李献计历险记影评

黑(🐁)(hēi )色(🐿)喜剧(jù )片。风光美丽的加利(🕌)西亚(💪)。胡莉(lì )娅Julia（卡(kǎ )门·(📣)毛(má(🀄)o )拉饰）把家族的老宅打扫(🍷)(sǎo )布(😬)置(🍠)得(dé )焕然一(yī )新，饮(🧥)食物(🏀)什准备(bèi )停当，恭候她(tā )弟(❄)弟爱(🈂)(à(🥕)i )德华多Eduardo（罗韦尔托·阿(👝)尔(ěr )瓦(📹)雷斯(sī )饰(shì )）到(dà(🔱)o )来。人(✌)过(🏪)中年的爱德华多(duō )在马(🚛)德(🔻)(dé )里(⌛)(lǐ )有家(jiā )室有子女，是个年(📘)轻的(🍡)政治家。不(bú )过，他(tā(🈶) )此(👅)次回(🚳)加利西亚老家，不仅仅(jǐn )是(🏚)(shì )为(🔇)了跟(gēn )他的两个兄弟(🅰)团聚(👌)，他主要是想(xiǎng )与他的(de )秘密(🍎)情(qí(🀄)ng )人(🥤)瓦内莎Vanesa(贝罗妮卡·(⚡)埃切(🆙)(qiē )吉饰)在(zài )此相见(jiàn )...... Lord Holm, an aristocrat who once served a prison sentence for killing his sluttish wife, has turned his home into a rehabilitation centre for other ex-offenders. Gina and Jack Colby, married ex-police officers, assist him, Jack as administrator and Gina as a counsellor. Jack has expressed concerns over the hostel's financial situation shortly before he is murdered. Eddie Marston, a new arrival at the hostel, over whose admittance Tom Barnaby has had misgivings, goes missing, and the local postman, a disgraced former policeman, tells Tom that he has been blackmailing Jack over information given him by Marston when they were cell-mates. Also in the frame is the bad-tempered local inn-keeper, whose neglected wife had been using Jack as a confidant. Nothing is ever simple when investigating a Midsomer murder. 从小(🍄)就生(🕤)活(😆)在不幸(xìng )中的幸(xìng )江（(💒)中(zhōng )谷(🗯)美纪(jì ) 饰），结婚后(🎡)依然(🔺)过(🌓)着苦(kǔ )情女的(de )生(shēng )活，丈(🎵)夫(⛽)（阿(🤦)部宽 饰）不仅没(méi )有工作(🎓)(zuò )、(🦄)嗜酒(jiǔ )豪赌成性，还(🛷)经(🤖)常对(🐄)她粗鲁相待(dài )，但幸(xìng )江(jiā(🌦)ng )始终(🚘)死心塌地地坚守在丈(🥚)夫身(😮)(shēn )边(biān )，不管(guǎn )看不下去的(✒)邻居(🤮)劝(❤)她离婚，也不(bú )管有(💣)钱(qiá(🖖)n )店主的(de )求爱，在她看来，只要(🌭)和(hé(🍃) )丈(🐜)夫在(zài )一起就(jiù )是人生(🍽)最大的(🎂)幸福(fú )。直到(dào )有一(✍)天(tiā(🐎)n )，刑(🥖)满(mǎn )出狱的父亲（西田(🔯)敏(🐹)行 是(⤴)(shì )）出现(xiàn )在(zài )幸江(jiāng )面(🚽)前，生(🏭)活开始发生变化(huà(🏃) )。 年(🍙)轻(qī(⏰)ng )的(de )真千(qiān )子（尾野真千子(🤳) 饰）(👡)无法从孩子(zǐ )夭(yāo )折(🏭)的(de )悲(⛳)(bēi )伤中走出，她与丈夫（齐(🈵)藤阳(👐)(yá(👳)ng )一(yī )郎 饰）离婚，痛(🎚)苦不(👕)堪，生不如死。真(zhēn )千子来(lá(📛)i )到奈(🔋)良(⛳)(liáng )北部乡间，成为当地的(👣)智(zhì )障(🎖)中心(xīn )的一名(míng )服(🎯)务人(😩)员(🥩)。在这里(lǐ )，她认(rèn )识了名(🏬)(míng )叫茂(📥)树(shù )（宇田茂树 饰）的老(➕)人。茂(☕)树30年(nián )前(qián )痛失(shī(📹) )爱(🚞)妻，几(🔹)十年来始终沉浸(jìn )在对往(🚌)(wǎng )事(🍹)(shì )的追(zhuī )忆中，无法自(🎳)拔。 玉(🐒)皇大帝悬赏(shǎng )征(zhēng )集计(jì(🎮) )划(huá(👁) )，用(❓)以推动天庭的经济(🙃)，一向(👎)(xiàng )以(yǐ )头脑精(jīng )明著称的(Ⓜ)雷震(🤮)子(🥈)（郑中基 饰）在(zài )向玉(📎)帝(dì )递(🥣)交计(jì )划书前被九(🕧)天玄(🛢)女(🕤)揭发了(le )雷震子(zǐ )30年前在(🛳)(zài )凡间(♊)曾经出手帮过(guò )一个小(xiǎ(🗽)o )胖男(💞)孩(hái )，使男(nán )孩没有(🧐)误(🈺)入歧(🍑)途。雷震子(zǐ )以为会(huì )得(dé(♈) )到赞(📐)(zàn )赏，但九天玄女告诉(📇)雷震(🈴)(zhèn )子，当(dāng )年(nián )他告(gào )诉小(🔐)胖子(🏢)丁(⚡)当（谷德超 饰）只(⛅)要(yà(🖖)o )有(yǒu )困难(nán )自(zì )己便会挺(⚽)身而(🏾)出(⛑)。而此时长大(dà )后(hòu )的丁(🤭)当(dāng )正(🕞)面临生死大劫，如果(🌊)雷震(🕴)子(🙇)不(bú )能履行(háng )当年的(de )承(🍑)诺，便会(💑)让竞选添上污(wū )点。雷(léi )震(🐞)子自(🆔)(zì )恃法力高强，决定(🆘)(dì(📃)ng )下凡(🤗)找(zhǎo )到丁当(dāng )并帮他(tā )度(🔷)过危(💹)机，但情况并不想(xiǎng )雷(📍)震子(❎)(zǐ )想(xiǎng )象中(zhōng )简单。 隐匿江(🎭)湖多(🏂)年(👐)的柳(liǔ )余恨（杨(yá(🚸)ng )世星(💏)(xīng ) 饰）突然现身，陆小凤（(📛)张智(🌿)霖(🏜)(lín ) 饰(shì )）深(shēn )感(gǎn )诧异(🎸)。原来这(🔑)与五十年前金鹏(pé(💪)ng )王(wá(🤡)ng )朝(🥥)遗留(liú )的稀世珍宝有关(👻)。陆小凤(🆚)碍于金(jīn )鹏王相(xiàng )求和(🤷)上(🎾)(shàng )官(🍐)飞燕（吴佳妮 饰）(🤑)卷(🔔)入(rù(🔈) )此事，决定帮(bāng )忙查找当年(🅾)的三(😩)个(gè )叛臣，他很快(kuài )找(🤗)到关(📧)(guān )中珠宝阁大当家的严立(😾)本(bě(🖨)n )和(🛂)峨嵋(méi )掌(zhǎng )门严(yá(🏕)n )独鹤(🆖)，但两人很快便死于(yú )西门(🍣)吹(chuī(🔥) )雪(♿)(xuě )（何(hé )润东 饰）和丹(⛄)凤公主(🕦)（吴佳妮 饰(shì )）剑(🐒)下(xià(❄) )，二(🔛)人的死使刚有眉目的线(🚡)索戛(jiá(💻) )然(rán )中断，事情变得扑朔(🐽)迷(🎹)离。紧(🎏)接着花满(mǎn )楼（张(📘)(zhā(🚵)ng )智尧(💧) 饰(shì )）离奇失踪，丹凤公主(🗾)也(yě(🐃) )中毒身(shēn )亡，通(tōng )过缜(🍪)密梳(🦗)理，陆小(xiǎo )凤发现(xiàn )求他办(🚅)(bàn )事(⚾)的(🦕)金(jīn )鹏王竟然是个(😝)假冒(🚹)者...... 一个(gè )小镇的(de )小(xiǎo )报记(🍲)(jì )着(🥑)假(🖤)扮侦探，后来发现自(zì )己(🐱)陷入(rù(🔂) )一(yī )张由(yóu )谎言，欺(😡)骗和(💻)谋(🎒)杀织成的网中。 由(yóu )新手(⭐)(shǒu )导(dǎ(👦)o )演大卫．沃尔(David Wall)所自编自(🕺)导(😁)自演(✈)(yǎn )的(de )圣诞节(jiē )日电(🦈)影(➗)，沃尔(😻)的女儿柏娜．沃尔(ěr )(Brennan Wall)也在(🎾)片(pià(🔸)n )中演出(chū )Noelle一角，故事讲(🍔)述一(😚)位新到(dào )职的牧(mù )师，在(zà(☝)i )圣诞(📊)节(🤬)的前夕来到一个以(🧜)(yǐ )捕(🎳)鱼维(wéi )生的小(xiǎo )村庄，要取(🔮)代当(🤘)地(🈶)的牧师(shī )，并前(qián )来执行(🚹)(háng )他最(⛷)擅长与一直负责的(🔺)项(xià(👹)ng )目(🚞)－「关(guān )闭财(cái )务状况(🍱)与经营(🔏)不善的教区」。 一(yī )群(qú(🎓)n )不(🙇)同(tó(💈)ng )的人在同一屋檐下(🍽)，发(🦕)现他(🥋)们唯(wéi )一(yī )的共(gòng )同(tóng )点(🔴)是—(🌇)—人人成瘾 In four distinct chapters, Solitary Fragments follows two women, Adela and Antonia, through their everyday lives. The film maps out their relationships, shows us the people that matter to them, and slowly ties their lives together. With a camera as still and observant as Ozu’s tatami angle, Jaime Rosales creates a disarmingly naturalistic, nonjudgmental tapestry of people struggling with ordinary challenges. The result is a fascinating ecosphere of human behavior. Petty arguments, procrastinated plans, quiet sacrifices, acts of compassion, and conciliatory gestures – these momentary interruptions seem cursory, but they are exactly what make life “life”. Winner of Best Film and Best Director at the 2008 Goya Awards, Spain’s equivalent to the Oscar.