电锯惊魂5

本片导演(🧙)拉迪斯拉·斯塔维奇(qí )，是世(❄)(shì )界上少(shǎo )数值得(dé )钦佩与(🎰)(yǔ(🎓) )赞扬的(de )伟大动画师，他(tā )始终(🐔)致(zhì )力于停(tíng )格动画(huà )与制(🔋)作(zuò )出许多(duō )具艺术(shù )性与(🔛)广(🛁)(guǎng )受欢迎(yíng )的动画(huà )影片。拉(🤬)迪斯拉·斯塔(tǎ )维奇最(zuì )初(😐)于1909年(nián )在俄罗(luó )斯开始(shǐ )了(🍵)他的(de )动画事(shì )业，但(dàn )是旋即(jí(📮) )便转往法国开始了他动画生(⛳)涯的高峰直到1950年为止他在那(🐒)里创作了无数的 经典动画片(📏)。 The plot follows the novel more closely than does any other Tarzan movie. John and Alice Clayton take ship for Africa. Mutineers maroon them. After his parents die the newborn Tarzan is taken by a great Ape, Kala. Later the boy finds his father's knife and uses it to become King of Apes. Binns, the sailor who saved the Claytons and who has been held by Arab slavers for ten years, finds the young Tarzan and then heads for England to notify his kin. A scientist arrives to check out Binns' story. Tarzan, now a man, kills the native who killed Kala; when their chief is killed the black villagers appease Tarzan with gifts and prayers. The scientist's daughter Jane is carried off by a native, rescued by Tarzan (who has burnt the native village), aggressively loved by him ("Tarzan is a man, and men do not force the love of women"), and at last accepts him with open arms. This epic was the last in a series of silent sword ‘(🌭)n sandal spectaculars starring former Genovese dockworker and aging hunk Bartolomeo Pagano. This homely stud spends half the film in a heavy woolen suit, looking more than a dimwitted butcher than a bodybuilder. Fortunately, true to the title, he does go to hell, where he’s assaulted by demons, propositioned by seminude demonettes, and finally stripped to his overample but still fetching flesh. He keeps busy during his sojourn leading a demon revolt and battling a dragon too large to move very much. Director Brignone pulled out all the stops for this comic-Boschian vision of hell, with what looks a cast of thousands of demon-extras spilling off the screen. Fellini claimed Maciste inspired him to become a filmmaker, and the air of amusing depravity, seen to full advantage in the rare restored print that occasionally circulates, would seem to confirm it. Louis Feuillade是(shì )法国无(wú )声片时(shí )期(🏈)最伟(wěi )大的导(dǎo )演.有些(xiē )影(♋)评人甚至认为其成就(jiù )高于(🎂)同(🤘)(tóng )时期的(de )格里非(fēi )斯.Tih Minh是Louis Feuillade成(ché(🐔)ng )就最高(gāo )的电影(yǐng )之一,该(gā(✅)i )片被美(měi )国影评(píng )人 根据德(🙂)国古典史诗《尼贝龙(lóng )根之歌(gē(🤵) )》改编(biān )。本片(piàn )共两部(bù )，第一(🐾)(yī )部的副(fù )标题是《西格弗里(🧟)德》或《西格弗里德之死》，又译《斩(➖)龙(❓)遇仙》；第二部《克伦希尔德的(🉑)(de )复仇》。第一(yī )部剧情(qíng )：库山(🔎)(shān )王子西(xī )格弗里德从传说(💌)中(👵)得知(zhī )，如果(guǒ )能用丛(cóng )林内(🙊)的(de )巨龙血(xuè )液沐浴(yù )，就能(né(🎳)ng )全身刀(dāo )剑不入(rù )，乃立(lì )刻(🅿)启程斩龙取血。不料(liào )飘来一(yī(🎪) )片树叶(yè ) 贴在他(tā )的背上(shà(📲)ng )挡住了(le )龙血。他自恃(shì )刀剑不(🔕)入，乃出兵讨伐矮人国，夺取隐(🐉)身(📫)头巾和尼伯龙根的国宝。后来(🍑)，他更凭这两样法宝(bǎo )之助打(🚺)(dǎ )败冰岛(dǎo )女王的(de )武士，跟王(🛂)妹(mèi )克伦希尔德结婚。武士(shì )哈(🔓)根获(huò )悉，将(jiāng )长矛对(duì )准被(🎮)树(shù )叶贴住(zhù )而未沾(zhān )龙血(😚)的(de )背部猛(měng )掷，西(xī )格弗里德应(💰)声倒地。第(dì )二部描(miáo )述西格(👂)(gé )弗里德(dé )死后，克伦希(xī )尔(⛰)德嫁(jià )给了匈(xiōng )奴国王(wáng )伊(😘)泽(🕺)尔，生下一个孩子。她邀请她的(😒)兄弟前来参加派对，并鼓励伊(🎠)泽尔向杀死她前夫(fū )西格弗(📴)(fú )里德的(de )凶手哈(hā )根报仇(chóu )。不(🤭)料(liào )哈根得到她兄弟们的保(🏸)(bǎo )护，于(yú )是她必(bì )须为逼(bī(🦑) )迫自己(jǐ )的兄弟(dì )交出哈(hā )根(🍲)而展(zhǎn )开一场(chǎng )激战。 胖女孩(⚪)特蕾西（尼科尔(ěr )·布朗(lǎ(🐋)ng )斯凯 Nicole Blonsky 饰(shì )）生长(zhǎng )在60年代(dà(🍊)i )的(🤬)一个(gè )普通美(měi )国家庭(tíng )。她(👨)迷(mí )上了一个电视选秀的舞(💝)蹈节目，并梦想能站到舞台上(🍩)发光发亮。然而特蕾西的母亲，自(📕)小因(yīn )为肥胖(pàng )而缺乏(fá )自(🥋)信，常常担(dān )心肥胖是特蕾西(🥤)的绊脚(jiǎo )石。不(bú )料特蕾(lěi )西在(🤡)节(jiē )目中的(de )出色表(biǎo )现，令(lì(👁)ng )她的前(qián )途顿时(shí )开阔。甚至(👙)大家对她的喜欢，胜过了(le )本来(📉)非(📅)(fēi )常得宠(chǒng )的艾姆(mǔ )伯小姐(📔)(jiě )（布兰(lán )特妮·斯诺 Brittany Snow 饰(shì(📌) )）。 导演：巴士比·柏克莱的(🚨)魅力与梦境之外 法国电影导演(📲)。先锋派电影的代表人物(wù )之(🌕)一。1897年 3月25日(rì )生于华(huá )沙，1953年(niá(🏎)n )卒于巴(bā )黎。爱浦斯坦原是散文(🥒)(wén )作家和(hé )哲学家(jiā )，曾在(zà(🌇)i )L.德吕克(kè )主办的(de )电影杂(zá )志(🍔)上发(fā )表文章(zhāng )热情称(chēng )颂(🙈)“第(🎡)七艺术”。1922年，他首次(cì )执导了(le )《巴(🕑)斯(sī )德传》。次年(nián )，执导(dǎo )了根(🧕)据(jù )巴尔扎(zhā )克小说改编的(🌱)《红色旅店》以及《忠实的心》。这些影(💾)片在蒙太奇手法的应用上十(⏮)分精彩，获得了(le )巨大成(chéng )功。爱(🏖)(ài )浦斯坦(tǎn )成为先锋时期印象(👣)主义(yì )学派的(de )重要人(rén )物。此(🐲)(cǐ )后爱浦(pǔ )斯坦开(kāi )始拍摄(㊗)(shè )了一些(xiē )商业影(yǐng )片。但(dà(📞)n )是(🚐)他从未完全抛弃对电(diàn )影艺(📴)术(shù )的探索(suǒ )：1927年他(tā )导演(🎐)了(le )《┩$×11》、 《三面镜(jìng )》，次(cì )年导(🎍)演了《于谢家的没落》，其中仍使人(⛩)感受到先锋派风格。