根據(🆓)古龍《七種武(wǔ )器之(zhī )碧玉刀》改編。由古(gǔ(🔬) )龙化(huà )名欧(🏕)阳弘导演。
德(🍎)国(guó )电视(shì(📩) )台WDR根据著名的中世纪(jì )骑士(shì )长篇小说(😃)《帕西法尔(ě(🎠)r )》（Parzival）改编的(🌮)影片，改编(biā(🐖)n )大胆(dǎn )，造型和风格怪异。
青年林登(dēng )科迷(🎏)上了美艳的(⏩)(de )日本妓女(nǚ(🐧) )秀子，为达到(🥛)独(dú )占秀(xiù )子的(de )目的，他弄死了(le )贤慧(huì )的(🚔)妻(qī )子并遗(🌇)下一男孩(há(🙉)i )。然(rán )而林(lín )登科向秀子求爱遭拒(jù )绝，恼(🏆)羞成怒之下(📇)，林登(dēng )科企(➡)(qǐ )图杀死秀(⛳)子泄恨，不(bú )料被(bèi )同样迷恋秀子的日本(🕚)(běn )军官(guān )河(👰)野撞见，将其(💨)毒打(dǎ )毁容(🈁)(róng )之后送入监狱。少女(nǚ )美枝(zhī )为求学而(👂)与母亲妹妹(🐋)(mèi )三人投奔(⛄)(bēn )瘳婆，寄宿(🚵)在林(lín )登科的旧(jiù )宅子里，可是自(zì )从住(😟)(zhù )进来(lái )后(⚪)，每晚都有恐(🖖)(kǒng )怖怪(guài )异的(de )事情发生，最终(zhōng )…
“Jon Jost’s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’(🌻) of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘My life is color, form, the shape of things...’(🙈) before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption.
映画『ウル(💡)トラマンレ(❤)オ かなしみのさすらい怪獣』
《寧(níng )靜海(🏥)(hǎi )》是一部愛(🔼)情倫理喜(xǐ(😥) )劇，有父子相(🌶)見不知，母(mǔ )子相(xiàng )遇卻不認的橋段。男(ná(👫)n )主角(jiǎo )是一(🏯)位年輕的工(🍝)程師(shī )，他最(🍾)親(qīn )愛的姐姐，卻輕(qīng )生人世，他最敬重的(🗳)父親(qīn )，卻(què(🐿) )不認(rèn )識這(🔍)個兒子。工(gōng )程師(shī )被億(yì )萬富翁的千金(🦑)小(xiǎo )姐愛(à(📗)i )上他(tā )，他卻(♑)又憐惜一個(🐌)孤(gū )苦無(wú )依的女護士，這令他(tā )在兩(liǎ(🔟)ng )份感情中彷(😽)徨難捨。工程(🏤)(chéng )師徘徊在(🏊)千金小姐和(hé )女護(hù )士之間不知道如何(⛽)取(qǔ )決？一(🍠)個對他有恩(➕)，提拔(bá )他，遷(🥓)就他；另一個對他(tā )有情有義(yì )，為他默(🦂)默保存(cún )骨(🍫)肉，替(tì )他重(🌌)拾慈母恩情(qíng )。同(tóng )時，工程師有一個因(yīn )經商(shāng )失敗(💚)(bài )而變為神(🔍)經兮兮(xī )的(🤣)父(fù )親，色笑迎人捨弃他的母(mǔ )親，教他怎(🥔)麼對人說？(📃)如(rú )何抬(tá(😹)i )得起頭來？(🐎)本片充滿(mǎn )人性(xìng )的光輝，歌頌天倫骨(gǔ(🎹) )肉之(zhī )愛，有(🍖)人情味，令人(Ⓜ)(rén )感動(dòng )和(😠)同情。
Min-wu is a would-be mystery writer working at a detective agency. Choi Seong-du has Min-wu trace his wife Mi-kyung. In the process, Min-wu witnesses the discord between love and hate and is able to solve his problems.
导演屠忠训(xùn )在筹拍《某年某月的某(🏺)一(yī )天》期间(🐄)(jiān )不幸遭遇(🎞)车祸身(shēn )亡，张艾(ài )嘉毛遂自荐，续(xù )拍影(yǐng )片，并改名(📒)为《旧梦(mèng )不(🦁)须(xū )记》。