Jin-woo, a reporter, disappears while covering a war in the Middle East. His friend, Hyeong-jun, marries Jin-woo's widow to take care of their infant daughter. But many yars later Jin-woo returns and demands that his daughter be handed over to his custody.
The Grim Reaper himself, a conniving megalomaniac who bears more than a slight resemblance to a raging erection, owns a booking business where the deceased can bet their luck on who’s kicking the can next on Earth. To cover his tail from a huge debt, Death resurrects three disgruntled zombies. Two nit-wit teens become caught up in his mayhem and become pawns in this chop 'em up thriller.
A cry in the dark explores universal themes of love, loss, grief, healing and redemption through a unique lens. This story takes you on the journey of a young girls inability to cope with a tragic event which leaves her delusional and dangerous. The concept behind this film explores our social construction of the spiritual versus psychological debate. Are some people's convictions that they can see spirits true, or are their visions products of a psychologically fragmented, delusional mind, damaged in some way as others may counter. The director explores this debate and leaves that answer up to the audience to decide for themselves. Written by Anonymous
影片的主角叫做(🤧)卢克·(😼)奇瑟莫，他是一(yī )个(🏃)年轻(qīng )的、很(hěn )有(🐌)天赋(fù(⛰) )的高尔(ěr )夫球手(🙅)，正(🎸)准备参(💘)加自己的(🥀)职业巡(🐓)回(🌷)赛。可是，他在比赛(👅)中的表现却不(bú )尽(🎍)如人(ré(📋)n )意，搞(gǎo )砸了一(yī )切(🦈)，甚(shèn )至(🤑)让自己成为了笑柄(🍆)。为了逃离压力，他(🏉)来(😫)到了德(🕧)克萨斯州(🤢)的乌(wū(✈) )托(🐖)邦，这里有(yǒu )一片(🛋)高(gāo )尔(🍌)夫(🥡)球(qiú )场。他心无旁(🛐)骛地在这里挥杆击(🖇)球，他的(🏠)水准让他自己都大(💐)吃一(yī )惊。
Karthik (Nagarjuna) and Padmavati (Gracy Singh) fall in love and get married against the wishes of her parents. The couple move to New Zealand and have a son. Padmavati dies after a few years. Her family decides to invite Karthik and his family for a family wedding. Here Bhanu, Gracy's cousin falls in love with Karthik. On the other hand her family arranges her marriage with childhood friend Pawan (Prabhudeva) who is in love with her. Who Bhanu finally marries and the rapprochement in the family relationships forms the movie's climax.
在(zài )一个(🐎)晴(qíng )朗(🥟)的早(zǎo )晨，豪(háo )快(⛺)银(💉)正在快乐地慢跑(🗜)。突然，天(🌆)空(🎳)阴云密布，一艘体(👍)形庞大、带着不祥(🕔)(xiáng )气息(🚨)的(de )幽灵船(chuán )出现，豪(🕘)快银(yín )虽然奋力与之作战(🤑)，但是很快便告落(🔶)败(🔁)。这个惊(🚣)人的消息(🏙)很快传(😶)(chuá(➡)n )到海贼(zéi )战队队(🤙)(duì )员的耳(🛍)(ěr )中，传(chuán )说幽灵(🥪)船上藏着能够帮助(🙃)任何人(✴)实现梦想的神奇宝(⛵)藏，于是海贼(zéi )战队(⛄)船(chuán )长(⌛)Marvelous（小(xiǎo )泽亮太(tà(🕡)i ) 饰(🕜)）率(lǜ )领Joe（山田(🙂)裕贵 饰(🛀)）(🧔)、Luka（市道真央 饰(👘)）等船员奋不顾身(👻)闯入幽(❇)灵船。船内(nèi )气氛阴(🥨)(yīn )郁恐怖(bù )，更有(yǒu )诸多小(🈺)(xiǎo )精灵捣蛋。
虽为(⏪)小(🖐)成本电(💠)影，但是《天(⛺)边》对于(🤧)剧(🌞)情的把控上一(yī(🥅) )点都不(bú(🧓) )马虎，在保持(chí )故(💟)事完(wán )整性的同时(🌚)，导演诺(🔰)明花日更在表达上(🍣)寻求到了“拉拢观众(🚟)”的(de )突破(📃)点(diǎn )———打亲(🕘)情(🕉)(qíng )牌。有(yǒu )人说，《天(📡)边》是典(👻)型(🌚)的、老百姓爱看(💬)的悲欢离合的故事(🕧)，它关乎(⛳)人类(lèi )最基本(běn )的(👚)感情(qíng )———亲情，关于人(🎴)们最熟悉的社会(🏚)基(🚺)本单位(💲)———家(♈)庭，这些(🍅)最(😛)容易引起观(guān )众(🗂)共鸣(míng )，最(🏠)容(róng )易牵动(dòng )人(🥈)心，虽然没有惊心动(🐎)魄的情(🚔)节设定，却能在不动(🦎)声色中浸润着人们(🚦)的(de )心田(🐋)。的确，影片对(duì )于(🚘)亲(🔸)情(qíng )的真挚演绎(🍾)正是《天(👣)边(Ⓜ)》能够打动观众的(➰)主要原因。诺明花日(✂)在导演(😰)交(jiāo )流中说(shuō )：“现(😮)(xiàn )在社会(huì )中每个(gè )人都(🌦)很忙碌，甚至没有(🙇)时(🎒)间珍惜(🙀)自己的家(🥌)人，对于(🐿)每(🔸)个人来说，家是一(👌)(yī )生中最(🦇)(zuì )重要的(de )东西，如(🆒)果一个人失去了家(🛡)庭的爱(😹)，生活将变得没有任(😣)何意义，这也是(shì )我(🥤)拍摄(shè(🏘) )《天边(biān )》的原(yuán )因(😁)之(🤥)一(yī )。”《天边》讲述了(📆)一个发(🤯)生(🥈)在内蒙草原上的(👲)故事，蒙古族姑娘苏(🍪)日娜(nà(🔍) )和母亲(qīn )被父亲(qī(♒)n )抛弃，母亲在(zài )苦守和期待(🐈)中忧病交加，临死(🍓)前(🈺)挣扎着(🍢)把女儿背(⚡)到寺庙(🐋)托(🍁)付给喇(lǎ )嘛后安(🔞)(ān )然离世(🐾)(shì )。后来(lái )，苏日(rì(💯) )娜被前来拜佛的汉(🧗)人收养(🈺)。20多年后，苏日娜父亲(🥑)的忽然出现打破(👠)(pò(😎) )了已经(🛬)(jīng )身为人(rén )妻为(🔑)人(🍝)(rén )母的苏(sū )日娜(🏥)的平静(🍅)生(🏚)活，苏日娜在爱与(🏚)恨之中做着艰难的(💪)抉择，最(🤵)终，她选择(zé )了原谅(🚙)(liàng )。很多(duō )观众在(zài )看完片(🆒)(piàn )后深受感动，母(🧖)爱(🚯)的伟大(😈)、儿童的(🌡)无助以(🐤)及(💰)蒙汉人民浓浓的(📈)人情(qíng )味(💔)，诺(nuò )明花日(rì )对(🥘)于情(qíng )感的得(dé )力(㊗)把控甚(🗃)至使一些观众将《天(🎂)边》比作蒙古版的(🏝)《妈(🦐)妈再爱(🥞)我一(yī )次》，赢得了(👥)(le )不(🐍)少观(guān )众的泪(lè(🗞)i )水。与观(🌮)众(🥥)印象中的主旋律(🏐)电影不同，《天边》在摒(🌜)弃刻板(🤶)叙事(shì )方式的(de )同时(🚒)，不再追(zhuī )求对于(yú )宏大主(😺)题的追求，用导演(🧚)诺(🐂)明花日(🥪)的话说，《天(🙂)边》是从(💣)细(🖲)微处入手，想要着(🥗)(zhe )力关注(zhù(📘) )的是情(qíng )，这种(zhǒ(♓)ng )关注与其说是情感(🙊)的表述(🚚)，不如说是对人性的(🎻)剖析。团圆、离别(🎙)(bié(☝) )、误解(♉)(jiě )、等待(dài )、谅(🌓)解(🔗)(jiě )在这一(yī )系列(🗡)的戏剧(🚞)冲(🛄)突中，男人的“面子(👮)”、女人的“痴情”、母(😡)爱的(de )伟(🎅)大、孩子的(de )无助，都(🕤)被诺(nuò )明花日的镜头一一(💋)扫过，细细看来，这(🈺)些(🍟)细节片(🛃)段大多是(🥞)当今社(🖼)会(📘)中常(cháng )见的现(xià(🥙)n )象，而(ér )这(📊)其中(zhōng )我们总(zǒ(🗿)ng )是能或多或少地找(🅿)到自己(🎌)或者家人的痕迹，涌(🍴)上心头的更多的(🧖)是(💯)(shì )一种(🎤)似(sì )曾相识(shí )的(🍍)感(📆)动(dòng )之情。与此同(🍈)时《天边(🌡)》中(🍯)苏日娜与汉族养(🐶)父之间的浓郁亲情(🌓)也将家(👔)之(zhī )亲情升(shēng )华到(👂)了(le )民族之(zhī )亲情，主流价值(🧒)自然体现。从《天边(🎖)》可(✨)以看出(🌈)，小成本电(🛣)影不一(💡)定(🥜)非要靠新(xīn )鲜怪(🖍)异(yì )的东西(xī )吸引眼(yǎn )球(🆑)，关(guān )注真实生活以(🐴)朴实打(🏿)动人，能够引导观众(🐙)根据自己的生活(👸)经(🎒)历来(lá(🌥)i )获取感(gǎn )动，从(có(♿)ng )片(🔝)中得(dé )到启示(shì(📗) )的影片(🍳)一(🌄)样能够获得观众(🐺)的认同。
敬一郎（柿(🎹)原彻也(🐶) 配音）是一(yī )个一(🙅)无(wú )所有的(de )孤独少(shǎo )年，刚(🏁)(gāng )刚失去双亲的(⚡)他(✅)丧失了(🕡)对生活的(🔸)期望和(💲)热(💹)情，某日，敬一郎在(🖼)垃圾堆里(lǐ )捡到了(le )一个破(⛔)(pò )旧遭人(rén )丢弃的(💕)(de )机器人(🙀)，感慨自己和它有着(🌭)相同境遇的敬一(🤚)郎(💎)将机器(🔴)人带回了家(jiā )，修(✈)缮(💍)(shàn )完毕，取名为(wé(🚖)i )“小花(huā(🐓) )”（(⛷)浅野真澄 配音）(😚)。