Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.
A Greek Fisherman brings an Atlantean Princess back to her homeland which is the mythical city of Atlantis. He is enslaved for his trouble. The King is being manipulated by an evil sorcerer who is bent on using a natural resource of Atlantis to take over the world. The Atlanteans, or rather the slaves of Atlantis, are forced to mine a crystalline material which absorbs the suns rays. These crystals can then be used for warmth. The misuse of science has created weapons out of the crystals that can fire a heat ray to destroy whatever it touches. Written by {harold.lind@airtouch.com}
An important part of Brazilian history, this is the story of Anayde Beiriz - as played by Tania Alves - poetess, journalist, teacher, a revolutionary in her time (the 1920s and 1930s), and known for her sexuality. Her great love for Joao Dantas triggered the assassination of Joao Pessoa, the Governor of Brazil's Parahyba State. These events were then used politically as pretext for the failed "Revolution of 1930."
玛丽（卡琳·瓦纳斯 Karine Vanasse 饰）出生于富贵之(zhī )家，从小到(dào )大(dà )都享受着取(qǔ )之不尽用之不(bú )竭(😒)的锦衣玉(🔅)(yù )食，这让(👰)她养(yǎng )成(🤸)了挥霍无(😳)(wú )度(dù )的(🤩)习惯。十(shí(👮) )九岁那年(🖋)，样(yàng )貌出(🚷)众美艳(yà(💢)n )动人的玛(🐄)丽嫁(jià )给(🍈)了法国国(🤯)(guó )王路易(♋)十六（Olivier Aubin 饰(🧜)）成(🕳)为了(❔)(le )王(wá(🥀)ng )后，开(🏿)启了(📎)(le )她传(🏸)奇的(👷)人生(🌏)(shēng )历(👓)程。
本片(piàn )以扣人心弦的(de )情节和一系(xì )列(liè )生死搏斗的(de )场面，描写了(le )美国联邦调查局特工人员(yuán )505历尽艰险，打(dǎ )入匪巢(✊)，并(bìng )在贝(🕋)鲁特刑警(🔃)(jǐng )协助下(🏁)，挫(cuò )败了(📟)一伙国际(🗝)(jì )匪叛企(💞)图炸(zhà )毁(🐼)黎巴嫩首(👍)府(fǔ )，抢劫(💢)各大(dà )银(💎)(yín )行的罪(👔)恶和(hé )阴(🛩)谋。
故事梗(🏈)(gěng )概(🎀)
一部(📸)爱情(🎬)(qíng )的(❕)短片(🍷)某时(🖐)某(mǒ(⛰)u )刻在(🔥)这个(💂)城(ché(🕥)ng )市(shì(🎢) )的角落上演(yǎn )
What happens to a dream when the dreamer is gone? PAINT IT BLACK is the story of the aftermath of Michael's death, and Josie's struggle to hold onto the true world he shared with her. As Josie searches for the key to understanding his death, she finds herself both repelled and attracted to Michael's pianist mother, Meredith, who holds Josie responsible for her son's torment. Soon, the two women find themselves drawn into a twisted relationship reflecting equal parts distrust and blind need.