星球大战2百度影音

2009年，美(🛑)(měi )国(❌)(guó )货(♉)轮“马(mǎ )士(⏺)基·阿拉巴马”号在船长理查德·菲利普（汤姆·汉(hàn )克斯(🔅) Tom Hanks 饰）(🚢)的(de )带(🔶)领下(🈷)执(zhí(🍙) )行在(😗)非洲(🛑)角区(🗑)域的(💝)货物运(yùn )输任务。该(gāi )次任务的(de )航线途径(jìng )海盗猖獗(jué(💱) )的索马里(😳)地(dì(🐉) )区海(📊)域。虽(🔕)然菲(🗽)利普(🎓)船长(🚦)(zhǎng )和船员都(dōu )进(jìn )行过抗击(jī )海盗的训(xùn )练和演习(xí )，但是他们(🦌)完全(🍝)没有(🍫)料到(🈳)在启(🐃)程不(🥋)久(jiǔ(🎣) )就遭遇了(🗯)(le )四(sì )名索马(mǎ )里(lǐ )海盗的登(dēng )船袭击。菲利普船长在保护船(😬)员和(🌷)货(huò(🔽) )物的(🏪)搏斗(🚽)(dòu )中(👓)不幸(🗼)被(bè(🌠)i )海盗(🕗)劫为(wéi )人(rén )质并带离(lí )货船。美国海军等部门接(jiē )到情(🏦)报后立(lì(⏳) )即展(👁)开大(🧐)(dà )规(🗞)模营(🍷)救(jiù(🙀) )菲利(🎡)普船(chuán )长的行动。 A newly married American couple vacationing in Mexico is prevented by the police from leaving Acapulco when the husband becomes prime suspect in a local girl's homicide 40岁的艾萨克·戴维斯（伍(wǔ )迪·艾伦(lún ) Woody Allen 饰(shì )）(📕)在写(⛹)作(zuò(🚾) )上不(📶)算成(💦)(chéng )功(🔺)，在感(🎊)(gǎn )情上更(🤚)是一团糟。一方面，为了另一(yī )个女人而(ér )离(lí )开他的(de )前(qián )妻(👾)吉尔(⛴)（梅(💡)丽尔(🦍)·斯(🖐)特里(🎴)普 Meryl Streep 饰）打(👃)算出(🏹)版一本(běn )有关他们(men )私密婚姻(yīn )生活的书(shū )，另一方面(mià(😂)n )，17岁的女孩(🏊)翠西(🆔)（玛(📆)瑞儿(💈)(ér )·(🗾)海明(🐬) 威 Mariel Hemingway 饰(🙇)(shì )）对于这(zhè )段他并不(bú )打算认真(zhēn )经营的感情(qíng )投入了越来(📜)越多(🚀)的热(🛥)情。在(🤾)这个(🕸)节(jiē(🚶) )骨(gǔ(💸) )眼上，好(hǎo )友耶尔（迈克尔·莫菲Michael Murphy饰）的情人玛丽（黛安·基顿 Diane Keaton 饰(shì(💅) )）闯(🐅)入了(🖌)(le )戴(dà(⤵)i )维斯(🥇)的(de )视(✋)(shì )线，风趣(🎽)(qù )的(🌯)谈吐，投机的话题，一切的一切都(dōu )为两人的(de )感情擦出(chū(🚨) )了火花。3个(😛)(gè )男(🗾)人，3个(🤦)(gè )女(🚚)人，在(🎼)曼哈(🍋)顿这(👹)个繁华(huá )又孤单的城(chéng )市，这群(qún )成年人究(jiū )竟该用何(hé )种方式(⬛)来道(📍)(dào )德(🥂)并公(🌕)正的(💹)解决(🥟)他们(🏨)的感(gǎn )情问题呢(ne )？ 1965年，在斯(sī )德哥尔摩(mó )的一个舞(wǔ )会上，年轻的少校(🏧)尼尔(💩)斯与(🤺)美丽(🌛)的女(😉)(nǚ )孩(🐑)安娜一(yī(🙄) )见(jià(🤩)n )钟情，爱(ài )情的狂热(rè )让尼尔斯(sī )巴安娜偷偷带回纪律(🚍)森严的(de )部(🍈)队，却(🌥)(què )不(🐜)幸被(🐱)长(zhǎ(🏙)ng )官发(🍈)现，给(🐶)(gěi )予严厉处(chù )分。脾气倔强的尼尔斯一(yī )气之下辞去(qù )职位，带(dà(🕜)i )着安(🏕)娜来(🏝)(lái )到(🤩)遥远(🦎)的(de )北(🚬)极圈(🌅)生活(huó )。父亲看到儿子尼尔斯的(de )现状十分(fèn )失(shī )望，但这(zhè )更加坚定(dì(💪)ng )了一(🔐)对新(🥞)(xīn )人(💿)对未(🥀)来的(🏖)信心。寒冷(🗿)的天(🌃)气让日子(zǐ )愈加艰难(nán )，安娜觉(jiào )得(dé )唯一的出(chū )路就(💱)是回(huí )到(💱)气候(🕥)温暖(🐶)的地(🤞)方去(🔢)，于是(👙)(shì )，在(✊)海上(shàng )漂泊多日(rì )的他们在(zài )哥(gē )斯达黎加(jiā )的一个小岛上了(💘)岸。 四(💋)子(zǐ(🗳) )从小(📛)就是(🏮)一(yī(🐍) )名弃(💃)婴，捡到她的(de )夫妇在她(tā )长大后将她(tā )卖给了歌舞伎，而在此她(tā )被一(🙏)名和(🤞)(hé )尚(📧)(shàng )娶(⏰)为妾(🎩)，而在(🚘)和尚(shàng )死(🍱)去之(➖)时(shí )，婆婆认为她是一名会给男人幸运的(de )“鸿运女(nǚ )”。她后(🎙)(hòu )来(lái )改(💎)行在(📡)银(yí(⚓)n )行做(🌼)事，在(🦊)此她(💖)遇到(😌)了她所爱的男人(rén )铃木主水(shuǐ )，她也因(yīn )为会带给(gěi )男(nán )人幸运(👙)，不断(📯)地牵(⬇)入到(🔟)男人(🏸)为了(🎽)成(ché(🎲)ng )功不择手段(duàn )的肮脏旋(xuán )涡中。从(cóng )此片我们(men )也可以看到(dào )导演对于(❓)政治(🚪)运作(🖲)的大(🚞)笔(bǐ(🚲) )金钱(🥥)关系(xì )，以(🥪)及将(🤑)女(nǚ )人视作物(wù )品的心态(tài )表露无遗。 一个是当年才华(🤮)横溢的导(👫)(dǎo )演(😍)，一个(🏖)(gè )是(♐)(shì )风(🎀)华绝(🥝)(jué )代(😾)(dài )的女影星(xīng )，他们当(dāng )年的罗曼史倾倒世人，暴风(fēng )骤雨般的(de )决(🏑)裂又(🔖)一(yī(🧝) )度成(👌)为街(😢)(jiē )头(⛏)(tóu )巷(🧞)尾讨论(lùn )的话题。三十年过去了，艾利斯已成(chéng )为英国话(huà )剧界的女(nǚ(🚷) )王，和(🚱)丈(zhà(🤕)ng )夫儿(📵)子住(🍥)在(zà(👂)i )乡间一幢(📇)皇宫(🐴)般的别墅里(lǐ )。她被邀(yāo )请(qǐng )为旧情人(rén )路易斯颁(bān )发(🚹)一项终(zhō(🐪)ng )身成(🏧)就奖(🍡)，从争(💿)吵到(🏍)再度(🏔)互相(🤼)吸引，妙趣横生(shēng )的(de )故事发(fā )生(shēng )在这对满(mǎn )头白发的(de )老情人之(🛤)间。 1961年(📟)8月，柏(🧝)林墙(⭕)(qiáng )在(🆕)一夜(🈂)之(zhī(🈚) )间建成，将德国的(de )柏(bǎi )林一分为(wéi )二，东柏林和西柏林，无(wú )数家庭和恋(♏)(liàn )人(💗)被一(⏲)堵(dǔ(🔛) )墙人(🐮)为地(🏖)(dì )阻隔在(😇)自(zì(🏳) )由与不自由(yóu )的两个世界里。哈里、弗(fú )里希、弗(fú )雷(🕠)(léi )特、贝(👤)克(kè(🥩) )等人(🚺)为了(🏛)(le )能将(🤧)滞留(➰)(liú )在(🚳)东德的亲人带到西柏林，开始在柏(bǎi )林墙下挖(wā )掘(jué )一条长(zhǎng )145米(🍊)(mǐ )的(🌎)地道(👋)。而东(👨)德这(🍎)(zhè )边(🐒)戒备(🐪)森严，危险时刻相伴(bàn )…… 一个(gè )由催眠师(shī )沃格勒率(lǜ )领(lǐng )的(🔆)剧团(⏩)在(zà(🌕)i )前往(🌲)斯德(🤪)哥尔(🛤)摩途(👋)中的一(yī(🔔) )个小(🐭)镇上，被当地的(de )警察局长(zhǎng )和相关人(rén )等扣留盘查(chá )，他(🕡)们被勒令(🎹)要当(🎰)众表(🏧)演(yǎ(🃏)n )魔术(🆕)，以验(🏿)(yàn )证(🏜)是否存(cún )在超自然(rán )现象。结(jié )果他们的耍宝把戏露馅，但在逗留(📇)过(guò(〰) )程中(😻)他们(🍜)(men )却(què(⭕) )经历(🌷)了许(🎷)(xǔ )多意想不(bú )到的奇遇(yù )和变化，最终剧团受到国王(wáng )的召见而(👒)(ér )重(⏳)新上(🐧)路(lù(🎉) )。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery.