EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films.
伟(🏀)杰是一名没没无闻(🦉)的诗人(🍱)，出版社不(🤽)(bú )但(dà(🚟)n )不(bú )出(chū )版(bǎn )他的(🗣)诗集，甚(👒)至将他的(🐙)作品弃(🥓)如垃圾，而他的兄弟(⛄)更将他(🍯)(tā )的(de )诗(shī(🚛) )作(zuò )当(dāng )成(chéng )废(fèi )纸卖钱(🚓)。不愿再(👏)被人看不(📬)起，他选择了流落街头，因而(🏽)认识(shí(🤙) )了(le )赏(shǎng )识(🎛)(shí )他(tā )作(zuò )品的妓女古菈(💦)宝，一场(➰)意(🚾)外，让大(🐌)家以为他死了……(🐚)
伊芙(fú(♓) )（乔(qiá(🌩)o )安(🐗)(ān )娜(nà(⏪) )·伍(wǔ )德沃德 Joanne Woodward 饰）(🐠)是一名(🐯)平凡的家(📢)庭主妇(🥏)，长久以来，她一直饱(🛹)受(shòu )抑(🛥)(yì )郁(yù )、(🕡)失(shī )眠(mián )和头痛的折磨，整(😦)个人形(✏)容枯槁，憔(🖍)悴异常。最终，伊(yī )芙(fú )决(jué(🛣) )定(dìng )求(🦁)(qiú )助(zhù )于(🖥)(yú )医学，她找到了心理医生(🦋)卢瑟（(🌂)李·科布(♍) Lee J. Cobb 饰），希望借助于他(tā )的(de )力(🐎)(lì )量(lià(😘)ng )拯(🎪)(zhěng )救自(🔓)己于黑暗的泥潭之(🦒)中。
电影(📯)剧情：(🍱)
1941年(❄)，日本军(📥)队快速(sù )占(zhàn )领(lǐ(🕦)ng )了(le )英(yī(😩)ng )国(guó )统(tǒ(🎏)ng )治下的(🕺)马来亚。男人们被抓(🎄)去做苦(🍁)力，但却没(😤)有地方安置妇(fù )女(nǚ )和(hé(❔) )儿(ér )童(🤜)(tóng )。本片从(⛄)其中一个英国女护士的视(📑)角讲述(⚾)了这个故(🥡)事，她(tā )遇(yù )见(jiàn )了(le )一(yī )个(🦍)(gè )澳(à(🕸)o )大利亚士(🎴)兵，他从苦力营里面偷食物(♊)给她。战(🐾)争(😧)结束后(🥡)，她去(qù )了(le )澳(ào )大(dà(🎂) )利(lì )亚(🥊)那个士兵(😓)家乡的(🚕)小镇并在那住了下(🔏)来……(🔠)
1957年法国电(🐝)影。 Une femme peintre farfelue mais talentueuse cede son tableau a un escroc.
导(dǎ(👿)o ) 演(yǎn )： 李(lǐ )亨(hēng ) 蔡(🚖)(cài )昌
"Let's All Go to the Lobby" is a 1953[1][2] animated musical snipe played as an advertisement before the beginning of the main film. It featured a family of four talking concession stand products, singing "Let's all go to the lobby to get ourselves a treat" and walking to the concession stand.
本(✝)片为美国(🌳)传奇棒球手吉米皮尔绍的(🛋)传记片(🏥)，通过不同(🗜)的(de )插(chā )曲(qǔ )的(de )交(jiāo )叠(dié )出(🆗)现，把吉(🆑)米皮尔绍(🃏)从成为棒球手之前到成为(👠)职业棒(🖨)球手(shǒu )的(😑)(de )成(chéng )名(míng )坎(kǎn )坷(kě )之路呈(🚩)现在观(🔺)众(🧘)面前。