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A decade after her mother's murder, Riley Canterbury must return home, after her neglectful, carnival owner father has gone missing. She soon realizes things in this small New England town are much stranger and sinister than she remembered. 10 years after the gruesome murder of her mother, Riley, now 25, is barely skating by in her run down Los Angeles apartment. Upon receiving word that her father, Ethan, to whom she's barely spoken since he sent her off to boarding school, has gone missing, she packs her bags and heads back to the farm she grew up on. Upon her return, she reconnects with Eric, a boyfriend from her early teens, and touchstone to the childhood she left behind. On the farm, Uncle Jacob is boarding Jonathan, a university professor on sabbatical to chronicle the history of the Canterbury Carnival, as well as, six of the carnival's performers, living in the barn as they prepared to go on the road again. As Riley reacquaints herself with her surroundings, the mysterious, brash Detective Damian, arrives on the farm as his investigation into Ethan's disappearance continues. While Damian reveals strange circumstances surrounding Ethan's disappearance, Jonathan approaches Eric with his theory of an occult presence plaguing the Canterbury Carnival. The connection between the missing person case and the occult seem fanciful at best, until terrifying dreams begin to permeate the minds of Eric, Jonathan and Riley. As these terrifying dreams take over their unconscious, strange events begin enter their waking life. The link between the carnival performers and the supernatural becomes undeniable, following their participation in ritual sacrifice. What remains to be answered is who they are serving, why they are doing it and what it has to do with Ethan's disappearance. All is answered in a bloody, moonlit showdown on the farm where everything began. A woman who lost her lover and hope, struggles with herself and lives in pain everyday, but finally decides to keep on living. 导演Dean Francis在6年前(📰)拍过一部反恐同(😻)短片“男生语法”并(➡)获澳洲摄影(🅰)人协(🛁)(xié )会(huì )最(zuì(💀) )佳(jiā )短(duǎn )片(piàn )奖(😝)(jiǎng )。“淹(yān )没(mé(🗣)i )”改(gǎ(🧤)i )编自作家Stephen Davis的(🛺)著名(🙅)反恐同舞台(🕛)剧，该剧源自真人(🌡)真事，讲述直(📭)男冲(😁)浪队长对新(🚇)来的同志成员感(㊗)到困惑和嫉妒，最(🐢)终陷(xiàn )入(rù(🦆) )心(xī(📲)n )烦(fán )意(yì )乱(🐻)(luàn )的(de )迷(mí )恋(liàn )。他(🔑)(tā )的(de )复杂情绪在(🍷)他们结伴去(🌏)同志(😀)酒吧的那晚(🐇)爆发... ◎QAF A young couple in New York locks themselves into a kind of childlike romantic fantasy, with the city as their playground. When reality begins slipping inside their world, the relationship begins to sour, until it collapses under its own weight. For the remainder of the film, the young man attempts to recreate this type of codependent fantasy existence with whomever he can, with increasingly perverse & disturbing results. In a search for love & happiness, he finds only sickness & destruction. This is a story of brothers in Japan. The younger brother hires a girl to help the disabled older brother with jacking off, but when both of them fall in love with the helper… A medium length film directed by Yuki Kuwazuru and starring Kunihiro Koyama and Kosuke Komura, PFF (Pia Film Festival) Award 2013 2nd stage nominee 跟杀戮(👷)差不多，不过没杀(🦐)戮做得到位(🚿) 节奏(🌍)太缓 冲突也(😴)不够 共同点都(dō(😗)u )是(shì )孩(hái )子(🎢)(zǐ )的(♟)(de )教(jiāo )育(yù )引(🤱)(yǐn )出(chū )家(jiā )长(zhǎ(🔣)ng )本(běn )身(shēn )的问题(🎷) 话唠片 不过(🎾)值得(🚈)注意的是，最(💇)后用描写孩子们(🏎)的未来的方式演(🌞)职员表孩子(🙂)相册(🗣)的手法，比较(🔍)新颖且匠心独运(🖲)(yùn )。 本(běn )片(piàn )讲(jiǎ(🥋)ng )述(shù )的(de )是(shì(📴) )新(xī(🚧)n )疆(jiāng )库(kù )车(🙂)(chē )县著名民间艺(🕙)术家妮莎罕(💳)的艺(🍔)术人生，展现(🐛)了她(🔊)热爱、继承(🔙)、传唱库车民歌(📅)，用自己毕生(👈)的精(🚧)力同旧社会(🥊)保守思想(xiǎng )和(hé(🤡) )封(fēng )建(jiàn )旧(jiù )势(🖤)(shì )力(lì )、宗(🎺)(zōng )教(✂)(jiāo )极(jí )端(duā(🆚)n )势力做斗争，解放(➗)后用自己的歌声(🎚)赞美新中国(🍠)……(🏚)