Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.
En présence de Lionel Soukaz
一(📚)个(♏)患有慢(mà(🐐)n )性心脏病的孩子，用(yòng )一(🤢)种(zhǒng )智慧(🖨)而(💞)(ér )冷酷的(🥎)方式谈论(lùn )着自(zì )己的(🍵)(de )病情，直至(🗼)痛(🏺)苦和疲倦(⛪)耗尽(jìn )她所(suǒ )有的力(🗻)量(🏹)。
二战期间(📋)(jiān )，一支(zhī )德国(guó )部队开进了一个(🎨)叫(💆)做(zuò )圣劳(🚜)伦(lún )斯的(🌑)(de )法国小村庄，被(🍁)高度(dù )近(🐋)视(🕢)的(de )神父(fù(🥤) )误认为是美军。正当(dāng )村(🏉)民们(men )敲锣(😰)(luó(🦊) )打鼓，夹道欢迎时，德军的(de )出现(xià(🌔)n )让(🗯)他们十分(🆙)尴尬。德(dé(🐧) )军进驻小村(cū(🌑)n )庄，村民们(🔢)不(🏿)愿(yuàn )帮助(🐨)(zhù )德国(guó )人，他们藏起食(😻)物，并(bìng )不(⛴)断(📳)(duàn )的给(gě(♒)i )德军添乱，笑料百出…(😪)…(😒)
犬(quǎn )神制(🍚)(zhì )药创始人犬神佐兵卫(wèi )（三国(😝)(guó(〽) )连太(tài )郎(🎠) 饰）一生(🥏)不曾娶妻(qī )，却(🤼)有(yǒu )三个(🌝)(gè(🌙) )女儿松子(👽)（高峰三枝(zhī )子 饰）、(🌾)竹(zhú )子（(😘)三(🙎)条美纪 饰）、梅子（草笛(dí )光(🙇)子(🎧) 饰），另收(😚)养恩(ēn )人(🚽)野野(yě )宫大(dà(🤣) )式孙女珠(🦈)世(🧒)（岛田阳(😋)(yáng )子 饰）为义(yì )女。犬神(🛤)生前留(liú(🛂) )有(➿)遗(yí )书，规(🔳)定三女只能继承遗产(🏠)(chǎ(🙈)n )极少(shǎo )部(🔐)分(fèn )，多数遗产由珠世获得，然(rán )珠(🚛)世(👾)(shì )需同犬(🥄)神三 个孙(🤫)子中(zhōng )的一个(🌴)(gè )婚配(pè(🌛)i )方(🌕)可继承。犬(🌟)神家顾(gù )问律师(shī )嗅到(📃)(dào )遗产之(🤽)争背后的血腥(xīng )气息，从东(dōng )京请(🏹)来(💾)名侦探金(🕧)田一(yī )耕(👿)助（石坂(bǎn )浩(🥃)二）协助(🤹)调(🤱)查。
Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.
茱(zhū )莉(🌮)亚（Cathleen Nesbitt 饰）年事已高，家财(🐱)万贯(guàn )，可(🌡)是(🤴)没有(yǒu )子(🔸)嗣，也就没有(yǒu )名正(zhè(🐈)ng )言(⛹)顺(shùn )的继(🖥)承者，为此，她找(zhǎo )到了(le )女巫(wū )师布(🐹)兰(🌷)奇（芭芭(🤜)拉·哈里(🗑)斯(sī ) Barbara Harris 饰）。茱莉(🌜)亚告诉布(🚃)兰(💩)奇(qí )，她的(😣)(de )妹妹(mèi )曾有一个私生子(💮)，被(bèi )她送(🏆)给(gěi )别人(rén )抚养，如今，她想找(zhǎo )到(♊)这(🏧)个(gè )可怜(📷)(lián )的孩子(🚚)，让他继承家(jiā(📙) )产。
一(yī )个(🌽)发(🆚)(fā )生在少(🎍)男和年长美女(nǚ )之间的(🥝)(de )故事(shì )。十(🐕)几(🚵)岁的Billy出生在北(běi )非一个富裕(yù(🏢) )的(🖊)家庭中。一(🚧)次(cì )，家(jiā )中来(lái )了一个客人，年轻(🍀)貌(😊)美(měi )的二(🌏)(èr )十多(duō )岁美女Andrea，一见到(🔈)美丽的Andrea， Billy就(🔁)(jiù(🔢) )被迷(mí )得(🔒)神魂颠倒，还不断(duàn )向接(🧤)近(jìn )Andrea，幻(huà(💀)n )想和她发生什么。而(ér )Andrea也答应(yīng )在(💮)Billy成(🎀)(chéng )年后会(🤟)让他体验(👅)性的(de )滋味。Billy努力(📣)(lì )地想让(👲)这(🐢)次经历变(🤙)得(dé )完美却(què )始终(zhōng )遇(🎐)到各种阻(🆚)碍(🐈)，一次(cì )他甚至将车(chē )开到了荒(🈚)无(♊)人烟的沙(🙅)(shā )漠中，以为(wéi )再没有人会破坏(huà(🚁)i )他(🌆)的(de )好事(shì(❕) )。不妙，正当他们好事即将(🍷)(jiāng )成功(gō(🙅)ng )之(🌂)际，突然有(🕦)一支队伍出现(xiàn )了，Billy又一(🌱)次失望而(😨)归……直到性(xìng )感的(de )治疗师Emmanuelle 到来(🍲)后(🚗)，她让(ràng )Billy感(🆖)受到(dào )了(🏻)初(chū )体验的滋(🕳)味，使得他(🕢)(tā(🖊) )消除了(le )羞(🥀)涩(sè )感和罪恶感。最后Billy和(🧠)(hé )Andrea在沙丘(👊)(qiū(🐙) )上完(wán )成了美妙的经历