内马尔照片

A plague is sweeping the land, and the only hope for an infected girl with nothing to lose is to join forces with her father and destro y the source of the mysterious disease as filmmaker Vince D'Amato turns genre conventions on their head in this startling and original horror entry. Jenna's quest won't be an easy one, and deception lies around every corner as her and her father agree to provide safe passage for a mysterious woman who is actually Carmilla, the legendary blood-drenched baroness, and the very source of the plague. As Jenna, her father, and Carmilla make their way through a world ravaged by flesh-eating zombies, they soon join forces with a powerful warrior known as The General. A man with both a longtime grudge against Carmilla and the weaponry to ensure that she pays for her crimes against the human race, The General may just be the key to salvation for not only Jenna and her father, but all of humanity as well. ~ Jason Buchanan, Rovi A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. 莫(⚪)娜(🐨)（娜塔莉•(👄)普(📷)(pǔ )瑞(ruì )斯 饰）(🎏)是(👧)个农村(cūn )女(🗼)孩(🙃)，16岁的她有个(👗)有(🚲)妇(fù )之(zhī )夫(🈂)的(📑)情人，她其(qí(🤳) )实(🛴)一直(zhí )都希(⛪)望(👎)可以自由(yóu )自(🍥)(zì )在的过属于(🕉)自己的生活(huó(🌞) )。教徒哥哥费利(😂)（帕迪•康斯(🙍)戴恩 饰）常(cháng )常(cháng )为她的生活带来不必要(yào )的麻烦，令她更烦(🍰)(fán )躁的是(shì )，她(👽)最近与情人(ré(🐊)n )分(fèn )手了。直(🕜)到(🈳)她遇(yù )到了(🔐)同(🍞)(tóng )龄人塔斯(🧥)明(🙈)（艾(ài )米(mǐ )莉(🛑)•(🚻)布朗特 饰）(🌜)，塔(🏯)斯(sī )明(míng )是(🍄)个(😑)富家女，过(guò(🚱) )着(🥓)娇生(shēng )惯养(🤾)的(❗)生活。她(tā )们(🖨)(men )都(💭)希望得到自有(🍭)(yǒu )的新生(shēng )活(🦍)，她们也很快(kuà(🐂)i )成(chéng )为了朋友(🕑)，并为对方身(shē(🍹)n )上(shàng )散发是气质吸引(yǐn )。 盗生(shēng )（刘德华 饰）与(yǔ )盗(dào )太（郑(🎑)秀文 饰）离婚(🦍)后(hòu )，盗太受到(🐛)了富家(jiā )子(🧘)Steve（(🌪)吴(wú )嘉龙 饰(🛫)）(📔)的强烈(liè )追(🐩)(zhuī(🕘) )求，以珠宝作为(🐔)(wé(🚍)i )求婚礼(lǐ )物(🗑)送(😍)给热爱珠宝(🦅)(bǎ(😄)o )的(de )盗太，可是(👃)steve的(🦆)母亲Mrs. Allen（胡(hú(🖤) )燕(♋)(yàn )妮 饰）订(👺)下(🕚)苛刻(kè )要求才(🔳)(cái )准盗太过门(🦋)。 生(shēng )活(huó )在北(🤱)京的阿秦（陈(😛)坤 饰(shì )）来到(👪)了杭州，来(lái )到了小语（周迅 饰）的(de )咖(kā )啡馆。两人交谈(tán )之下(🌇)发(fā )觉有很多(📽)东西都(dōu )是(shì(💁) )跟彼此相似的(🏒)，两个人(rén )心(🌛)里(🕖)起了波澜，可(⏺)(kě(👈) )是双方(fāng )都已(😟)经(🍮)有了爱侣(lǚ(💐) )。小(🦖)语因为一次(🖇)交(🗜)(jiāo )通意外(wà(🤺)i )认(📉)识了小佟，成(👤)(ché(🥝)ng )为(wéi )好朋友(🏦)后(🍈)小佟也成为了(🚾)(le )小(xiǎo )语的倾诉(🆙)对象，可是小(xiǎ(🅿)o )佟却一直爱着(🈹)小(xiǎo )语(yǔ )，愿意(🏛)在她身边(biān )付出。阿秦与女友分手(shǒu )，刚好小语到北京找阿秦(qín )，她的出现让阿(🐛)秦(qín )惊喜不(bú(🦄) )已，他们也成为(📟)(wéi )了(le )恋人。同(🚹)居(🏅)的过程中，他(🔬)们(🏅)也看到了对方(🎛)(fāng )的缺点(diǎn )，感(📼)情(🐎)经历到考(kǎ(🎁)o )验(🎤)(yàn )，小语最后(🚋)离(⭐)开(kāi )北京回(💜)(huí(🌙) )到了杭州…(💬)…(🔄) 女(nǚ )律(lǜ )师朱(🍏)迪丝·坎普精(🌡)明能(néng )干(gàn )，是(🤔)瓦尔特事务(wù(🚩) )所的合(hé )伙人(🏢)，主要受理(lǐ )大(dà )宗的经济案件。一个偶(ǒu )然的机会，坎普(pǔ )结(jié )识了小女孩爱(⛽)娃·特拉(lā )伯(🏽)(bó )。爱娃和两个(🖖)妹(mèi )妹跟着(🕕)(zhe )母(🥃)亲过着穷困(🌈)窘(🔒)(jiǒng )迫(pò )的生活(🆚)，爱娃的父亲在(🤭)(zà(🎏)i )与妻子离婚(🏔)之(👉)后只(zhī )顾自(㊙)己(💵)逍遥快活，却(🔬)以(💛)(yǐ )种(zhǒng )种理(🚘)由(👈)拒绝支付(fù )抚(🛹)养费(fèi )，甚至还(💡)给妻女(nǚ )留(liú(🌅) )下了大笔的债(💂)务。坎普(pǔ )为爱(🤾)娃母女感到不(🍗)(bú )平，决(jué )定帮助她们摆脱(tuō )困(kùn )境。 年轻的探长(zhǎng )Nicolas Luhel来到小(xiǎo )镇(🙃)调查当地一个(🛵)(gè )年(nián )轻人的(📊)离奇死亡。年(👸)轻(🦊)(qīng )人(rén )的妈(🥗)妈(🌃)一口咬定(dìng )凶(⤴)手是(shì )她的前(👞)夫(🖲)Tanguy。Luhel在调(diào )查(chá(🐋) )过(🕣)程中，发现小(🥩)(xiǎ(🐴)o )镇的人(rén )对(📄)他(👘)非常敌视，都(⬜)(dō(🏭)u )不愿提供线索(🤵)。渐渐Luhel发(fā )现(xià(❄)n )自己迷恋上了(🤵)那(nà )个叫Tanguy的(de )中(💍)年男子。尽管(guǎ(💇)n )他(tā )一再提醒(🚎)自己有妻子和(hé )刚出生的孩子，但(dàn )他无可(kě )自拔，每个人心(xī(💑)n )中(zhōng )都有一匹(🍄)野兽，Luhel嗅到了(le )危(💾)险逼近的气(🥌)息(🛹)(xī )…… TV Program Description / Original PBS Broadcast Date: October 12, 2004 Most Dangerous Woman homepage - "Woman Cook a Walking Typhoid Fever Factory," said the headline in a New York City newspaper in 1907. The woman was Mary Mallon, an Irish immigrant who as "Typhoid Mary" would become a notorious symbol of a public health menace. In "The Most Dangerous Woman in America," NOVA explores the legacy of one of history's most infamous disease carriers. Mary Mallon's ordeal took place at a time when the new science of bacteriology was shaping public health policies in America for the first time, and her case continues to hold lessons amid today's heightened concerns about communicable diseases. The program is based on Typhoid Mary: Captive to the Public's Health, by Judith Walzer Leavitt, which the Boston Book Review praised as "an indelible picture of early 20th-century New York, when modern knowledge and sensibilities collided with ancient terrors." (Read an adaptation.) Leavitt, who is professor of medical history and women's studies at the University of Wisconsin Medical School, is one of several noted experts interviewed by NOVA. Also featured is Anthony Bourdain, the celebrated chef at New York's Les Halles restaurant and author of Kitchen Confidential and Typhoid Mary. NOVA's dramatization stars Marian Tomas Griffin (As the World Turns) as Mallon, Jere Shea (Tony nomination for Guys and Dolls) as George Soper, and Natalie Rose as Dr. Josephine Baker. The story, which unfolds like a detective novel, opens with a mysterious cluster of typhoid fever cases in August 1906 in a very unlikely setting: a summer house in wealthy Oyster Bay, Long Island. Typhoid fever is a bacterial disease spread by poor sanitation. At the turn of the 20th century, it was associated with slums and poverty. About 10 percent of those infected died. Alarmed, the owner of the house hired civil engineer George Soper to track down the source of the infection. Soper ruled out the water supply and local shellfish, and began to focus on the household's former cook, Mary Mallon, who had arrived in the house shortly before the epidemic broke out. She had since left, but Soper traced her employment history and learned that typhoid outbreaks followed her wherever she went. After Soper located Mallon, his repeated attempts to get her to submit to testing were met with the same response: a brandished meat fork and threats. It took health department worker Dr. Josephine Baker and five police officers to apprehend Mallon. After typhoid bacilli were found in her feces, she was sent to a quarantine island in New York's East River. (For Mallon's view on her quarantine, see In Her Own Words.) But the case was far from open and shut, says Leavitt. "We see it today, certainly with multidrug-resistant tuberculosis, with HIV-AIDS, now with SARS; you see where individuals are quarantined, isolated, whose liberty is taken away in the name of protecting the public health. Mary Mallon gives us an example of that at an extreme level, because she was healthy. She wasn't even sick." Mallon was what's known as a healthy carrier—a person who is contagious but has no symptoms. She had probably come down with a mild, undetected case of typhoid fever at some point in her past and had retained active germs ever since. While preparing food, she shed bacteria from her hands, and it never occurred to her that she was spreading disease. When her condition was explained to her, she refused to believe it and fought back by secretly hiring a private laboratory, whose results reportedly showed that she was free from infection. Nonetheless, her tests in quarantine continued to show typhoid bacteria, and she was detained until 1910, when authorities released her on condition that she not work in food handling and that she check in regularly with health officials. Mallon returned to freedom. But that was not the last the public would hear of "Typhoid Mary," who would turn up again in circumstances that shocked even those who sympathized with her plight.