电影雪狼

EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films. A regional independent film? A western swing musical? An early Robert Altman script? A roman à(📓) clef about real-life popcorn baron Charles Manley? A masterpiece? Corn’s-A-Poppin’(🏚) is all these things and more. Produced on the cheap in a Kansas City by a band of young talent schooled in the production techniques of The Calvin Company, the Midwest’s most innovative industrial film studio, Corn’s-A-Poppin’ is just about the most free-wheeling and sing-able hour of cinema we’ve ever seen. Down-home crooner Jerry Wallace plays Johnny Wilson, the star of the Pinwhistle Popcorn Hour, a half-pint (and half-hour) variety show with acts ranging from pro-hog caller Lillian Gravelguard to Hobie Shepp and the Cowtown Wranglers. Might the cornpone bookings be an act of sabotage by rogue PR man Waldo Crummit in a bid to gut the Pinwhistle Empire? It’(⏺)s up to Little Cora Rice to save the day. Songs include: “On Our Way to Mars,” “Running After Love,” and “Mama, Wanna Balloon.” 将(jiā(🐍)ng )歌仔戏(xì )的(😤)(de )民间(🕴)故事整(zhěng )个搬上(⭐)银幕，保持舞(wǔ )台(😾)剧的(😇)形式，男主角(📲)(jiǎo )仍由女演员(yuá(🌤)n )演(yǎn )出，但(dàn )出(chū(🧤) )兵场面改由(yóu )演员骑(✔)马拍外景，加(🌮)(jiā )强(💆)真实感，为台(✋)湾第(🕜)(dì )一部自制(🕟)的(de )35毫(🆚)(háo )米台语(yǔ )片 故(🐷)事梗概: 纨(wán )袴子(🐱)过其祖垂涎水冰(😉)(bīng )心美色，铁(tiě )中(👀)玉从中(zhōng )阻挠。祖(📓)以权(🈷)(quán )势迫心(xī(😪)n )下嫁(🏅)，心施计(jì )由(🤱)堂妹(⛱)代嫁，祖迁怒(🏽)(nù )玉(🕛)，向玉下(xià )毒(dú )，心(🛤)感(gǎn )玉侠义，接他(📒)(tā )回(🆗)家静养，祖却(🏋)诬告(gào )二人通奸(🌊)。知府查明(míng )真相(😞)，撮合(hé )心(xīn )、玉二(è(🍨)r )人(rén )。 希达、(🍊)希(xī(⛱) )伦、希棣和(♑)希素(♎)等四(sì )姊妹(💯)自小(🤕)丧母，性格(gé )各有(🗓)不同。希(xī )达贤良(🧠)(liáng )淑德，为了照(zhà(👡)o )顾父亲和三名妹(🍲)妹，身兼母职，连自(💈)己的(👨)(de )终身大事也(🎉)置(zhì(📚) )诸脑后(hòu )；(🈳)希伦(🔵)风情万(wàn )种(🗾)，男人(📇)见一个俘虏(lǔ )一(🤶)个，整日(rì )沉(chén )醉(🔻)在被(🍴)(bèi )追求的甜(🧡)蜜中(zhōng )；希棣爽(😧)朗好动，活(huó )像个(🎮)小男生；希？？则娇(🍨)俏柔弱(ruò )，没(🏰)丁点(🍉)(diǎn )儿(ér )主见(👹)。在希(🍃)(xī )棣的穿针(🔦)引线(🌲)下、大(dà )姐终觅(🚼)得如意郎君，但一(🤾)个转身(shēn )，却被希(🏤)(xī )伦勾引过去；(🛠)希素也掉进了爱(😮)河，而(🌋)且还决定(dìng )与男(🎼)友私(sī )奔，把(⚓)急性(👺)子(zǐ )希棣弄(🔝)(nòng )得(💻)头昏转向！《四千金(🏈)》的格局有(yǒu )点类(🕕)似Loiusa May Alcott的(👭)经(jīng )典(diǎn )闺(🤴)秀小(xiǎo )说《小妇人(🔒)》，但郑慧的原著和(⬆)陶(táo )秦的改编，却成功(🎩)地(dì )给故事(😂)附予(🥧)(yǔ )了(le )一份强(🎊)(qiáng )烈(🚍)(liè )的时代感(✔)，四个(🃏)女主角的性格也(😡)(yě )刻划得活灵活(🕘)现，加(⏸)(jiā )上选角恰(🚶)到(dào )好(hǎo )处（穆(🗜)(mù )虹(hóng )的大方得(🌝)体(tǐ(🚤) )、叶枫的千娇百(🥍)媚、林翠的(🎥)活泼(🥜)(pō )生鬼、苏(👶)(sū )凤(🐾)的小鸟依人(rén )）(🎁)，遂(suí )造就出一套(🕎)百(bǎ(🐐)i )看不厌的时(🗂)代经典。它的广受(🗜)欢(huān )迎(yíng )使陶秦(👦)(qín )在五九年拍了(le )续集(🖍)《兰闺风云》。