恐怖美术馆

拉(🔳)(lā(🏞) )胡(🗨)尔(💶)(ěr )（沙鲁克·罕(hǎn ) Shahrukh Khan 饰）从小就受到(dào )了家(jiā )人的过度保护(hù )，因此年纪一大(dà )把了(le )连一次谈恋爱的(de )经历都没有。爷爷(yé )生日那天，拉胡(hú )尔和两个好友偷偷(tōu )溜出了家，没想(xiǎng )到爷(yé(🚟) )爷(❕)却(💜)在(💷)当(🏂)天(🌔)去(🚶)(qù(🌧) )世(🍹)了(🅱)。受(📭)奶(👿)奶(🍟)所(🏙)(suǒ )托，拉胡尔带着爷(yé )爷(yé )的骨灰踏上了(le )旅程(chéng )，前往位于(😃)南(🏿)部(🌇)(bù(⬛) )的(♏)拉(👨)姆(📤)斯(🎾)瓦(🛡)兰(🌍)，在(😍)(zà(💶)i )那里将骨灰投入(rù )圣水(shuǐ )之中。 崔宝娜(nà )（李诗英 饰）是(shì )一位(wèi )平凡得不能再(zài )平(píng )凡的女子，她(tā )不仅(jǐn )样貌普通，就连(lián )性格亦乏善可(kě )陈，每每提到她，朋(péng )友们只说她是个“老(📵)好(🖇)人(❓)”，就(🕜)再(💱)(zà(🏺)i )无(🌚)其(🎶)(qí(🧕) )他(🎁)。这(🈲)样(🥀)的(🔳)崔(cuī )宝娜，自然和充(chōng )满了(le )浪漫气息的爱(ài )情(qíng )无缘，更糟(🚯)糕(🤧)(gā(🌍)o )的(🐇)是(🥃)(shì(😡) )，别(🔽)说(🚹)爱(🌆)情(⏯)了(👐)，崔(🧢)宝娜就连和(hé )异性(xìng )相处的经历都少(shǎo )得可怜，这样的她(tā )，真的能够找到(dào )自己(jǐ )的如意郎君吗(ma )？ 近未来，神秘(mì )病毒(dú )在全球肆意蔓延(yán )，被感染者化(huà )身为(wéi )疯狂嗜血的僵尸(shī(😿) )，导(🛒)致(🍚)数(📔)亿(🍥)人(🚌)在(🤖)这(🎩)(zhè(🔡) )场(🚰)浩(🎱)劫(🏪)中(⛴)丧生。经过(guò )苦难而漫长的(de )探索，人类找到(dào )暂时(shí )对抗病(🔸)毒(🔥)的(😍)办(🥀)(bà(🎣)n )法(😾)(fǎ(🛅) )。他(📛)们(🍑)向(🗡)被(🎇)感(😈)(gǎn )染者(zhě )体内注入合成蛋(dàn )白质，可有效(xiào )阻挡(dǎng )病毒对人体的侵(qīn )蚀。但弊端是治疗(liáo )费用昂贵，并且(qiě )要确(què )保终生接受治(zhì )疗(liáo )。依靠特效药(yào )的帮(bāng )助，世界重新取(qǔ )回和平，感(🏜)染(🍉)(rǎ(🐂)n )者(👼)们(🧚)(men )如(🤑)愿(💥)重(🐢)返(🚨)社(🏄)会(❇)，可(👚)是(☝)他们依然被看(kàn )作危险人群，遭(zāo )受了(le )诸多的不公和(hé )歧视(🖕)。 1942年(✍)秋(♿)天(🍿)，人(🐹)类(💙)(lè(🍕)i )史(🤼)上(🕺)最(🏮)惨(🦆)烈的(de )一(yī )场战争在寒冷(lěng )的土(tǔ )地上爆发。德国(guó )人穿越伏尔加(jiā )河抵(dǐ )达对岸斯大林格(gé )勒设防固守，苏联(lián )红军与对手展开(kāi )城市(shì )争夺战，双方(fāng )你来我往，城市(shì )化作(zuò )废墟(📼)焦(🕧)土(😋)，成(💍)千(✡)(qiā(🍓)n )上(🥓)万(🕯)人(⬜)死(🏽)亡(🌸)，放(😱)眼(📶)(yǎn )望去俨然人间地(dì )狱。在一次反攻行(háng )动中，苏军严重(chóng )伤(❄)亡(🐐)(wá(🌈)ng )，仅(🕉)有(🌡)大(🎏)尉(🚐)格(🔃)(gé(👝) )罗(🥍)莫(🏰)夫（彼得·费奥(ào )多罗夫 Pyotr Fyodorov 饰）率(lǜ )领(lǐng )的侦察小队到(dào )达对(duì )岸，占领了一栋(dòng )破烂的建筑。他们(men )在建筑内发现一(yī )名19岁少女卡嘉（玛(mǎ )丽亚·斯莫尔尼(ní )科娃(wá ) Mariya Smolnikova 饰）。卡嘉的(de )父母(🖕)早(📱)已(🎵)死(🥜)于(🈵)战(📟)(zhà(🔷)n )火(👤)，由(🔪)于(📊)眷(🎉)恋(🌑)自(🥣)由生(shēng )长的城市和家(jiā )园，女孩固守此地，麻木穿梭战火之中(✖)(zhō(🧘)ng )。 A witty tongue-in-cheek look at the ups and downs of Iran’(🍻)s contemporary history through one woman’(😶)s obsession, the film recounts the cradle-to-grave tale of the 316 pairs of shoes its fictional narrator owned in her lifetime. Director Haghani brings a huge sense of humor and rich imagination to this colorful animation-studded diary that stretches from his protagonist’(⬇)s birth in the time of the Shah through the turmoil of the 1979 revolution and beyond, as a life’(📼)s journey and a nation’(📉)s milestones are whimsically marked by evolving needs in footwear. In a Chinese style garret, four men were playing Mahjong. A woman stood aside in silence, holding a bottle of liquor.They all had hidden cravings of their own, unaware that they would be invariably led to the ultimate doom.