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这(zhè )个是一(yī )个诺贝(bèi )尔奖获得者带领的团队，末日守(shǒu )望(🙁)者为(wéi )他(📽)们的(de )绰号(⬛)，主要是(shì )监督可能造成世界(jiè )末日的(de )种种科(kē )技发明及环境(jìng )破坏的工作…(😊)…Mr.Nobody编(biān )辑(➰)@ 修车(chē )技(💙)工陈(chén )仲达（秦沛）偶然下邂逅车衣女(nǚ )工黄小(xiǎo )萍（井(jǐng )莉），因误会终至(🏸)不欢而散(🌷)。后见陈在(🌺)(zài )雨中苦(kǔ )候自己(jǐ )，好感渐生。原来黄是孤儿，容(róng )易触景(jǐng )伤情，而陈虽自称也(📑)是孤儿，实(📫)为太子(zǐ(🏐) )爷。当(dāng )黄悉破(pò )陈的身份后，深感受骗；黄酒醉(zuì )后遇上(shàng )色狼，逃走时不幸被(🔓)(bèi )车撞倒(🆖)。黄昏迷中(💐)(zhōng )听到陈(chén )的真心(xīn )剖白，但她脑(nǎo )海浮现的却是向下(xià )沉的夕(xī )阳…… 《夫君(🏢)(jun1 )》是卡萨维(🚺)蒂的作品(🚚)中“真实电(diàn )影”风(fēng )格的代(dài )表作，通过三位白人男性在好友(yǒu )离世后(hòu )面临的(⚪)(de )中年危机(📸)，暴露了美(😫)国城郊中产(chǎn )生活的(de )虚伪和(hé )空洞。格斯、哈利和阿奇三人从(cóng )小一起(qǐ )长大(⚡)，又一起度(🙉)过了(le )年少(💷)轻狂的学生时(shí )代。现(xiàn )在，人(rén )到中年(nián )的他们(men )都拥有了成功的事(shì )业和美(mě(💮)i )满的家(jiā(🌤) )庭。一(yī )天(⏺)，他们接到好友斯图尔特因突(tū )发心脏(zāng )病去世(shì )的消息，这使他们猛然意识到(🔍)青(qīng )春易(🛢)逝(shì )，死亡(⚡)(wáng )已经如影随形。为了化解悲痛的(de )情绪，逃避家(jiā )庭的矛盾，三(sān )人坐上飞往伦敦(🆙)的(de )飞机，满(🍺)怀期(qī )待(🏓)地入住一家(jiā )高级酒店，在赌场(chǎng )结识年(nián )轻漂亮(liàng )的女士(shì )，试图来场一夜风(🕢)流。但(dàn )最(💳)终，他们的(🏂)(de )努力是(shì )尴尬而徒劳的，美好的青春早已(yǐ )一去不(bú )返。失(shī )望的格斯和阿奇决(👸)定返回纽(❤)约，哈利却(👱)(què )打算留(liú )在伦敦。离开了熟悉的环境和老(lǎo )友，哈(hā )利会面(miàn )对怎样的命运(yù(🧐)n )呢？ 贝克(🎑)斯菲尔德(🎺)(dé )（伯特(tè )·兰卡(kǎ )斯特 Burt Lancaster 饰）是林(lín )肯机场的总经理，繁忙的(de )工作让(ràng )他总是(🙏)(shì )将家庭(🔳)摆在人生(🎅)的次要位(wèi )置，导(dǎo )致备受(shòu )冷落的(de )妻子辛迪（达娜·温特 Dana Wynter 饰）最终(zhōng )选择了(🍱)(le )离开。 One night on a deserted street, Pierre (Olivier Martin of Rollin's LA VIOL DU VAMPIRE) runs into a scantily clad mute young woman (Caroline Cartier) who is being pursued by men in tuxedos and bizarre animal masks who kidnap her and take her back to a townhouse that belongs to Pierre's father, industrialist Georges Radamante (Maurice Lemaître) who warns Pierre to mind his own business. Pierre sneaks into the townhouse for one of his father's parties and witnesses a woman playing Russian Roulette shoot herself and the mute young woman drinks her blood. Pierre delves deeper into the mystery and has to fight off his own father's thugs while Georges and his associates squirrel the young woman off to an isolated country house. Pierre then meets the Grandmaster (Michel Delahaye) of a large group of bizarre looking and acting hippies - of whom the young woman is one of their number - who lay siege to the country house with his help to rescue the girl who it turns out has an unusual connection to Pierre. A plane crash leaves Tarzan stranded in Korea where the beautiful Ok-bun takes him in and keeps him hidden for the throngs of people searching for the unwilling celebrity 德(💶)川幕府天(🌔)保年间，流浪镖客(kè )镐刀三(sān )郎（三(sān )船敏郎 饰）从神秘武士处接受一(yī )项奇(🤩)怪(guài )的任(💬)务(wù )，他按(🎼)照指示(shì )来到了三州山。路(lù )上镐刀(dāo )曾救助(zhù )被丈夫欺凌的(de )可怜女子阿国（(🍣)浅(qiǎn )丘ル(🚦)リ子 饰）(📔)，阿国(guó )恋上这个冷峻的男人，情(qíng )感纠缠(chán )的二人(rén )最终落(luò )脚三州山上一家(💂)茶馆内。茶(🤘)馆的(de )主人(🦏)是(shì )贪婪的(de )老头德兵卫（有島一郎 饰）及其(qí )美丽的(de )女儿阿(ā )雪（北川美佳(🛂) 饰）。不久(💠)，这里(lǐ )又(💑)迎来(lái )新的客(kè )人：自称是医(yī )生的玄哲（勝新太(tài )郎 饰）、赌徒(tú )弥太郎(📢)（石原(yuá(🌌)n )裕次郎 饰(🏓)）、张扬(yáng )跋扈的(de )官差伊(yī )吹兵马(mǎ )（中村錦之助 饰）以及他所追捕(bǔ )的盗(🐗)贼(zéi )“野猴(🕳)(hóu )子”阿辰(📅)（山崎竜之介 饰）。 Twenty-nine year old Caucasian Elgar Enders still lives at the estate of his parents, William and Joyce Enders, and off their vast wealth with their blessing, although his ultra-conservative father hopes that some day Elgar will have some drive and make a name for himself, much as he believes his eldest son, William Jr., has done. Elgar decides finally to move out, and buys a tenement house in Park Slope, Brooklyn, a rough neighborhood seemingly on the verge of gentrification. He plans to tear it down and build a new house for himself. Although they have no idea of his plans, the tenants of the building, exclusively black, do not welcome their young, lily-white new landlord with open arms. They believe he is just another slum white landlord who wants their money, although most of them are indeed several months behind in their rent. Despite their antagonistic beginning, Elgar, after spending time with his tenants and learning their stories, decides to be a proper landlord and fix up the building for them and for him to live in. Elgar's transition into liberal minded lover of his black brothers and sisters is not without its problems as he deals with some tenants who are indeed deadbeats, his parents who just don't understand and agree with this phase of his life, and race relations where the color of one's skin does affect how they are treated in life and in turn how they interact with others. The latter is epitomized by his relationships with Lanie, a biracial woman who he initially believed was white, and with husband and wife tenants Copee and Fanny to who he gets a little too close