Upper West Side broken homes, struggle to make sense of their parents lives and their own adolescent feelings Just for the record, the Italian title of this film is "The Seventh Woman". Three bank robbers on the run in their aging Citroen come across a remote beach house & find that as a perfect place to hide out. Trouble is, though, the house is occupied, by a few Catholic school girls and their teacher, who is also a nun. The sadistic bank robbers move right on in, kill the maid, and then proceed to have their way with a a couple of the girls and their teacher. One girl spurned one robber's advances with a deftly aimed comb handle to the groin area, and he's not doing too well, though. The girls, of course, and the nun, are not about to continue to be subjected to rape & torture, and eventually get the upper hand. This is no where near as nasty as "Last House On The Left", it's more a rather pale imitation. Still though, it's a decent enough exploitation film, if you like that sort of thing, but there's nothing to elevate it above that particular distinction. 6 out of 10. A village mob is in pursuit of an arsonist. Fleeing from their hysteria, a seventeen year-old boy stumbles into a country house. He finds its owners, Jacques and Catherine, leading lives of monotony and habit. Jacques is a painter who divides his time between his canvasses and painting lessons he gives to the mentally ill in a nearby institution. Catherine is ill at ease in her arid, almost hostile surroundings, nurturing some unspecified dissatisfaction. 영미는 일찍 부(🍔)모를 잃고 낙(❄)도 분교장 이장생씨(🌫)의 슬하(🧑)에서(🙂) 오빠 문(🍵)구와 생활하(💔)다가 진(🎗)학을 위해 상(🕋)경한다. 항상(🕊) 정숙한(🐬) 태도로 입시(🎡)준비를 하던 영미가(💐) 인격보다 돈(♉)을 중시하는 의사어(🛣)머니에게 환(🌲)멸을 느(🥠)껴 탈선하여(👺) 불량배(🍆)와 노는 재수(👈)생 지환에게(🎛) 정조를(👝) 빼앗긴다. 정(🤽)조관념이 강(🧘)한 영미(❔)는 자살을 기(🎒)도해 식물인간이 된(⏱)다. 이장생씨(⛏)는 정조는 생명보다(🤼) 고귀한(😄) 것이(📺)라고 교(🎾)육했던 자신(👶)을 질책(🚈)하고 문구는(🛠) 지환엄마에(🕞)게 환멸(🕉)을 느낀다. 자(🛰)꾸 격해지는 지환과(🚎) 영미의 생활(🛤)을 보고 이장생씨는(🚖) 낙도로 데려(🥤)가 인격(⛱)형성과 융화(🔺)를 기도(🤧)한다. 本片改(👴)编自德国作(😈)(zuò )家雷(🌹)(léi )马克的(de )同(😡)名小说，围绕一(yī )名(💸)在一战中的(📧)普通(tōng )德国(guó )士兵(🔩)保(bǎo )罗·鲍(📎)曼（理查德(dé )·托(📵)(tuō )马斯(❎) Richard Thomas饰），作为整(🗡)(zhěng )个西线(xià(🚡)n )残酷战(🐌)争中的小小(🐈)(xiǎo )缩影(yǐng )。战(🛹)争(zhēng )的(🤦)残酷性和毁(👕)灭性(xìng )使他(tā )的英(🐚)雄主义彻底(🤢)破(pò )灭。保(bǎo )罗从迷(🛎)恋战争到目(📈)(mù )睹战(⬆)(zhàn )争后的(de )心(🤧)灰意冷(📽)，他才意(yì )识(🌠)到(dào )战争的(🍇)恐怖及(🏒)其对(duì )人性(🏁)的(de )摧残。尾声，死一(yī(😈) )般沉(chén )寂的(🦕)前(qián )线出现了鸟鸣(🐣)，保(bǎo )罗循声(🛹)而找。突然(rán )一句(jù(🧙) )战地报(🛌)(bào )告打破了(🗨)这短暂的(de )宁(😉)静(jìng )与(🧙)和谐，影片在(😶)“西部前(qián )线(🏺)一切平(🌳)静”中结(jié )束(🐑)。 本片是(shì )成龙《蛇形(🥃)刁手》的跟(gē(🥡)n )风作，剧情结构与(yǔ(🍘) )《蛇形(xíng )刁手(👬)》相似，不(🕖)过(guò )远不(bú(😷) )及后者(🖖)(zhě )。但正是有(💓)着像《猴形(xí(😜)ng )扣手》这(🕣)类片子的(de )推(🎪)波助(zhù )澜，香港才有(📺)了谐(xié )趣功(🕰)(gōng )夫片的(de )高潮迭起(🌯)。论坛发(fā )过(📯)本片的英文版，现将(🧕)(jiāng )国语(🚤)版(bǎn )拿出分(🙄)享，相信喜(xǐ(🎦) )欢功(gō(🌫)ng )夫片的朋友(🙈)一定不愿错(😆)过(guò )。