影音先锋每日资源站

An elderly couple move into an old, supposedly haunted abandoned house. A young girl comes to live with the pair as a companion for the wife. However, soon the girl is possessed by the spirit of another girl, a wealthy woman who had once lived in the house but who had been murdered there. 抗(💁)日战(zhà(🤚)n )争(zhēng )爆(🛶)发后，江南某(mǒu )地(dì(❄) )赵姓老(🏊)人（姜明饰）(🤵)常以“无(🤙)(wú )名(míng )氏(shì )乐捐”名(💑)义，捐款(🚨)支援抗(🦌)日(rì )，并(🛄)(bìng )鼓励(🗺)儿子国权（卢业高(🧔)饰）和女儿国(📎)英（秦(♏)怡(yí )饰(💨)(shì )）的男友钱自成(🎆)（刘曦(🏮)饰）投(🥩)(tóu )笔(bǐ(🥎) )从(cóng )戎(róng )。国权(🖐)担任某部队长，自成(🛬)(chéng )任军(🚫)医。江南(💝)沦(lún )陷(xiàn )后(hò(🎮)u )，赵老夫妇携国英和(🎻)幼子国(👾)强(qiáng )避(🍲)(bì )难(ná(🦍)n )上海租(🙆)界，寄居甥女、国权(🧣)(quán )恋(lià(🍎)n )人孙华珠（康(🏋)健(jiàn )饰(😇)(shì )）家。不久，赵老接(🍾)国权来(👯)住(zhù )，携(📈)(xié )国英(😼)同赴重(🚛)庆，途中因战局(jú )变(🧀)(biàn )化(huà )，父女失(💣)散，此(cǐ(🎟) )时自成(🥠)已离职到香港经商(⏮)，寄(jì )信(🦉)(xìn )上(shà(🙏)ng )海邀国(🔹)英赴港。信为华(🚜)珠所(suǒ )得(dé )，迳(jìng )自(⛪)去港与(⏮)自成同(🕵)居。国英抵(dǐ )重(💅)庆时，国权已(yǐ )随(suí(🦋) )军(jun1 )开赴(⏮)前线。国(🐉)英因探(🌐)询部队(👀)驻(zhù )地(dì )，被疑为间(🌮)谍系狱(🍼)，后虽经查(chá )清(🤠)(qīng )，已心(🍥)力交瘁。赵(zhào )老到重(🤠)庆，幸遇(🏽)同乡李(👕)天保（(🌨)周(zhōu )峰(🍺)(fēng )饰）照料，靠卖报(⬅)度日。不(bú )久(jiǔ(🚴) )，自成、(♑)华珠以(📢)富(fù )商身份来重庆(🏐)，赵老以(🌼)地位悬(🔲)(xuán )殊(shū(🏕) )不(bú )能相认。一(🎌)天，赵老无意间(jiān )与(📹)(yǔ )国(guó(🌡) )英(yīng )相(📑)遇，国英因生活(👤)困难，服(fú )毒自杀，赵(🚧)老急(jí(👋) )求(qiú )自(⬇)(zì )成帮(🕹)助，抢救(🆕)国英脱险。时国(guó )权(✍)(quán )接(jiē(🤚) )自成电报，请假(🍸)来重庆(🎩)探亲(qīn )，因军务在身(🥇)，将(jiāng )老(🍮)(lǎo )父弱(🎥)妹托付(⚪)自成照(😀)料，急返前(qián )线(xiàn )。不(💳)意自成乘国英(💓)酒醉，污(🎉)辱(rǔ )了(🤔)(le )她(tā )。不久国权阵亡(📜)(wáng )，自成(🎫)竟将赵(🕘)老及国(👹)英逐出。幸(xìng )得(🍡)(dé )天保相助，他们合(🌜)开小书(🍾)店(diàn )谋(🙍)(móu )生(shēng )。国英发(😬)现怀(🏽)孕，欲堕胎为天(😃)(tiān )保劝(🍙)阻。赵老(🆒)疑(yí )是(🛴)(shì )天(tiā(🚬)n )保所为，怒加痛斥。天(➿)保为保(💌)(bǎo )护(hù )胎(tāi )儿(🤟)，隐忍不(🎻)语，国英深为感(gǎn )激(🥉)(jī )。不久，自成贿(🥕)(huì )赂(lù(🍐) )保长，让(😷)天保顶替其入伍。国(💾)(guó )英(yīng )生(shēng )下(😕)一孩，赵(🐕)老双目(👤)失明，生(shēng )活(huó )更(gèng )加困难(💿)。抗战胜(🔬)(shèng )利，赵(🔱)老、国英历尽(😙)艰辛回到(dào )上(shàng )海(😼)(hǎi )，已无(🗡)栖身之(🤨)所。为养活老(lǎ(👣)o )父(fù )和(hé )幼(yòu )女，国(🦎)英被迫(🙂)卖笑度日，一(yī(🌰) )天，她在(🚈)街头遇(yù )到(dào )已(yǐ(🔌) )断足残(🥌)废的天保。赵老(🔺)与国英(🥎)(yīng )、天(tiān )保遂一起(🌒)回到故乡。国英(🦓)由(yóu )于(🍿)(yú )生活(😷)折磨已身染(rǎn )重(chó(🥢)ng )病。在当地庆祝(🤺)抗战胜(🐉)利周年(🥇)(nián )大(dà )会(huì )上，早已乘飞机(🏵)复员荣(😻)归的(de )自(🕌)(zì )成(chéng )、华珠(🥖)正发表自(zì )我吹嘘(👫)的演说(🐤)，而悲愤(🏢)填膺的(de )赵(zhào )老(🤘)(lǎo )欲上台陈诉一家(🤯)所受痛(🥖)苦，却(què )被(bèi )视(🥐)(shì )为捣(🥐)乱遭到驱逐。国英在(🕺)病(bìng )危(🐟)临终时，喃喃(ná(🥞)n )问(wèn )道(🏂)(dào )：“何时天下太平(🥧)，得过太平(píng )日(🍞)(rì )子(zǐ(🧠) )？” 二战(👢)过后，罗马同许多(duō(🕘) )城(chéng )市一样，充(⏩)斥失(shī(🔕) )业(yè )和(🔦)贫困，人们常常为一个工作(📯)(zuò )机(jī(😠) )会(huì )争(😬)得头破血流。已(🎡)失业多时(shí )的(de )里(lǐ(🕡) )奇（Lamberto Maggiorani）(👹)费劲千(🚐)辛(xīn )万苦获得(🔚)一份海报张贴的工(⛹)作(zuò )后(🥨)(hòu )，却为这份工(😻)作需要(👂)一辆自行(háng )车(chē )犯(🌕)(fàn )愁(chó(🌵)u )，为了以后的日(⛳)子好过(🚟)，他(tā )用妻子的嫁妆(✝)--床(chuáng )单(dān )从(có(🕔)ng )换回已(💮)经当掉(🚦)的自行车，不想(xiǎng )，他(📌)(tā )的自行车在(👹)上班第(🌒)一天就被(bèi )盗(dào )。里奇同儿子布(bù(📡) )鲁(lǔ )诺(🌖)（Enzo Staiola）寻(💪)遍罗马大街小(🎩)巷，也(yě )没(méi )能(néng )找(👪)到他赖(🍌)以活命(😍)的自行车，眼(yǎ(🈸)n )见(jiàn )无指望的日子(💚)又(yòu )要(💈)降临，里奇决定(🦒)以牙还(🕺)牙，可(kě )是(shì )他的运(⬅)气却没(🔠)有别的小偷好(👨)(hǎo )。 Wounded and on the run, notorious gunman Quirt Evans (John Wayne) gallops onto a farm owned by Quaker Thomas Worth (John Halloran) and his family and collapses. When Quirt urgently insists upon sending a telegram, Thomas and his daughter Penelope (Gail Russell) drive him into town in their wagon. After wiring a claim to the land recorder's office, Quirt kisses Penny and then passes out. Ignoring the doctor's advice to rid themselves of the gunman, the compassionate Worth family tends to the delirious Quirt, and Penny becomes intrigued by his ravings of past loves. Dans ces « caves »(🔋) où s'affaire tout le peuple des travailleurs d'un grand hôtel, le chef de la caféterie, Donge, trouve le cadavre de Mme Petersen, une riche cliente. L'enquête menée par Maigret lui permet de côtoyer le mari de la victime, un Suédois, Teddy, le fils de Mme Petersen, sa gouvernante, un danseur mondain et Donge lui-mê(🚳)me qui est bien le père naturel de Teddy. L'enfant ira-t-il vers son vrai père ou ne quittera-t-il pas le riche Petersen qui l'adore ? L'énigme policière et l'énigme sentimentale sont ré(👚)solues par Maigret. 二战过(😒)后，罗(luó(💘) )马(mǎ )同许多城市一(🔻)样，充斥失业和(🤯)(hé )贫(pí(🈺)n )困(kùn )，人们常常为一个工作机会(huì(😛) )争(zhēng )得(🦓)头破血(🕟)流。已(yǐ )失(shī )业(🏆)多时的里奇（Lamberto Maggiorani）费(😁)劲千辛(🍃)万(wàn )苦(➖)(kǔ )获(huò )得一份(👮)海报张贴的工作后(🙄)，却(què )为(🏣)(wéi )这份工作需(🆖)要一(yī(❇) )辆自行车犯愁，为了(📣)以后的(😺)日(rì )子(zǐ )好(hǎ(🐢)o )过，他用(😪)妻子的嫁妆--床单从(🛢)换(huàn )回(huí )已(yǐ(♿) )经当掉(📧)的自行(📻)车，不想，他(tā )的自行(👵)车在上班(bān )第(💫)(dì )一(yī(🍕) )天就被盗。里奇同儿子布鲁诺(nuò )（(📬)Enzo Staiola）寻遍(😽)罗马大(💘)街小巷，也没能(👜)(néng )找(zhǎo )到他赖以活(💰)命的(de )自(➰)(zì )行车(🏎)，眼见无指望的(🎻)日子又要(yào )降(jiàng )临(🌼)(lín )，里奇(🎙)决定以牙还牙(💰)，可是(shì(📩) )他(tā )的(de )运气却没有(🚿)别的(de )小(👃)偷好。 国王病危(👕), 临终前(🕺)立下(xià )诏(zhào )书(shū ), 委(💂)託政务大臣罗(🛩)正卿辅(🌅)助年幼(🚑)(yòu )的(de )太(tài )子登基. 怎(🗄)知, 国王的遗诏(🉐)竟为(wé(🥐)i )军机大臣司徒扬(yáng )明(míng )夺(duó )走. 司(😕)徒扬明(🌕)待国王(🌉)驾崩后, 即软(ruǎ(😋)n )禁(jìn )太(tài )子, 继而独(👵)揽大权(😼). 罗正卿(🔵)不满(mǎn )司(sī )徒(🚁)大臣任意加税(shuì ), 导(🕤)(dǎo )致民(🏻)不聊生, 决定辞(💞)官归隐(🙏)以便(biàn )静(jìng )待(dài )时(🔸)机, 推翻(🌛)暴政. 罗大臣的(🏩)女儿(é(🎺)r )瞒(mán )着(zhe )父亲, 女扮男(✍)装, 以(yǐ )侠盗罗(😄)宾汉的(🃏)身份, 四(🐃)出劫官府(fǔ )以(yǐ )济(🙋)(jì )平民. 期间, 太(🍰)子不允(⏩)让位予司徒(tú )大(dà )臣(chén ), 司徒大臣(🏏)一怒之(🧒)(zhī )下, 命(👳)御林军(jun1 )队长张(🕦)忠耿杀死(sǐ )太(tài )子(🕍)(zǐ ). 张队(➰)长实为(🎣)忠臣, 不忍加害(🏧)太子(zǐ ), 于(yú )是(shì )与(🕕)罗宾汉(👁)合力将太子救(🎨)离宫(gō(✉)ng )中(zhōng ). 司徒大臣乘太(✅)子不(bú(🍂) )在, 伪做诏书, 自(🛑)立为王(😈). 幸而, 罗宾(bīn )汉(hàn )及(🦔)(jí )时盗回国王(⚾)真正的(👼)遗诏, 揭(🎃)发(fā )司(sī )徒(tú )大臣(😂)的阴谋, 并将他(🚙)杀死. 最(🍕)后, 太子正式登位, 而罗(luó )大(dà )臣(ché(♊)n )终亦发(📘)现侠盗(🔞)罗宾汉原来就(🕤)是(shì )自(zì )己(jǐ )的女(🎉)儿. Song of Love (1947) is a biopic starring Katharine Hepburn, Paul Henreid, Robert Walker, and Leo G. Carroll, directed by Clarence Brown and released by Metro-Goldwyn-Mayer. In Edinburgh, renowned surgeon and now teacher of anatomy Dr. MacFarlane, has been paying John Gray, a cabman, to clandestinely bring him exhumed bodies of the recently deceased for classroom demonstration purposes. With cemeteries being increasingly guarded, Gray turns to murder to provide MacFarlane with fresh bodies. Realizing that he will never be rid of Gray, who constantly taunts him with his knowledge of MacFarland's past indiscretions, MacFarlane engages the malevolent Gray in a hand-to-hand fight to the death, the ultimate results of which provide the victor with an episode of unprecedented psychological horror. The film is best known today for Scorsese’s claims that it was his inspiration for New York, New York, but it’(📲)s not the plot that found its way into his film. It’s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures