继承者们 百度影音

导演：傅清华(huá(🔈) ) In 1830's England, young medical student Victor Frankenstein (Leonard Whiting), following the drowning death of his beloved brother, bitterly renounces God and vows to find the secret to creating life himself. He crosses paths with the eccentric Dr. Henry Clerval (David McCallum) who shares his quest and takes the younger Victor under his wing. When experiments in reanimating insects and a severed human arm succeed, the two prepare to bring to life a man whom they have assembled from body parts of victims of a mining accident. On the eve of their attempt, Henry discovers that the process will reverse itself and dies from heart failure before he can sufficiently warn Victor. Committed to carrying on his late friend's work, Victor forges ahead and brings to life a creature of incredible beauty and innocence (Michael Sarrazin). The two develop a close, affectionate relationship and Victor looks forward to presenting his creation to society as "the new Adam." Inevitably, the flaw in Clerval's procedure results in the grotesque distortion of the Creature's appearance, causing Victor to callously reject him. The Creature attempts suicide but to his dismay finds he can't be killed. He leaps from the White Cliffs of Dover, and Victor assumes he's seen the last of his bungled handiwork. Italy 1973. Giuseppe Tritoni (Ugo Tognazzi) is an ultra-right-wing congressman that doesn't agree anymore with his fascist party policy. He contacts many Italian Army officers and built a net of relationship in order to organize a Coup d'Etat (Golpe). Something goes wrong and the Interior Minister (Home Secretary) Mr. Li Masi (Lino Pugliesi) got the all information about the attempted Golpe. So the Minister organizes a counter-Golpe. Tritoni desperately, to save his project, kidnaps the Italian Republic President (Claude Dauphin) that immediately dies for heartache. Now Minister Mr. Li Masi is free to lay down the law to the rest of the country, realizing basically the actual Golpe! Tritoni surrenders and will spend rest of his time trying to sell his ideas about managing Golpe in Africa! Romantic comedy about a pair of clandestine lovers in a London-Spain tryst. 有料駐(🏏)(zhù(📵) )車(chē )場に勤める政行と(👬)修(xiū )の(👇)二人が、新宿の雑踏の(🌫)中(🏟)で幸(🎡)(xìng )枝とその友人(📆)ミ(🐣)キ子(zǐ(🧗) )の二人の少女と交わし(🔤)た(⛲)会話(🐿)から、政(zhèng )行(háng )と(🐒)幸枝の(🍃)間に愛が芽(yá )生えた。そ(😵)の(🎌)夜、(🍔)二(🎋)人(rén )は、政行(há(🐐)ng )のアパ(💹)ートで何気ない一夜を(👘)過した(🐾)。電(🔇)車の轟音に耐えきれず(🕑)政行は(📃)幡ケ谷へ引(yǐn )っ(👾)越した(💆)。そ(🖋)んなある日、政(zhèng )行(há(📤)ng )は幸枝(🔼)と再会し、彼(bǐ )女は政(💗)行(🐉)(háng )の(🔚)アパートに移っ(🔵)て(🍈)来(lái )た(🤔)。数(shù )日(rì )後、二人が外(Ⓜ)出(📸)から(🍠)帰ってみると、部(🌳)屋に小(🤮)太りの中年男が寝そべ(👉)ってい(💛)た(📩)。男(nán )は保険屋だ(🧢)といい(🏉)、腹(fù )痛を理(lǐ )由に居(🥪)候をき(💲)め(🐀)こんだ。奇妙な三人の同(🎲)居生(shē(⛎)ng )活が始(shǐ )った。政(➰)行は駐(💔)(zhù(⬜) )車場をやめ、修(xiū )と(🍩)コ(🧣)ンビで(🤳)トラックの長距離輸送(⬇)を(🎍)始め(🚉)た。そんなある日、(🌻)政行が(👁)仕事から戻ってみると(🚛)、(👂)幸(xì(🗄)ng )枝と中年(nián )男は床(🚝)を並べ(🦃)て眠っていた。「火葬場(🥓)が近く(🈸)一(🦉)人で寝るのがこわくて(🔣)……」そんな幸枝をい(❇)とおし(🕡)く(🚍)思(sī )いながらも、二人(⛳)の間に(🎼)冷たい風が吹(chuī )き抜け(🧜)た(🎖)。二人(rén )は修の住む、(👓)新(🔱)(xīn )宿の(👵)アパートへ移った。そし(⛴)て(🕌)、こ(🔙)こで幸(xìng )枝が妊娠(🏋)(shēn )して(🤮)いることを知った。「お(👱)ろ(🐲)せよ(👹)」政行(háng )は冷たく(👬)突き放(🤪)した。幸枝にとっては身(🏚)(shēn )の切(📼)ら(📎)れるほど切ない夫の言(📥)(yán )葉だった。家(jiā )賃の問(🅿)題(tí )、(🚯)赤(💿)ん坊のこと、二(èr )人は(🃏)むしゃ(🧛)くしゃを振切るべく調(💾)布(🏑)に引(yǐn )っ越した。幸(xì(❗)ng )枝(🦅)は妊(rè(🙄)n )娠九ヵ月(yuè )だった。やが(🌶)て(✡)、男(👵)の子が生まれ、と(🎽)やかく(💓)言った政行も親馬鹿振(🐒)り(🍂)を発(🚦)(fā )揮し、二(èr )人は(❓)幸福だ(🔛)った。しかし、管理人の(🧦)クニ子(🌄)(zǐ(💟) )は、いつもこの夫婦を(🏴)好奇な眼で見ていた。そ(🔲)して、(🗝)幸(📳)枝と赤ん坊(fāng )に対して(🥤)露骨(gǔ(🎪) )な悪意のこもったイタ(👲)ズ(🏷)ラをするのだった。さ(💓)ら(🦇)に幸(xì(😭)ng )枝の最(zuì )愛の田舎(shè )の(😒)お(🌦)ばあ(💀)ちゃんが死んだ、(🔇)という(💷)知らせにより幸枝(zhī )の(🏮)心(🍏)が乱(👐)れたため、気(qì )分(✔)転換(huà(📨)n )のために、また引っ起(🚟)(qǐ )すこ(😒)と(🐞)にした。今度は下町の葛(🥖)(gě )飾区で格安の家を見(➰)(jiàn )つけ(🔷)た(⛑)。隣のおばさん文子はと(🥃)ても親(🍊)(qīn )切にしてくれた。実は(🕖)政(🏦)行たちの家は、昔一(🦉)(yī(🍜) )家心中(🦎)(zhōng )があり、長く空き家(🌤)に(🐨)なっ(📔)ていたのだった。首(⏸)を吊っ(😯)た鴨居、血の海の畳(dié(🎊) )。政(🙉)行は(🚰)恐怖に堪えながら(👎)、幸(xì(😗)ng )枝には知(zhī )らせなかっ(🆗)た。しか(😥)し(🔃)、数日後、幸枝が分(fè(🧔)n )不相応(yīng )なダブルベッ(🕓)トを買(✋)っ(🙃)たことから、政行は幸(🛅)枝も心(😜)中(zhōng )の事を知っている(🧟)ん(📓)だろうと思った。かつ(👸)て(😯)血で汚(🏣)(yú )れた畳(dié )の上では寝(🚠)れ(🗑)なか(🙈)ったのだ。その日、(💦)隣の主(✴)(zhǔ )人敬造が鳥の羽を剥(🍪)い(🦖)でい(🚷)た。その羽(yǔ )が幸枝(♏)の鳥ア(👛)レルギーを刺激(jī )し、(🔩)その夜(🎈)か(🏌)ら幸枝の挙動が一変し(✖)、突如政(zhèng )行を殴(ōu )り(🔅)つけた(🔎)り(📈)した。翌日(rì )、幸枝は米(🔁)屋の店(💏)員をビールビンで殴(ō(🔐)u )っ(🍘)て大怪我をさせ、彼(🎓)(bǐ(🔃) )女は目(👠)を異様に光らせて、ト(🗣)リ(🍙)の股(🔯)に食いついていた(👆)……。幸(🙌)枝は精神病(bìng )院の鉄の(👒)扉(🥎)の中(🕥)へ保護された。数日(🔢)後(hòu )、(🌍)政行は引っ越しをした(🔫)。今(jīn )度(😬)(dù(👞) )は赤ん坊と二(èr )人きり(✡)で……。 L' ultima chance is one of those Italian films overdubbed in English in order to appeal to english-speaking audiences. It's about the love of a woman for a criminal who stays at the motel she owns. Well, it's a little more complicated than that, but it's an interesting plot. The movie, however,is poorly made, complete with lousy acting (Andress being an exception). Suspense is maintained throughout the movie, which is certainly a plus. "What began as a documentary on sculptress Niki de St. Phalle finished up as a fantasy about a woman's attempts to exorcise the influence of her sexually domineering father. It provides an excuse for a whole ragbag of Freudian neuroses, six-foot phalluses in coffins, nubile girls in nun's habits stripping in front of altars, masturbation, some obvious jokes, pretty photography, abysmal acting, and a commentary that reads and sounds like a Home Service children's story for adults" (Chris Petit, Time Out)