Nine blood-soaked, ass-kicking tales of action and horror.
고시공(⤵)부를(👊) 하는 남(💑)편 준호(🐘)를 위하(🥎)여 지연(🦑)은 선배(🥁) 언니의 다방을 대신 경영한다. 그 선배 언니의 남(🏫)편이 그(🥊)녀를 사(🐷)랑하(📐)여 끝임(🍝)없이 구(👥)애를 하(🛏)지만 그(📻)녀는 이를 받아들이지 않는다. 이 사실을 두 부부가 알게(🖥)되어도(🎢) 그의 사(📛)랑은(🏄) 집요하(♌)다. 이에(👼) 상처를(🏵) 받은 언(🎖)니는 다른 남자와 자학적으로 사귀게 되는데, 이를 말리(🌏)려던 그(🚨)녀는(❎) 오(🐀)히려(🎖) 언니의(🍌) 남편에(👝)게 강간(🛸)을 당한(😷)다. 언니의 남편이 그 사실을 그녀의 남편에게 털(🥖)어놓자(🛠) 그녀는(🖼) 시골(🍘)집으로(😺) 내려간(🤬)다. 그러(🍪)던 어느(👬) 날 남편이 고시에 합격하고도 월남으로 떠나면서 다시(🔘) 같이 살(🐳) 것을 원(🕘)하지(🙁)만 그녀(🏷)는 사양(🛃)한다. 언(🌕)니의 남(🏎)편 역시 그녀의 곁을 떠나고 아이마저 자신이 키우지 못(🐳)하게 된(♑) 그녀(🛍)는(🤳) 쓸쓸(🚸)히 혼자(👙) 사는 것(🈹)으로 영(💀)화는 끝(🏬)맺는다
PewPewPew is a mysterious virus spreading among the teens of Malmö, a small city in Southern Sweden. The symptoms are nausea, dizziness and an overwhelming desire to be famous. Four infected teens are struggling with the disease while trying to understand what has happened to them. Accompanied by the soundtrack of Pewdiepie's hysterical screaming their stories provide a humorous and honest commentary on the values and dreams of our times.
現年38歲的過氣拳擊手 (梁柏(bǎi )仁(rén )),曾(😟)經風光(🕘)一時的(💝)他卻(🌩)因一(yī(🦇) )場(chǎng )意(💴)外失去(👈)了左眼(😕)的視力而(ér )被逼退出拳壇。住在隔壁的(de )是一個援(yuán )交(🏼)少女(莫(⏺)佳秋),和(🕔)經(jī(🌦)ng )常家暴(💙)她(tā )的(🧑)父親同(🕍)住。秋請(🎪)(qǐng )求仁教(jiāo )她(tā )出拳，原本一心拒(jù )絕的仁(rén )從(cóng )她(🍌)身上看(🌽)到過(🌵)去(🥅)的(de )自(➕)己，衝(chō(🎛)ng )擊了內(🍝)心的那(😎)層隔(gé(🍅) )膜，也(yě )沒(méi )想過有天會把這個(gè )援交少(shǎo )女(nǚ )帶上(⏩)真正的(🥣)拳擊(📩)播台.....
A group of mercenaries hired as contract killers are hunted down by the Mafia, the Yakuza, the Russian Mob, and the Tongs all at once.
man is beaten to death in the Middle East. In Stockholm, a young woman disappears on her way home from work. These two events will prove to be related. Since Martin Beck has quit, Steinar Hovland leads the search for the missing girl. But Martin is drawn into the case when he decides to help the national Security Police investigate a suspected terrorist. They soon realize that they are in a race against time to stop a catastrophe.
電(📦)車(chē )内(🙋)(nèi )で女(🚕)体を触(🔱)りまくる痴漢(hàn )常(cháng )習者たち。彼らを密着取(qǔ )材(cá(🔚)i )し、そ(🕝)の大胆(🕝)不敵(💷)な手口(😋)(kǒu )の数(🚠)々を小(🌧)型カメ(🍼)ラで激写(xiě )！
Abolfazl Jalili's docudrama La Gale (Scabies) is about the painful lives of young offenders who are serving time in the reformatories of post-revolution Iran. Young Hamed, arrested for handing out political tracts banned by the Islamic Republic, finds himself in a place of great suffering, in which illiterate and penniless orphans wash floors and sell their own blood. When a disease breaks out in the prison, his life within this harsh environment becomes progressively worse, a near-daily fight for survival. The film is a searing indictment against a government that failed to deliver the on the promises with which it came to power: to deliver social justice to the oppressed and downtrodden. Initially released in the mid 1980s, at a time when Iran was at war with neighbouring Iraq, the film was an unwelcome edition to the Fajr Film Festival, as its theme of prison life was deemed critical of the Islamic Republic. In a re-edited version, the film was released in 1989 to critical acclaim.
一場婚(hūn )禮在船上進行，忽(hū )然間一(yī )具(🕛)(jù )身上(🌊)有守(🏎)護(🏇)者標(💌)誌(zhì )的(📖)屍體(tǐ(♟) )掉(diào )落(🔸)在甲板(💝)上。這是(shì )一樁陰(yīn )謀(móu )，或是新的守護者(zhě )出現了(le )？(🌻)