电影盲井

A group of men of differing circumstances and personalities gather at a monastery to undergo a course of spiritual reappraisal. They comprise of a candle-maker, a politician, an ex-prisoner, a novelist and a petty thief trying to elude the police. All have their own spiritual problems to solve, except the thief. The politician, a former partisan leader, suffers the remorse of causing the deaths of three innocent men on a sabotage mission; he is set for the priesthood. The prisoner, a sick and possibly dying man, lacks the courage to visit his wife who is now happily remarried; his padre has advised him to leave her alone. The novelist bears the moral responsibility for offences committed by young people led astray by his writings; he earns a lot for his work, but is too demoralized to continue. Then the candle-maker - miserly, smooth-talking and bigoted - is unlikely to receive any benefit from his retreat to the monastery... 骑兵弘(hóng )多·(🎑)莱(lái )恩(🕒)遇到了(🍅)一个和(🍻)儿子(zǐ(😍) )居住在(🐂)敌(dí )对(🍅)的亚帕(🛒)基(jī )印(⏸)第安人(♉)疆土中(🌡)的妇(fù(🌅) )女安吉(🗿)(jí )。在亚(🈁)帕(pà )基(🐹)印第安(🤬)人(rén )首(🧚)领维特(tè )里奥的保护(hù )下，她(tā )似乎觉(🎬)得(dé )很(🙀)安全。后(🍨)(hòu )来，莱(🎲)恩(ēn )与(⬛)安吉的(📔)堕(duò )落(👫)的丈夫(🍆)发(🏝)生争执，并在不(bú )知他究竟(jìng )是谁的情况(kuàng )下被迫要杀他。维特(tè )里奥为(wéi )了救他抓(zhuā )住(👠)了莱恩(🏦)，而安吉(🔉)却(què )在(🗡)此时向(🛫)维(wéi )特(🌜)里奥(à(🚥)o )宣称莱(🐾)恩是她(😕)的“丈(zhà(🎴)ng )夫”，殊(shū(🛎) )不知她(👫)真正(zhè(🖋)ng )的丈夫(💠)被莱恩(🥟)杀了。为(🐇)了将(jiā(💎)ng )安吉从一(yī )场强迫性的(de )婚姻中解(jiě )救(🗳)出来，莱(💏)(lái )恩不(🚫)情(qíng )愿(🚗)地将谎(🗾)(huǎng )言进(🐾)行到底(🕕)(dǐ )，虽然他(🤱)(tā )知道真相最(zuì )终会浮出水面，对安(ān )吉，也(yě )对维特里(lǐ )奥。 1949年春，林黛玉丧父后，投靠(kào )外(👡)婆贾(jiǎ(🏥) )母，并与(🎡)(yǔ )表兄(👄)贾宝玉(🌀)(yù )互相(🏗)倾慕(mù(✖) )。贾家外(🏴)表(biǎo )荣(🕔)华富(fù(🚠) )贵，实则(🌤)外强中(🔬)干。家长(🍒)贾政(zhè(🆕)ng )拉拢财(🤠)雄势(shì(💉) )大的表亲薛蟠合资开(kāi )银行，由宝玉当(dāng )挂名(💋)经理。家(🔟)里由儿(🕳)(ér )媳王(🐲)熙凤当(🍼)(dāng )家，熙(⛸)(xī )凤借(🚘)机放(fàng )高(🛠)利贷，亏(kuī )空家中钱(qián )财。贾政、熙凤，还有夫婿当官的大小(xiǎo )姐元春，都希望宝玉(yù )能跟薛(😿)蟠妹宝(🥕)钗结婚(🧒)(hūn )，好巩(🕍)(gǒng )固两(😜)家关(guā(🤾)n )系。宝玉(✖)虽(suī )然(📦)深爱黛(⛱)(dài )玉，却(✨)生性(xì(🖼)ng )懦弱，不(🐙)敢反对(🌙)(duì )，被家(💝)人强(qiá(🕟)ng )行安排(💋)与(yǔ )宝钗订婚，黛玉得悉后气得病倒(dǎo )。薛蟠(pá(🤶)n )恃财凌(🌮)人(rén )，借(🔕)醉对贾(🎏)(jiǎ )家婢(🤠)女晴雯(🈹)不轨，被(🌅)(bèi )熙凤撞(🌏)(zhuàng )见，岂料(liào )熙凤反辱骂(mà )晴雯，晴(qíng )雯于是羞愤(fèn )自尽。宝玉与宝钗大婚之日(rì )，时局突(tū(🎲) )起变化(🎍)，贾(jiǎ )家(🐐)及薛家(😋)各自逃(💭)难，旧家(🏟)庭(tíng )里(🅱)的一群(💴)(qún )佣人(🍑)欣然获(📆)(huò )得解(📲)放，独遗(🧝)下黛玉(😣)(yù )在房(🦐)中(zhōng )凄(🔚)然欲绝(🕎)(jué )。当她发现(xiàn )贾家已人(rén )去楼空时，一(⛳)阵晕眩(🌉)，由楼上(🚣)堕(duò )下(🐩)。 Manuel Mur Oti (Vigo, 1908 – Madrid, 2003), director and scriptwriter. In the 1930s he left for Cuba where he studied law and literature. He was also attracted by film and began to write novels and scripts (e.g., for the four films by Antonio del Amo). He returned to Spain for good in 1949, and in 1953 founded his own production company. To mention a few films from his extensive filmography: Man on the Road(1949, Un hombre va por el camino - CEC Prize for Best Director); Black Sky (Cielo negro, 1951, CEC Prize for Best Actress, Susana Canales); Condenados (1953 - Special Mention for Best Direction at the IFF in Locarnu); Milagro a los cobardes (1961 - Special Prize for Best Film from the Sindicato National del Espectáculo): Dulcinea y el alba (1963), Loca juventud (1964); La encadenada (1972) and others. 二(🕘)战伊(yī(🧗) )始,美国(🔘)飞行(há(🍅)ng )学校为陆军航空队及(jí )其他盟(méng )国(包括中(zhōng )国)培训飞行(háng )员 电影剧(jù )情：