笑林小子

Walt Disney's 7th and last retelling of an old British fairytale from the Laugh-O-Gram Studio. Jack is trying to impress Susie by showing her a story how he will win her heart. 一(⛏)战期间(jiān )，路易到法(fǎ )国参(✏)加(🧢)美国(guó )志愿者军团(tuán )，他的(🤪)爱(🏒)人泰瑞(ruì )斯也加入了(le )在法(🔈)国(🥨)的(🍁)志(zhì )愿红十字组(zǔ )织，但(🔁)事(❎)实(🐙)上泰(tài )瑞斯是(shì )一名德国(🖍)间(🚉)谍 这(zhè )是史诗片巨(jù )匠冈(🧝)斯(🍃)的(🤾)早(zǎo )期作品，原(yuán )版长达(🍲)九(🛑)个(⏪)小时。 书生何梦(mèng )霞诮秦石(🐵)疾(👛)(jí )之邀，就任(rèn )石湖小学教(🐡)(jiā(🏓)o )师(🌮)，便中造(zào )访旧戚崔元礼(🧑)。崔(🥂)的(🈹)孙子鹏(péng )郎自幼丧父(fù )，崔(🏂)元(💖)礼请(qǐng )梦霞做鹏郎(láng )的家(⬛)庭(🛃)教师(shī )梦霞应允。鹏郎聪明(😎)努(👎)力(🛷)，经常把教师(shī )如何教导(🤝)自(🎃)(zì(🌟) )己告诉母亲(qīn )梨娘。梨娘年(😉)轻(🤜)守寡，全部希望都寄托(tuō )在(✂)鹏(🥡)郎(⛅)身上(shàng )，见鹏郎在(zài )梦霞(😀)教(🏉)导(⚡)下(xià )进步很大，对梦霞十分(🗣)感(💰)激(jī )。一日，梨(lí )娘在花园里(🗑)(lǐ(🐧) )见(🤐)到被风吹(chuī )落的梨花，暗(🐋)自(📖)感(🆔)伤，与葬花的梦霞相(xiàng )遇，二(🔺)人(🎫)相(xiàng )识，日久生(shēng )情，梦霞向(🐁)(xià(🍃)ng )梨娘求婚，梨娘以自己(jǐ )身(🕐)为(🐕)未(🍲)亡人而拒(jù )绝，梦霞告(gà(😊)o )以(🕌)非(⚽)梨娘则(zé )终身不娶，梨娘恐(🧜)为(💆)此贻误梦霞一(yī )生，决心投(🍱)江(🎪)一(〰)(yī )死以表心迹(jì )，不料被(🏿)鹏(🥦)(pé(➕)ng )郎半夜醒来(lái )发觉，母子二(👣)人(😜)抱头痛哭，梨娘从此绝(jué )了(🚺)自(♒)杀(🎻)的念(niàn )头，致柬梦(mèng )霞，请(💜)他(🛶)移(🏮)(yí )请于小姑筠倩，梦霞恐梨(🛂)娘(🐼)(niáng )轻生，故允(yǔn )之。筠倩在(zà(🤺)i )女(🏚)塾读书，假期归来，与嫂子相(🎿)敬(⏪)(jì(🌈)ng )相爱，石湖小学(xué )英文教(🍆)员(📀)李(🌊)(lǐ )先生向她求(qiú )婚，她未同(💩)(tó(🥀)ng )意，后又有邻人富翁方(fāng )德(👹)富(🗃)为(💧)其子大元(yuán )求婚，被崔(cuī(😊) )翁(🚃)拒(👦)绝，崔(cuī )翁与梨娘商(shāng )量，梨(🔜)娘(🎌)推荐梦霞，筠倩本(běn )无意于(🥢)梦(🈂)霞(xiá )，但恪于老(lǎo )父寡嫂之(👁)命(🍒)(mì(⛰)ng )，未便回绝(jué )，勉强成婚，夫妇(🆙)二(✊)人绝无(wú )感情。梨娘(niáng )觉察(🙇)后(🚍)自知(zhī )铸成大错，既负梦霞(🕎)，又(⛱)误筠倩，情悔交加，恹恹(yān )成(😶)病(✖)。梦(🕋)霞(xiá )婚后郁郁寡(guǎ )欢，闻蒙(🕓)古(🤣)(gǔ )之役，投笔从戎，筠倩(qiàn )也(🥙)鼓(🐺)励他从军。秦石痴本是(shì )军(✅)人(🔽)，此(🔜)刻(kè )解散学校鼓(gǔ )动师生(🗡)从(🐏)军。梦霞离去后，梨娘的病与(⛹)(yǔ(🎧) )日俱重，终(zhōng )于不治，临(lín )终(🤮)遗(🥌)书(🧑)二封(fēng )交鹏郎，一致梦霞，一(🎯)致(🎡)筠(jun1 )倩。筠倩阅(yuè )后，方知寡(guǎ(❣) )嫂(🐢)为自己而(ér )死，便把感(gǎn )激(👯)梨(🐓)娘之情(qíng )，倾注于鹏郎身(shē(😮)n )上(⛎)，于(💁)是带(dài )鹏郎到战地(dì )看望(🍩)梦(🏥)霞。梦霞负伤住在医院，见(jià(📠)n )到(🥐)鹏郎悲喜交集(jí )，读罢遗书(🆚)(shū(⏳) )后(🍗)痛不可忍(rěn )。念筠倩对(duì )梨(🕍)娘(🔚)托孤之忠，以一个弱女(nǚ )子(🍤)长(🍹)途跋涉(shè )看望自己，敬爱之(🍞)心(⛸)油(📹)(yóu )然而起。筠(jun1 )倩见梦霞受伤(🥓)，足(🚉)见其爱国(guó )心之诚，是(shì )一(📳)个(🚠)好男儿(ér )，不禁心生(shēng )敬爱(🕓)。至(🤖)此(cǐ )，这对曾经(jīng )貌合神离(📩)的(👠)夫(🤤)妻(qī )心心相印，成为恩爱夫(🥥)(fū(😳) )妻。 滑稽大(dà )王选汽车不靠(🔔)眼(😏)睛，要汽车一字排开，靠闭了(🎲)眼(🖖)睛(🎏)(jīng )用手去摸；滑稽大王坐(🚠)(zuò(👯) )的轿子不能坐，轿子没有底(🎱)(dǐ(💛) )，只能两只(zhī )脚踩在地上(shà(🐱)ng )，脚(🗳)和(⬜)轿子(zǐ )一起停停走(zǒu )走；(🐙)滑(📽)稽大王坐汽车，滑稽(jī )大王(😁)练(🎎)体操(cāo )，滑稽大王(wáng )踩水车(🎁)、(🧖)放(fàng )牛，滑稽大王参加宴会(✋)(huì(🕤) )无(🏁)一不给人带来(lái )麻烦和笑(♿)声(😸)(shēng )。最后，在(zài )他即将离开(kā(👱)i )上(📉)海的时候，更是闹出了真假(🥟)滑(🍩)稽(📇)大王(wáng )的笑话。 翠(cuì )英在厂(🕎)遭(🌝)工(gōng )头调戏，回(huí )家又受继(⬅)母(🦄)苛责，夹击之下(xià )双目失明(🧞)。国(🎬)栋(🉑)赴上海(hǎi )任检查官，前来辞(⛺)别(🈴)岳(yuè )父赵衡甫。当年衡甫上(🎨)任(🌘)之(zhī )际，大盗毛(máo )金奎与陆(🃏)阿(🐡)(ā )三经过杭州(zhōu )，拐走了孩(🏚)子(🍖)，取(⬅)名毛(máo )小奎。后毛陆二(èr )人(🧠)闹(🍻)翻后，陆将实情告(gào )知小奎(🕋)，小(🐠)(xiǎo )奎对毛始有戒心。一日，毛(🎭)姓(🚹)二(♋)人行船(chuán )经过无锡，救起了(🔌)自(🔛)杀(shā )的翠英。翠(cuì )英不愿回(🍰)家(💍)，于是三人来到(dào )上海，卖唱(🈵)(chà(📊)ng )为(🚙)生。翠英(yīng )小奎渐生情(qíng )愫(😃)。此(🚎)时，翠英弟弟海(hǎi )山亦与继(🐬)母(☕)来到(dào )上海谋生。至此，亲人(🌍)(ré(🙆)n )、爱人、大(dà )盗、法官全都(📎)齐(🗳)聚在上(shàng )海，这一天…… 埃(👾)尔(📈)琳夫人(rén )丢下襁褓中(zhōng )的(🌿)孩(♊)子，与(yǔ )情人私奔。多年后回(💦)到(🗣)故(🌭)土。在众人眼(yǎn )中，她是一(yī(🤗) )个(🌜)道德败坏(huài )的女人。她(tā )向(🔆)女(⏩)儿的丈夫温德米尔爵士(shì(🚑) )勒(💬)索(✡)“封口(kǒu )费”，承诺(nuò )不与女儿(🥋)相(🌹)(xiàng )认，以免女(nǚ )儿名誉受损(🌜)(sǔ(🕑)n )。招致人们怀疑(yí )温德米尔(🗻)爵(🍥)(jué )士与埃尔琳(lín )夫人有染。温(🌛)德(🍻)米尔夫人一气之下(xià )决定(🤒)与(🈶)爱慕自己(jǐ )的达林顿爵(jué(👻) )士(😝)私奔。埃(āi )尔琳夫人不(bú )愿(📕)看(🤱)到(🥋)女儿步自己的后尘，冒着牺(📛)牲(👩)自(zì )己幸福的代(dài )价挽救(🍼)了(🍻)女(nǚ )儿。由始至(zhì )终，埃尔琳(🌸)夫(✊)人(😙)也没有和女(nǚ )儿相认。 This epic was the last in a series of silent sword ‘n sandal spectaculars starring former Genovese dockworker and aging hunk Bartolomeo Pagano. This homely stud spends half the film in a heavy woolen suit, looking more than a dimwitted butcher than a bodybuilder. Fortunately, true to the title, he does go to hell, where he’(🐗)s assaulted by demons, propositioned by seminude demonettes, and finally stripped to his overample but still fetching flesh. He keeps busy during his sojourn leading a demon revolt and battling a dragon too large to move very much. Director Brignone pulled out all the stops for this comic-Boschian vision of hell, with what looks a cast of thousands of demon-extras spilling off the screen. Fellini claimed Maciste inspired him to become a filmmaker, and the air of amusing depravity, seen to full advantage in the rare restored print that occasionally circulates, would seem to confirm it. The story is a man who spends the night in a sinister Wax Museum.