1920年代，美国东南(ná(🌬)n )方的佛(fó )罗里达州座著两个相临(lín )的(de )小(xiǎo )镇。一个贫穷荒凉，居(jū )民以(yǐ )白人居多；另一个则是(shì )富(fù )饶(ráo )繁荣的黑(💝)人城镇─罗斯(sī )伍(wǔ )德。原本即存在的种族紧张(zhāng )态(tài )势(shì )，因一名白人妇女误控(kòng )有陌(❕)(mò )生黑人袭击她而更加不(bú )可(kě )收(shōu )拾。白人暴民开始泄愤式(shì )地疯(fēng )狂杀害罗斯伍德(✍)镇民，大(dà )批(pī )无辜的妇孺被迫逃离家(jiā )园。此时，一个白人商店老板(bǎn )与(yǔ )一(yī )个老兵却打破种族藩篱(lí )，帮(bāng )助许多(🧡)老弱居民躲避残(cán )酷(kù )的(de )暴行。只是，他们将带(dài )著(zhe )无止(zhǐ )境的恐惧，永不得返乡(xiāng )...
From the Irish countryside to London to New York and back again, Maggie reenters the world as a countess and shady art dealer. With her panache and charisma, she finds more than an auction, a rekindled interracial love affair, helpful relatives and a painting of great price. She finds more than she bargained for in the labyrinth and milieu of stolen art.
雷(léi )扎(🧟)(zhā )与莱拉是一对恩爱的夫(fū )妇，美中不足的是他们没有(yǒu )孩(hái )子(zǐ )，不久后雷扎发现莱拉(📳)没(méi )有生(shēng )育能力。雷扎认为这并(bìng )不(bú )重(chóng )要，可母亲却坚持让他(tā )另娶一门妻子，以传宗接代…… 本片故事上(🦌)与以色列(liè )影片(piàn )《向日葵》有相近之处(chù )，相(xiàng )同的是感情在宗教传统(tǒng )桎(zhì )梏下(xià )的挣(🏍)扎，不同的是希伯(bó )莱(lái )和(hé )伊斯兰的社会文化背景(jǐng )。
反(fǎn )应机智、深谙罪犯心理(lǐ )的(🔀)(de )史(shǐ )考特(艾迪墨菲 饰)，是负责(zé )与歹(dǎi )徒谈判、解救人质的资(zī )深(shēn )警(jǐng )探。某日，长官突然指(zhǐ )派史考特与毫无实战(🚬)经验的菜(cài )鸟(niǎo )凯(kǎi )文(麦可若帕普斯 饰)合作(zuò )办案(àn )，史考特表面上佯装接(jiē )受(shòu )安(ā(🏼)n )排，私下仍然和老友山(shān )姆搭档(dàng )，不料山姆在出勤中意(yì )外(wài )丧(sàng )生；执意为好友报仇(💈)的(de )史考(kǎo )特只好和凯文合力出击(jī )。于(yú )此同时，杀害山姆的歹徒(tú )又抢(qiǎng )劫某珠宝店，当史考特(tè )与(yǔ )凯(kǎi )文好不容(🌊)易追捕到歹徒(tú )后，没想到歹徒又越狱，并锁(suǒ )定(dìng )史(shǐ )考特的女友为报复对象(xiàng )…一(yī(🔎) )场致命游戏正步步逼近(jìn )，史(shǐ )考特和菜鸟凯文果真能(néng )合作无(wú )间，联手缉凶吗
电视烹(➗)(pēng )饪(rèn )节(jiē )目主持人玛莎•鲁宾逊(xùn )和他(tā )的丈夫道格、两个孩子(zǐ )简(jiǎn )和(hé )罗杰生活在美国的贝弗利(lì )山。因为(🔪)工作非常繁忙，玛(mǎ )莎(shā )几(jǐ )乎没有时间和家人在一(yī )起。为了缓和与家人的紧张关(guān )系(🌇)(xì )，玛莎这次放下了所有的(de )工作(zuò )，安排全家人一去南海(hǎi )岛(dǎo )屿(yǔ )度假。
S23E02
Gwen grows up with her romantic mother constantly telling her the story of her courtship and marriage to her father. Nick grows up with an alcoholic father who can't hold a job and whose family, as a result, is forced to move all the time. The two are shaped by this - Gwen a romantic and Nick withdrawn, unsure of himself - as they watch the hugely popular sixties sitcom, "One Big Happy Family." Years later, it is the star of that show, now a child actor gone bad with a history of detox and people always saying, "I thought she was dead," Francesca Lanfield, who connects the two of them, after years of near-misses and almost encounters. Gwen is hired to ghost-write Francesca's autobiography, while Nick, becoming her lover, is the architect who is to design a building on Francesca's property. When Gwen decides to crusade to save Francesca's building, she writes letters to the newspaper which catches Nick's attention - and wins his heart.