《阿(ā )富(fù )汗(🛃)之旅》1939年，世界(🕵)第一位女冒险(xiǎn )作(zuò )家安(ā(👛)n )玛(mǎ )莉和人(🙂)类学博士艾(📑)拉一同(tóng )踏(🏗)上到喀(kā )布(🐧)(bù )尔旅游(yó(🥦)u )的路，同行的两人心中却(què )埋(⏪)藏著(zhe )各(gè )自(🧜)追寻的目标(🎮)。这两名同样(🌙)从人(rén )生(shēng )中逃(😶)跑(pǎo )的(de )女人(💑)，一路上始终(🔴)不停在相互(🏌)为(wéi )自(zì )己(🕒)的观(guān )点而(🍜)辩论，并享受(🕹)棋逢对(duì )手的乐(🤢)(lè )趣(qù )。在相(🆕)濡(rú )以沫的(💸)旅程中，进而(🍙)谱出(chū )一(yī )段温(wēn )暖(nuǎn )的友(🅿)谊之爱。在她(🤮)们到达阿富(🔍)汗(hàn )之(zhī )时(📈)，正(zhèng )巧爆发(💶)二次世界大(🏰)战，她(tā )们原本的(de )计(jì )划也就(👲)(jiù )此终结，但(🥄)这趟旅程，是(🎚)(shì )否就此(cǐ(➖) )结(jié )束了呢？
咸丰八年的浙(🍢)江绍兴,一(yī(🛢) )条(tiáo )乌蓬船(☔)(chuán )上(shàng )坐着(🤙)一位年轻英(🔺)俊、踌躇满(➰)志的(de )青(qīng )年人,他(🌭)(tā )就是去县(🅿)城应试秀才(🎡)的青(qīng )年孔(🧥)少(shǎo )成(chéng )。
颓废且(qiě )英俊青年(🐋)安东尼（纪(🌯)尧姆(mǔ )•坎(🦈)勒(lè )特(tè ) Guillaume Canet 饰(🦁)）是典型的(👲)夜猫一族，他(😗)过着(zhe )朝(cháo )五晚(wǎn )九(jiǔ )、声色(🙉)犬马的浪荡(☝)生活，周转于(🍥)觥(gōng )筹(chóu )交(♐)错、香裙美酒之间。纵观巴黎(🔟)(lí )的各大(dà(😫) )夜(yè )店，永远(🍿)都能看见安(💉)东尼不知疲(🃏)(pí )惫(bèi )的身(📭)影(yǐng )。某晚，他借富(📌)有的陌生人(🕕)乔登（奥(à(🐻)o )拉左•马萨(😏)罗 Orazio Massaro 饰）之名混进一个(gè )私人(⛑)派(pài )对(duì )，这(🈷)个谎(huǎng )言给(🚬)他带来莫大(🐝)的麻烦。派(pà(🥏)i )对组(zǔ )织(zhī(🐊) )者范•布洛（Jean-Marie Winling 饰）以一百万(📽)法郎(láng )作(zuò(🌓) )悬赏(shǎng )，要求(⛅)安东尼去寻(🆑)找神秘的(de )乔登及其(qí )同(tóng )伴(🥒)维尔(ěr )莱恩(⚡)（Asia Argento 饰）。自食(⛄)其果的(de )安东(🚌)尼(ní )只(zhī )得(🎦)接受这个任(🎼)务，和好友艾迪恩(🌩)(ēn )尼(ní )（吉(😘)拉(lā )德(dé )•(🖕)拉文 Gerard Lanvin 饰）想(🤢)尽办法寻找那个诡(guǐ )异(yì )莫(📹)测的(de )陌生人(💏)。却不曾想，他(🐼)不(bú )知不觉(❤)(jiào )卷(juàn )入一(🚄)个吸(xī )血鬼(⬜)的恐怖世界之中……
A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.
In the meantime, Kuang's old flame River suddenly appears in his house just to look for a lost earring. Feeling again for being deserted, he comes to understand how Dad felt when Mom left. Certain hatred rose inside him, torn between to forgive and to be forgiven, he chooses to escape with a white lie...
影(yǐng )片(🚔)根(gēn )据(jù )真(🔬)实事件改编(📑)； 在洛杉矶(🧘)有这样(yàng )一(yī )个家(jiā )庭(tíng )，丈(😫)夫贝斯患有(❔)严重的心(xī(📲)n )理疾病，自(zì(❔) )从他的(de )母亲(🎶)去世后，这种(⏱)情况变(biàn )本加厉(🔙)(lì )。他不但限(⏯)制家人的自(😂)由，更把只(zhī(🗓) )有(yǒu )四岁的(de )小(xiǎo )女儿卡蒂囚(🎪)禁起来，并加(🔁)以残酷(kù )的(🤔)(de )虐待。转眼之(🚿)间八年过去(🍛)了，卡(kǎ )蒂已(📯)经(jīng )变(biàn )成一个十(shí )二岁的(🌥)小女孩，但却(🏙)始终(zhōng )过(guò(🌱) )着与(yǔ )世(shì(🍊) )隔绝的生活。由于错过了最佳(🥦)的(de )语(yǔ )言学(🦋)(xué )习(xí )时期(🍱)，她甚至还不(💡)会说话(huà )，面(🍍)对这(zhè )一(yī(💞) )切，温(wēn )顺的妻子(🕌)斯坦蒂只能(🚺)忍气(qì )吞声(⛹)。但(dàn )丈夫日(🐵)益不正常的举动，让她似(sì )乎(🏠)(hū )预感到(dà(🛠)o )了(le )什么。为了(🌆)挽救小女儿(📶)的生命，在(zà(🤘)i )儿子的(de )帮助(♋)下，斯坦蒂带着卡蒂(dì )逃了出(🥥)(chū )来(lái )并向(📭)警察(chá )求救(⛹)。一时间，被囚(♌)禁八(bā )年(nián )，几(jǐ )乎(hū )像野人(🎟)一样的小女(📯)孩卡蒂成为(🉐)了(le )社(shè )会的(🍂)(de )焦(jiāo )点，每天(🌱)都有数不清(🚡)的记(jì )者和好奇(😩)(qí )的(de )人们想(🛫)(xiǎng )要一探究(❣)竟。
清末，北京(💇)(jīng )最有名(míng )的(de )古玩店"至真堂(🦑)"收藏着一尊(😿)周王鼎(dǐng )。一(📭)天，隆(lóng )爷告(🎁)之父亲老隆(🖊)爷另有一只(🏝)周王(wáng )鼎(dǐng )也找到(dào )了，这消(📷)息给病中的(🍇)老隆(lóng )爷带(🎬)来(lái )了(le )安慰(🛳)。寿(shòu )宴上，一对宝鼎招来众人(🏠)(rén )的(de )称赞(zà(🌋)n )，"宝珍斋"老板(🚲)金爷上前指(🗃)出一只鼎(dǐ(⏮)ng )为(wéi )赝品(pǐ(🦁)n )，老隆爷气急之中一病不起(qǐ(🛑) )。
Follows La traversée du phare (1999)
影片(piàn )根(😷)(gēn )据真实(shí(🅱) )事件改编； 在洛杉矶有这(zhè(🏘) )样一个(gè )家(📱)(jiā )庭，丈夫贝(🤫)斯患有严重(🌝)的心理疾病(🛤)(bìng )，自从(cóng )他(🐡)(tā )的母亲去世后，这种情况变(🐾)本加(jiā )厉(lì(🙏) )。他不(bú )但限(♐)制家人的自(🙆)由，更把(bǎ )只有四岁(suì )的小女(❄)儿(ér )卡蒂囚(🐑)禁起来，并加(🦅)以残(cán )酷的(🐗)虐(nuè )待(dài )。转(🏾)眼之间八年(🌥)过去了，卡蒂已(yǐ )经(jīng )变成一(🚍)(yī )个十二岁(👸)的小女孩，但(💈)却始终过着(zhe )与(yǔ )世隔绝(jué )的(🚰)生活。由于错(🥛)过了最佳(jiā(🍴) )的语言(yán )学(📭)(xué )习时期，她(🌄)甚至还不会(🥃)说话，面对(duì )这一切(qiē )，温顺的(🈺)妻子斯坦蒂(🔧)只能忍气吞(🏚)声(shēng )。但丈(zhà(🌌)ng )夫(fū )日益不正常的举动，让她(💂)(tā )似乎预感(🔨)(gǎn )到了什么(🧛)(me )。为了挽救小(🎎)女儿的生命(🎯)(mìng )，在儿(ér )子(🕉)(zǐ )的帮助下，斯坦蒂带着卡蒂(😕)逃了(le )出(chū )来(🍮)并向(xiàng )警察(🚩)求救。一时间，被囚禁八年，几(jǐ(⛓) )乎像野(yě )人(🍆)一样的小女(🏒)孩卡蒂成为(🤥)(wéi )了社会(huì(🐬) )的(de )焦点，每天(🎀)都有数不清的记者和好(hǎo )奇(👫)的人(rén )们(men )想(🏖)要一探究竟(📮)。
高級クラブ(🤖)を舞(wǔ )台(tái )に、新(xīn )人から(❕)ベテランま(🚭)で7人の美人(💩)ホステスが(📈)男(nán )に夢と(🌲)エクスタシ(🈚)ーを与(yǔ )える、オムニバス(❕)形式のエロ(🧓)スドラマ。お(💳)気に入(rù )りの客との結婚を(⬅)望み、アフ(🥊)ターで積極(🎛)的(de )にアプロ(🎩)ーチする「(🎌)最終(zhōng )審査(😶)はベッドで」他、全7話を収(💋)録している(🔒)。