动画(🍘)名家(jiā(🍠) )北(běi )山清(qī(🕦)ng )太(tài )郎(🎥)的早期(😂)动画。
书生何(😔)梦霞诮秦(qín )石(shí )疾之(zhī )邀(yā(🗜)o )，就任石(🔘)湖小学(🏌)教师，便(😠)中造访旧(jiù(🧥) )戚(qī )崔(🚞)元礼(lǐ(✔) )。崔的孙子鹏郎自幼丧(🌅)父(fù )，崔(💎)元(yuán )礼(lǐ )请(💶)梦霞做(🌘)鹏郎的(🛰)家庭教(😽)师梦霞应允(yǔn )。鹏郎(láng )聪(cōng )明努力，经常把(🧜)教师如(⌛)何教导(🤝)自(zì )己(jǐ )告(🎋)诉母(mǔ(📪) )亲梨娘(🐃)。梨娘年(🖲)轻守寡，全(quán )部(🥏)希望(wà(🔣)ng )都寄托(♟)在(zài )鹏郎身(🛫)上，见鹏(🆖)郎在梦(✂)霞(xiá )教(jiāo )导(🛒)下(xià )进(jìn )步很大，对梦霞十分(🕺)感激。一(🕉)日(rì )，梨(🚊)娘在(zà(🚚)i )花园里见到(🍾)被风吹(🌮)落的梨(⚓)花，暗自(zì )感(gǎn )伤，与(yǔ(💤) )葬花的(💅)梦霞相遇，二(✳)人相(xià(👽)ng )识(shí )，日(🥍)(rì )久(jiǔ(💾) )生情，梦霞向梨娘求婚，梨娘以自(zì )己身为(🎛)(wéi )未(wè(📼)i )亡人而(🈸)拒绝，梦霞告(🚙)以非梨(🙁)娘则(zé(🐒) )终(zhōng )身(⏫)不娶(qǔ )，梨娘恐(💬)为此贻(⛴)误梦霞(💡)一(yī )生(shēng )，决(📉)心(xīn )投(🤼)江一死(🤠)(sǐ )以表心迹(😽)，不料被鹏郎半(bàn )夜(yè )醒来(lá(🈺)i )发(fā )觉(🏒)，母子二(🕎)人抱头(⏰)痛哭，梨娘从(🐉)(cóng )此(cǐ(👞) )绝了自(🛌)(zì )杀的念头，致柬梦霞(🌗)，请他移(🎞)请于(yú )小(xiǎ(🍗)o )姑筠倩(🙋)(qiàn )，梦霞(😘)恐梨娘(⬛)轻生，故允(yǔn )之(zhī )。筠(jun1 )倩(qiàn )在女塾读书，假期(🦀)归来，与(🧀)嫂子相(🙆)(xiàng )敬相爱(à(🌘)i )，石湖小(🎬)学英文(😆)教员李(👈)先生向她求(qiú(🏥) )婚(hūn )，她(🔲)未(wèi )同(👚)意，后又有邻(🕳)人富翁(🔰)方(fāng )德(📩)(dé )富为其(qí(🤑) )子大元求(qiú )婚，被崔翁拒绝，崔(⛹)翁与(yǔ(🕓) )梨(lí )娘(🌙)商(shāng )量(📆)(liàng )，梨娘推荐(🤫)梦霞，筠(🥥)倩本无(🥌)意于(yú )梦(mèng )霞，但(dàn )恪(🕰)于老父(📥)寡嫂之命，未(👉)便回绝(🗃)，勉(miǎn )强(😍)(qiáng )成婚(🐕)，夫妇二人绝无感情。梨娘(niáng )觉(jiào )察后(hòu )自(🍃)(zì )知铸(🧔)成大错(⚫)，既负梦霞，又(🈚)误筠倩(🏎)(qiàn )，情悔(🏞)(huǐ )交(jiā(💏)o )加，恹恹成病。梦(🙂)霞婚后(✔)郁郁寡(😉)(guǎ )欢(huān )，闻蒙(🕜)(méng )古之(😝)役，投笔(🤛)从戎，筠倩(qià(🥗)n )也(yě )鼓励他(tā )从军。秦(qín )石痴(🐁)本是军(🌺)人，此刻(🎤)解散(sà(🖖)n )学(xué )校鼓(gǔ(🗺) )动(dòng )师(🥌)生从军(🌍)。梦霞离去后，梨娘的(de )病(✂)(bìng )与日(🅱)俱(jù )重，终于(🈶)不治，临(🐥)终遗书(🏎)二封交(🌊)鹏(péng )郎(láng )，一致(zhì )梦霞，一致筠倩。筠倩阅(yuè(🚋) )后(hòu )，方(🎏)(fāng )知(zhī(⏮) )寡嫂为自己(📻)而死，便(✉)把感激(🚂)梨娘之(⛵)(zhī )情，倾(qīng )注(zhù(🈂) )于鹏郎(🌼)身上，于(🦌)是带鹏郎到(🦐)战地(dì(🛂) )看(kàn )望(🌺)梦(mèng )霞(xiá )。梦(🥎)霞负伤住在医院，见(jiàn )到(dào )鹏(😞)郎悲(bē(💢)i )喜交集(🐸)，读罢遗(📋)书后痛不可(🕡)忍。念(nià(🍕)n )筠(jun1 )倩对(🕡)(duì )梨(lí )娘托孤之忠，以(🎎)一个弱(🍒)女子长途(tú(🌋) )跋(bá )涉(🛬)看望(wà(🏰)ng )自己，敬(🐣)爱之心油然而起。筠倩见(jiàn )梦(mèng )霞受伤(shā(🔆)ng )，足见其(💼)爱国心(🎬)之诚，是(shì )一(📷)(yī )个好(💠)(hǎo )男(ná(🛸)n )儿，不禁(🚾)心生敬爱。至此(🚗)，这对曾(🕊)(céng )经貌(🗑)合(hé )神(shén )离(📯)的夫妻(🏫)心心相(📠)印，成为恩爱(👱)夫(fū )妻(qī )。
An extended family split up in France and Germany find themselves on opposing sides of the battlefield during World War I.
In order to allow another servant to go home to be with her children, Nastya agrees to serve in her place, as a maid in the household in which Nastya's grandfather is a porter. Soon afterwards, the woman who owns the house goes on a trip, leaving her son Pavel at home. Pavel is engaged to Ellen, but Ellen flirts openly with other men. Nastya and the servants quickly realize that Ellen is having an ongoing romantic affair with Baron von Rehren. This puts the servants, and especially the sensitive Nastya, in a painfully uncomfortable position.
米(mǐ )拉(lā )德是一个会偶尔(💉)上学迟(🛫)到(dào )的(🥪)(de )小学生(shēng )，老(🐷)师没(mé(⏩)i )少批评(😈)，爸妈没少教训。可(kě )这(📤)一(yī )天(🐀)(tiān )，米拉德又旷课了(👥)，校长让(💼)他把(bǎ(🆚) )家(jiā )长请来(lái )，结果米拉德挨了顿打。可他(🧑)这顿(dù(♍)n )打(dǎ )挨(🥪)得很(hěn )冤枉，因为他(🚮)并不是(🙆)有意(yì(🔓) )旷(kuàng )课。原(yuán )来在上学(🎁)的路上(🥎)，他看到一名(🚤)从外(wà(❇)i )地来找(🔳)(zhǎo )儿(ér )子的老妇人，虽然听不懂她的话(huà )，虽然(rá(🎍)n )怕(pà )迟(🚘)到，可米(🌞)拉德还是想(🚆)方(fāng )设(🤾)(shè )法把(🐁)老(lǎo )妇人送到(dào )了他(✖)儿子住(🥜)的大街上，老(lǎo )妇(fù(💛) )人还(há(🗾)i )奖(jiǎng )励(🖤)了他两颗巧克力。米拉德只有(yǒu )把(bǎ )这件(🥎)事(shì )写(🚎)进作文(🦌)以诉说自己的委屈(🌸)。第二(è(⏰)r )天(tiān )的(😚)听写(xiě )课上，老师也悄(🕉)悄地塞(🎧)给(gěi )他(tā )两(😤)颗(kē )巧(🚻)(qiǎo )克力(🕧)。
MARIZZA is the first of Murnau's peasant films. Marizza is tired of her smuggler employer's orders for her to play up to the gendarmes so that he and his men can ship contraband. She leaves and begins work at the farm of an impoverished aristocrat, Mme. Avricolos and her twin sons, Christo (dynamic) and Antonino (dreamy). Marizza is discovered in Christo's room by his mother and she banishes Marizza who runs away with Antonino. Mme. Avricolos sets the smugglers on their trail and they are found, poor and starving (shades of TABU). Marizza plays up to the gendarmes, especially Haslinger, in order to get money, but Antonino becomes jealous and attacks Haslinger. Marizza kills the latter to save Antonino, who accuses himself of the murder. There is a last minute rescue of both Marizza and her baby from a burning cabin.
法国电影导演。先锋派电影(yǐng )的代表(biǎo )人(rén )物之(😪)一。1897年 3月(🕞)25日生于(🔊)华沙，1953年卒(zú(😰) )于(yú )巴(🕸)黎(lí )。爱(📆)浦斯坦原是散文作家(✳)和(hé )哲(🆑)(zhé )学家，曾在L.德吕(lǚ(🐥) )克主办(📅)的电影(💍)杂志上发表(biǎo )文(wén )章热(rè )情(qíng )称颂“第七(🔬)艺术”。1922年(🥧)，他首次(💈)(cì )执(zhí )导了《巴斯德(💑)传》。次年(🏰)，执导了(🤳)根据巴(bā )尔(ěr )扎克小(🤛)(xiǎo )说改(🕊)编的《红色旅(☕)店》以(yǐ(😜) )及(jí )《忠(📔)(zhōng )实(shí )的心》。这些影片在蒙太奇手法的(de )应用上(shà(🉐)ng )十(shí )分(🕡)精彩，获(⬜)得了巨大成(🐦)功。爱浦(🏻)(pǔ )斯(sī(🥏) )坦成(chéng )为(wéi )先锋时期(🌱)印象主(🔗)义学派的(de )重(chóng )要人(🖇)物(wù )。此(🔶)后爱(à(🛎)i )浦斯坦开始拍摄了一些商(shāng )业(yè )影片(pià(💖)n )。但是他(📏)从未完(🏔)全抛弃对电影艺术(⛏)(shù )的(de )探(🥧)索：1927年(🅿)他导演了《┩$×11》、 《三面(🍝)镜》，次年(🤙)导(dǎo )演了《于(🥨)谢家的(🤹)没落》，其(🚈)(qí )中仍(réng )使(shǐ )人感受到先锋派风格。
Lisa Ryder是一个年轻(🌘)(qīng )的女(🎷)警(jǐng )察(🏚)(chá )，最近晋升(👰)为侦探(😅)，此次她(🤦)被派(pài )往(wǎng )加州(zhōu )的(🥏)(de )小镇上(👖)去追踪一个被警察(😽)(chá )成(ché(🔍)ng )为冷面(🤰)(miàn )杀手的凶(xiōng )犯，但是最终她发现这个(gè(♿) )杀(shā )人(📙)凶(xiōng )手(🌥)(shǒu )不过是个幻想中(🏳)的人物(🗻).
约翰•(🏭)舒(shū )勒(lè )（Edward José 饰(shì )）(🚢)是华尔(❣)街一名年轻(🐈)干练、(🧠)事业有(🗨)(yǒu )成(chéng )的律师(shī )，某日他要作为特别代理(lǐ )人(ré(🥒)n )前往(wǎ(🍡)ng )英(yīng )国(㊗)一段时间，因(🎳)此不得(🔄)不离开(🥛)心爱(ài )的妻子(zǐ )（Mabel Frenyear 饰(♟)）和女(👓)儿（Runa Hodges 饰）。漫漫的旅(🌇)途(tú )百(✴)(bǎi )无聊(🤒)(liáo )赖(lài )，约翰(🌁)在船上邂逅了一个(gè )美丽妖(🐐)艳(yàn )的(🎦)女人（(🎟)Theda Bara蒂达•巴拉 饰），他(🎇)迅速(sù(😭) )与(yǔ )之(🚄)坠(zhuì )入(rù )情网，将妻子(⏲)女儿抛(👿)在了脑后…(🐍)…
阪东(🚯)以(yǐ )惊(📃)人的感染力，将一个屡遭背叛、沦(lún )落天涯(yá )的(🤙)江湖浪(🥗)人身上(🍿)具有受虐(nuè(😐) )倾(qīng )向(🖖)的(de )虚(xū(🤟) )无主义表演得淋漓尽(🐓)致。