午夜讲诡故事

汽车(🌡)特(tè )技人集资投(📄)拍(🥖)(pāi )的电影，有(yǒu )史以(🛷)来(🕧)最残暴(bào )的追车戏(😫)，持(🛸)续长达40分钟(zhōng )，损毁(🔐)汽(🏂)车(chē )93辆！ The striking feature film debut of writer-director Alexandre Moors, BLUE CAPRICE is a harrowing yet restrained psychological thriller about an abandoned boy lured to America into the shadows of a dangerous father figure. Inspired by true events, BLUE CAPRICE investigates the notorious and horrific Beltway sniper attacks from the point of view of the two killers, whose distorted father-son relationship facilitated their long and bloody journey across America. 1948年前后，中国(🥤)某(🤴)个平(píng )常的遍处(💾)皆(♌)是(shì )断垣颓壁的(de )南(🐔)方(💑)小城里，年轻少妇周(🏅)(zhō(🔙)u )玉纹（韦伟 饰(shì )）(🗿)与(⌚)(yǔ )生病的(de )丈夫戴礼(🛣)言（石羽(yǔ ) 饰）过(🍛)着(🐨)索然寡味的(de )日子(zǐ(🤗) )。战(🆘)争不仅令礼言失(shī(🧓) )去(📿)了(le )家产，也使(shǐ )他丧失(🥈)了(le )生活(huó )的信念(🔊)。而(🎀)(ér )玉纹每日做的(de )，是(⛔)在(🈂)早晨(chén )出门买菜、(🌽)给(🖲)(gěi )礼言抓药，在城头(❕)踱(🎭)步好(hǎo )大一会后伤(shā(💓)ng )神地复回到家(jiā(💿) )中(🎧)，将药丢(diū )于他时与(🤰)他(🏴)对(duì )话不过三两(liǎ(🎨)ng )句(🌷)，剩下大半(bàn )时日，是(🥪)坐(🌲)(zuò )在妹妹戴秀（张(♐)鸿眉 饰）房间绣花(🐝)独(🚼)自(zì )喟叹(tàn )——除(🆘)了(🌌)早晨出门徘(pái )徊的(👷)(de )城(🎄)墙头，这是她认为(wéi )的(⬜)小(xiǎo )城唯剩的有(yǒ(😡)u )生气之地(dì )。 戴(dài )高(🕰)乐(🚂)机场为(wéi )无数人制(⛄)造(🤳)了(le )分离，却为(wéi )男女(🎆)主(🌛)角的相(xiàng )遇提供了场(❗)(chǎng )景。罗斯（朱(zhū(🗄) )丽(🥌)叶·比诺(nuò )什 Juliette Binoche饰）(❎)是(🌲)一个(gè )化妆师，有(yǒ(🕜)u )着(⏫)独立的感情(qíng )观和(🤙)乐(💎)观开(kāi )朗的性格。她(😪)(tā )一直希望可(kě )以(🔙)逃(🏯)避一段感(gǎn )情，放下(💪)那(🥡)(nà )个不想再爱的(de )男(⛹)人(🤬)(rén )。而菲利斯（让·雷(🕔)(léi )诺 Jean Reno饰(shì )）是一名(🚒)商人，有着(zhe )一手(shǒu )好(🔴)厨(😰)艺，对(duì )前妻仍然(rá(⭕)n )念(👇)念(niàn )不舍，正赶(gǎn )往(🙃)她(♏)亲友(yǒu )的葬(zàng )礼。 Alice's father left when she was a child. She continued to share her life with him in letters that she sent not realising that he never received them. Eventually, they all come back with "Dead Letter Office" stamped on the front. As an adult, she becomes consumed with a desire to find him and takes a job with the Dead Letter Office, convinced that she can use them to fulfill her romantic notions of a reunion with her father. What awaits her at the DLO is far more than that ... In 1954, following the death of her American serviceman husband, beautiful Freya (Margaret Vilhjalmsdottir) returns to her native Icelandic fishing village. With several trunks of fashionable clothing and astounding tales of life in postwar New York, she turns the town on its ear with her glamorous presence. Intent on finding another husband, she moves into the already bustling household of her grandparents, joining Granny, insecure young Dodo, mentally challenged Ninna, her grandfather (when he isn't out on a fishing boat), and precocious 11 year-old Agga (Ugla Egilsdottir). Agga is suspicious of Freya from the moment she arrives but eventually her distrust gives way to fascination. When Freya has a passionate encounter with Bjorn, an engineer and one of the town's most eligible bachelors, Agga helps iron out the kinks in the burgeoning romance. The drama that unfolds becomes the talk of the town, and eventually carries all the women of Freya's extended family into unexpectedly dark territory. Stunning Icelandic locales give THE SEAGULL'S LAUGHTER a distinctly exotic sense of time and place. Vilhjamsdottir is a beguiling screen presence, and in Egilsdottir, she has a winning, appealing foil. Veering between quaint, small-town-style comedy--in which the quaintness of the locals is played for laughs--and dark, myth-influenced drama, Agust Guomundsson's unique and amusing film is a treat for the adventurous filmgoer.