青春失乐园

羅馬、張(🍰)(zhāng )揚合(⛹)導的《阿牛(🍤)入(rù )城(🖋)記(jì )》以(🤯)阿牛（野(📍)峰）這(📪)個大(dà )鄉里來到(🌟)香港，目(🚜)(mù )睹香港低下層(🤔)社會(huì(😹) )的光(guāng )怪(😻)陸離，有(🛂)悲有喜(🚸)(xǐ )，有血(xuè(🧀) )有淚。阿(🐶)牛(niú )生性(xìng )戇(gà(🐮)ng )直常常(🐤)被人利用，周大(dà(😤) )叔（王(⏭)沙）帶他做(zuò )賭(🕌)檔「睇(🎖)水」，他(tā )以為(🍓)(wéi )是(shì )看著一桶水，大(dà(🍣) )出洋相(xiàng )。阿牛做過很多(💭)(duō )工(gōng )作，不時被壞份子(✅)(zǐ )利用(✒)(yòng )如幫人(🤦)「捉黃(🐭)雞」勒(🦗)索、到城(✨)寨做「(🔄)阿牛(niú )艷(yàn )舞」(🐔)等，但阿(🌟)牛(niú )的天真(zhēn )純(☔)樸仍得(🍠)到阿花的(⛸)(de )喜愛，反(🧥)映傳統(📧)社(shè )會的(💫)(de )善良信(🏘)念：天無絕(jué )人(👒)之路(lù(🌓) )。後來，阿(ā )牛到(dà(💕)o )碼(mǎ )頭(🔐)做苦力，工人罷(bà(♊) )工，他繼(♓)績工作，竟然(rá(👉)n )被打，阿牛自衛釀(niàng )成大(🍾)(dà )騷(sāo )動，被拉入獄。結局(📳)無(wú )疑令人悲哀，卻(què )反(🧥)(fǎn )映編導的聰明(🔳)之處(chù(🛺) )，留(liú )下(⛔)尾巴，讓關(🤒)心阿(ā(🔕) )牛命運的觀眾期(🤯)待(dài )下(🤦)集(jí )《阿牛出獄記(🔘)》登(dēng )場(🚹)。 具(jù )争议(🖇)性和开(🥛)创性的(🏍)(de )喜剧演员(🐝)伦尼布(⏸)鲁(lǔ )斯的(de )传记电(🦓)影，全片(🏉)追(zhuī )溯伦尼(ní )布(📩)鲁斯反(🧑)政(zhèng )府的(de )政(zhèng )治(🙄)观点。全(🏣)片以倒(dǎo )叙的(🔼)(de )手法，分别从母亲(qīn )、妻(㊗)子和经纪人的(de )角度(dù )出(🐱)(chū )发讲叙了喜剧演(yǎn )员(🎼)伦尼(ní )布鲁斯的(⛏)一生。 某(🏯)(mǒu )公司(⏮)科长信利(♟)和妻(qī(📃) )子昭(zhāo )子、上高(🍖)中的的(🔧)儿(ér )子阿敏一起(🌁)居住在(🐗)(zài )正房(fá(🍆)ng )里(lǐ )，父(🙌)亲茂造(📐)和母(mǔ )亲(💧)一起(qǐ(🔣) )住在偏房。母亲突(🚵)(tū )然去(🛋)世，信利他们(men )才发(🍞)(fā )现父(🥀)亲茂造已经患(huà(🥡)n )有痴呆(✨)(dāi )症。由于过(guò(🚻) )去(🥚)都(dōu )是(shì )母亲在照顾(🐿)，他们(men )对此(cǐ )毫无察觉。茂(🕠)造的(de )病情越来越严重，他(🍻)们(men )只(zhī )好让茂造(📧)搬到正(🔻)(zhèng )房和(😎)他(tā )们一(👘)起生活(⛳)。一到(dào )晚上，茂造(🤘)就会让(🍃)(ràng )全家(jiā )人不得(🔙)安宁，在(💋)白(bái )天又(🐇)常常一(🏠)个人跑(🧦)(pǎo )出去(qù(🌒) )。无奈之(🚃)下信利只好每天(⌚)(tiān )将茂(🍌)造送到“老人(rén )之(➡)家”，晚上(🐛)再接(jiē )回去(qù )。“老(🔅)人之家(🌺)”里(lǐ )有一个(gè(🍌) )老(🍖)太太，她对茂(mào )造(zào )非(🔉)常和气也非常照(zhào )顾，茂(🥥)造却毫不领情，甚至恶言(🕊)相向，让(ràng )老太(tà(⛓)i )太(tài )很(📊)不高兴(🧝)。医生(shēng )认(💜)为只(zhī(🕷) )有精神病院才能(🏎)收(shōu )留(🔤)具有茂造这种症(🥩)(zhèng )状的(⛲)(de )人，但茂造(🥙)连洗澡(🔑)(zǎo )、上(🗼)厕所都要(🛫)有人(ré(📷)n )帮忙(máng )，当然就去(👭)不了精(📨)神(shén )病院(yuàn )。期间(❄)发生了(👍)许多(duō )令人啼笑(🏙)皆非的(😘)事(shì )情，就在昭(😛)子(🙊)觉得自己(jǐ )的神经(jī(🈯)ng )也要崩溃的时候(hòu )，茂造(🥈)却去世了。一(yī )家人(rén )终(🤟)于喘过气来，准(zhǔ(🕘)n )备饮酒(🐐)庆祝一(😕)下，唯有(yǒ(🏇)u )饱(bǎo )受(🐦)折磨的昭子热(rè(🔅) )泪盈眶(🌃)(kuàng )，始终无法高兴(🈷)起(qǐ )来(🐗)。 Nicholas Ray ended his Hollywood career with his most expensive production, 55 Days in Peking (1963), and followed it ten years later with his least expensive, an experimental and politically radical independent feature made with his film students. Each movie is a shambles, though if I had to choose between them I'd probably opt for this one, which is certainly the more original. Ray and his students play themselves in docudrama situations that culminate in Ray's (fictional) suicide, and often he combines several images into crowded frescoes. The film reeks of countercultural alienation and anguish, and when it premiered at Cannes in 1973, Ray spoke of trying to make "what in our minds is a Guernica" out of such materials as "a broken-down Bolex" and "a Mitchell that costs $25 out of navy surplus." He tinkered with the film for years, and the 1976 date commonly assigned to it refers to a second unfinished version, which, lamentably, is unavailable. It's upsetting in many ways, but as a document of its time there's nothing remotely like it. 대회사 회(🍃)장의 사(🔛)위가 된(🏾) 윤기준은(💶) 휴가차(⌛) 과거 자신이 폐병(🌸)을 앓으(🚨)며 요양했던 무진(🧘)을 찾는(🚑)다. 기준은 무진에(😀)서 성악(📋)을 전공한 인숙(📝)을(🏹) 알게 되는데 결국 안개(📔)로 상징되는 무진에서의(⤴) 과거까지 연상되면서 하(📑)인숙에게 끌리는(🤯) 자신을(👭) 발견한(⏰)다. 둘은 서(🌎)로를 확(💵)인하면서 하나가(➕) 되고 인(🏓)숙은 기준에게 자(🛢)기를 서(🕯)울로 데려(✡)가 달라(🔢)고 한다(🛁). 그러나 기(🎎)준은 그(🍞)녀를 뒤로한 채 서(😬)울로 떠(💕)난다. 改编自依达(🗻)原(yuán )著(🐆)《七颗寒星》，讲述(shù(🐿) )青年作(💰)家与歌女的(de )一(🛠)段(👶)(duàn )恋情。 The end of 1940s is in extreme chaos of ideology. Park Nam-Pyo, a leader of the communist party in South Korea, is assassinated during his address in a lecture meeting. Inspector Park arrests Jung-Kwon as the criminal. Kwon is released thanks to the plot of the party's underground organization but is executed by the party. After that Hong Jeong-Kyu, a convert from communism, is assassinated again and Hwang Cheon-Il, the assassin, is caught. When the case gets into the climax, the communist party under pressure assassinate chief officer Kim. Inspector Park, who is second to none to follow Kim, makes a sudden attack the hideout of the party and clears them out with his strong combative spirit. just viewed this movie and decided to take the time to make some comments since no one else has.overall I give the movie a 7,the score would be higher if there were less blood and more clothes on the females.Deserves an R rating.In the 1960's and 70's I spent many hours being entertained by dubbed movies,this one is dubbed so it is to my liking.What I like about it in no certain order is as follows:The movie is about the mafia...it's made by Italians,has alot of Italian actors...it seems fitting.Set in the early 1900's in America it has a dark look and mood...great atmosphere.I believe the character lionel stander plays is the same one ernest borgnine had in the movie "pay or die" that of an Italian on the police force combating the mafia,based on a real person.His character gives a sense of realism to the movie and made me wonder if the movie was based some on fact.The little I know about the real person is similar to the character in the movie.In the past I havn't seen much of Lionel stander in the movies but his performance as a tough cop is very good.He is not the main character though,a young man(placido ?)is,he plays a young immigrant that is a victim of circumstance.He is a just person that kills an expendable gangster in the heat of a fight,the victim had previously killed an elderly friend of his.He gets employment from the mob being unaware of the serious unlawful part he has in one of their cold blooded operations...he is a tragic figure.Other viewers might feel this movie is just another low budget poorly dubbed movie.The film left me with the feeling it may have been based more on fact than much more expensively made films about organized crime.It also left me wondering if the young main character was based on a real person-I liked the movie. 岡ひろみは“お(😬)蝶(dié )夫人”と呼ばれる竜(🌎)崎麗香にあこがれてテ(🚆)ニス部に所属し(🐊)た、普(👯)通の女(🔗)子高(gāo )生(🆗)だった(🏈)。だがいきなり鬼(🔳)コーチ(📩)宗方仁に可能(né(🍢)ng )性を見(⏲)出され、(🎣)テニス(👬)の資質(🖤)を伸ばし(👻)ていく(🚗)。先輩や同期(qī )の(🗂)妬(dù )み(🔐)を買いながらも(🔒)、親友(🎢)(yǒu )の愛川マキや(😙)男子(zǐ(🏈) )部員の藤堂貴之(🎻)たちに励まされ彼女(🤫)は成(chéng )長していく。そし(👷)て、コーチとの絆も深(🐛)まるのだが…。 From acclaimed erotic filmmaker, Wakefield Poole, comes The Bible, like you've never seen information technology before!