本片以美(🗝)国(guó )50年代(🐔)美(měi )苏冷(🤣)战时期为(🌒)(wéi )背景(jǐ(😒)ng )，围绕女主(👆)人公凯蒂(💗)(dì )·莫若(🐫)斯凯（芭(🧛)芭拉(lā )·(🍻)史翠珊 Barbra Streisand饰）与男主(zhǔ )人公哈(hā )贝尔·加德纳(nà )（罗(luó )伯(bó )特·雷德福 Robert Redford饰）讲(jiǎng )述(shù )了一段由相识到相(xiàng )知(zhī )相恋(🏫)，却因彼此(😵)间(jiān )个性(📬)和政(💧)治立(🐊)场的(🍌)差(chà(🔗) )异而(🎍)分(fè(🏄)n )手的(👔)爱情(🐆)故事(🌊)(shì )。凯(🍔)(kǎi )蒂(🚁)(dì )，性(🐿)格倔(🐡)强浓烈的(🤺)(de )左(zuǒ )翼女(😡)生，在校担(💨)任(rèn )青年(🥒)政党联盟(😈)主席；而(📋)主张(zhāng )明(🗑)哲保身的(📄)哈(hā )贝尔(⛔)(ěr )则(zé )是学校有名的运动(dòng )和(hé )写作才子。两人顺(shùn )理成章地走到一起，也不可避免地分道扬(yáng )镳。许(xǔ )多年以后，哈贝尔(ěr )在(zà(👷)i )街头与凯(🥤)蒂重逢，往(🎖)(wǎng )日(🐋)情怀(👱)，不禁(🍍)涌上(🚈)(shàng )心(📒)头。
Even amongst exploitation junkies "Ricco, the Mean Machine" doesn't get a lot of attention and that's a shame because it's a very sadistic, effective and all around excellent Italian Crime movie with lots of nudity. Ricco (Christopher Mitchum) is out to get his revenge on the crime lord that killed his father with the help of the very sexy Rosa (Melisa Longo). He takes each of Vito's (Arthur Kennedy) men down one by one, bringing him closer and closer to his prize.
TV第(🔈)11话剧(🍛)场版(⭐)。
在一(🌗)个(gè(👐) )小岛(⤵)上，有一(yī(😯) )伙横(héng )行(🏫)(háng )霸道的(❤)海盗。他们(🥥)(men )用(yòng )计使(🔈)一艘客船(🌨)在小(xiǎo )岛(💃)附近沉没(👏)，他们开(kā(🤘)i )始抢劫(jié(🕛) )船上的金银珠(zhū )宝，不(bú )久从海中游来了两(liǎng )名(míng )逃难的女子，她们(men )正好和海盗们碰头了(le )。海盗中的两名成员(yuán )将两名(míng )女子强(🕔)暴后殴打(🐝)致(zhì )死(sǐ(👟) )，而海(🐧)盗船(🙈)长也(🏰)和(hé(🏻) )她(tā(🖌) )的情(🍿)妇在(👜)岩石(✅)上做(🚐)(zuò )爱(⏱)。
Little Dick, the well-endowed dwarf servant of Master Limpcock is being pursued Nymphomania, an ugly witch who must have 69 orgasms to turn herself beautiful again.
Giulio Borsi (Marcello Mastroianni), a reactionary pharmaceuticals executive, has just set off for a weekend with his young mistress (Carole André) when the two are taken hostage at a gas station by three anarchists. Hunted by the police and transformed into media stars by the press, the trio escapes with their hostages to an isolated villa. For a brief moment, it seems as if class contradictions can be overcome, but then there is a showdown between the authorities and the far-left outlaws. Dino Risi’(🌈)s darkest political satire was loosely based on a true story and anticipated the armed struggles between the Brigate Rosse and state power. It is also a clairvoyant account of the increasingly sensationalist and bloodthirsty media. At times, it almost seems like a model for the Gladbeck hostage crisis of 1988.