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On the tropical island of Manioca, during a MardiGras-like festival, the child of the former president is kidnapped by the thugs of a communistic dictator. A large corporation in Miami finances an expedition to recover the child, and thus hopes to put the democratic nominee back in power. To this end, they send four mercenaries into the jungle, all of whom are masters of warfare. However, while the four mercenaries are fighting their way through the green inferno, new developments are occurring back in Miami. It seems that the corporation has changed its stance, and is now trying to work out a deal with the communistic dictator. This is sadly one of Umberto Lenzi's most neglected films--and for no good reason at all. Perhaps the lack of distribution has contributed to the obscurity of this gem; but, for all serious fans, it remains to be rediscovered. This film is not remarkable insofar as it is extraordinary, but that it so keenly represents the ending of an era. Never again will we see the likes of Antonio Sabato, Ivan Rassimov, Werner Pochath, and Franco Fantasia, all teaming up together in one great film such as this. Besides being well-directed, this movie is augmented by a very nice soundtrack by Stelvio Cipriani, as well as a surpise appearance by Andrea Aureli. Of course, it has its drawbacks as well. For instance, Ivan Rassimov's character is killed off much too soon (the same fate he suffered in Ruggero Deodato's "Atlantis Interceptors"). However, this movie contains some genuinely wonderful scenes that recall all the glory of Lenzi's earlier films. Highly recommended! 愛耍帥的(✉)阿(ā )完(wán )和(👼)冒失的慎吾(💥)(wú )，分屬不同(🤒)樂團主(zhǔ )唱(😄)，彼此相看兩(🍽)(liǎng )厭，卻同時(🤹)被星(xīng )探(tà(🤳)n )挖掘，要求 搭(🐖)(dā )檔(dàng )組成(💙)「星塵兄弟(🍥)(dì )」樂隊，還(🍜)對外(wài )宣稱(🕉)彼此是失(📝)散(sàn )多(duō )年(🌤)的親兄弟!隨(🥓)(suí )著(zhe )樂團大(🐝)紅，兩人(rén )卻(😼) 嫌隙漸深，最(😬)(zuì )終因一場(💕)表演意(yì )外(🥔)而分道揚鑣(🍹);此(cǐ )時(shí )星(🐊)探則被迫改(👹)(gǎi )捧(pěng )另一(㊙)位偶像，背(🍦)(bèi )後甚至還(💭) 有政府(fǔ )施(🕔)壓，眼看劇情(🖌)(qíng )腦(nǎo )洞愈(🖍)開愈大，該(gā(🍤)i )不會還有更(💜)不可(kě )思議(💩)的內容? On the tropical island of Manioca, during a MardiGras-like festival, the child of the former president is kidnapped by the thugs of a communistic dictator. A large corporation in Miami finances an expedition to recover the child, and thus hopes to put the democratic nominee back in power. To this end, they send four mercenaries into the jungle, all of whom are masters of warfare. However, while the four mercenaries are fighting their way through the green inferno, new developments are occurring back in Miami. It seems that the corporation has changed its stance, and is now trying to work out a deal with the communistic dictator. This is sadly one of Umberto Lenzi's most neglected films--and for no good reason at all. Perhaps the lack of distribution has contributed to the obscurity of this gem; but, for all serious fans, it remains to be rediscovered. This film is not remarkable insofar as it is extraordinary, but that it so keenly represents the ending of an era. Never again will we see the likes of Antonio Sabato, Ivan Rassimov, Werner Pochath, and Franco Fantasia, all teaming up together in one great film such as this. Besides being well-directed, this movie is augmented by a very nice soundtrack by Stelvio Cipriani, as well as a surpise appearance by Andrea Aureli. Of course, it has its drawbacks as well. For instance, Ivan Rassimov's character is killed off much too soon (the same fate he suffered in Ruggero Deodato's "Atlantis Interceptors"). However, this movie contains some genuinely wonderful scenes that recall all the glory of Lenzi's earlier films. Highly recommended! San Francisco's infamous Alcatraz prison is again full of violence and terror In the empty house of his family, Ramon, a poet, remembers the last day of the life of his master: the last time he went out with his friend don Latino de Hispalis, his talk with a minister and his dinner with Ruben Dario. 存在(🧚)(zài )于平行时(😝)空的庞(páng )克(㊗)(kè )斗士团体(🈚)不满(mǎn )国(guó(👽) )家机器对(🧑)首脑的(de )侦察(🕎)，宁可游离(lí(✏) )在不同大陆(🐄)与生(shēng )死(sǐ(🕌) )冥界，不愿在(🗑)(zài )夺(duó )去人(💋)体五感的欧(🎹)(ōu )洲体制中(🤘)苟活。以当时(📑)德国左翼(yì(🚇) )恐怖组织红(🔉)军主(zhǔ )导(dǎo )者在监狱(📲)集体死(sǐ )亡(🏅)事件为本，欧(💟)(ōu )桑在学期(🛸)间首部(bù )长(🔟)片清楚看到(🕛)他(tā )后(hòu )续(🐰)创作中持续(🍴)(xù )关(guān )注社(💵)会反叛意识(👂)(shí )及组织霸(〽)权的主(zhǔ )题(🤙)。