汤米的父亲因病住进医院(yuàn ),苦(kǔ )心(🐾)经营(🦓)的农(😠)场负(🌯)债累(😥)累.回(🌂)(huí )到(🥍)(dào )阔(💰)别十(😖)年之(🐇)久的(🐁)家乡,汤米(mǐ )重(chóng )遇(yù )昔日恋人妮可.但是(⛸)物是(🐕)人(rén )非(fēi ),她已为人妇.妮可的儿子萨(sà )斯(sī )卡与汤米十分投缘(🎥).在激(🚆)烈(liè(🕒) )的(de )争(zhēng )吵中,父亲将实情脱口而(ér )出(chū ):萨(😅)(sà )斯(🏃)卡是(🙌)汤米(📞)和妮(🖱)可的(🧒)儿子(⌚)(zǐ ).对(⛑)(duì )于(🌔)汤米(👯)的离(🌘)开,父亲一直耿(gěng )耿(gěng )于怀加之农场经营(🏉)不善(👿),两(liǎ(🏀)ng )人(ré(🔞)n )总(zǒ(🛒)ng )是争(🔛)吵不(🦄)休.汤(🗡)米内(🌥)心苦(♏)闷(mè(🎒)n ),却(què )从女友萨拉那里得不到安(ān )慰(wèi )…最终(🚓),在朋(🥜)友的帮助下,汤(tāng )米(mǐ )使(shǐ )父亲的农场渡过危机,自己(jǐ )也(👯)(yě )得(♉)到了(⛴)众人的原谅 .
怪獣ブームのさなかに日活が1967年(🙃)に製(🐠)(zhì )作(🦗)(zuò )し(🉐)た怪(🥕)獣映(💣)画。渡(🚚)辺明(🏗)(míng )の(💿)原(yuá(🌅)n )案を、『放浪のうた』の山(shān )崎巌と、『殺(🍰)るか(🚎)やら(👂)れる(😝)か』(📮)の中(🙆)西隆(🐓)三が(💳)シナ(🤝)リオ(🕡)化(huà )し、『日本仁侠伝 花の渡(dù )世(shì )人』の(🐳)野口(🙉)晴康が監督した。巨大怪獣の脅威と親子(zǐ )の情(qíng )愛を中(🔮)心に(👋)描き(⏲)、恋愛ものの要素までも取り入れた意(yì )欲(🥍)作。雑(⏮)誌記(🚚)者の(🏷)黒崎(🏼)浩(hà(📪)o )は、(🍳)カメ(🏻)ラマ(🕐)ンの(🌧)小柳糸子(zǐ )と共(gòng )に、船津社長の命を受け(🍤)て南(🥂)海諸(❇)島の(🐏)探検(🔬)に出(👲)かけ(🍱)た。2人(📹)には(🌇)、生(🎮)物学助教授(shòu )の殿(diàn )岡が同行したが、たま(🐷)たま(🚑)、ある火山島に上陸した3人(rén )は、薄気味悪い洞窟を見(jiàn )つ(🌃)ける(🌓)。その奥には巨大な卵(luǎn )があって、島民の話(🙄)では(➡)ガッ(🐺)パの(🈯)卵だ(📉)とい(😐)う。ガ(🦈)ッパ(😸)とは(🌱)、身(🏯)長70メートル以上、ワニのような鱗のある太(🖊)い胴(👈)(dòng )体(👄)(tǐ )と(🦓)4本の(💼)足、(🥪)そし(🆗)て、(👈)前足(🤖)(zú )か(🖤)ら尾にかけて大きな羽根(gēn )のある爬虫類で(⏲)ある(💤)。ちょうど卵が割れてガッパの子供(gòng )が現われたが、思わぬ(🈶)獲物(🔫)(wù )に喜(xǐ )んだ黒崎は、ガッパの怒(nù )りを恐(🥄)れる(🎥)島民(🚸)の反(📼)対を(🤔)押(yā(🤞) )し切(😈)って(🗞)、日(🥂)本へ(🛶)連れて行(háng )くことにするが・・・。
Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’(🏞)s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran.
Ryan has spent years putting his brutal past behind him. A different man now to the stone cold killer he was a lifetime ago. But when an old face from the past arrives on his doorstep, Ryan is called upon to repay a blood debt from years ago. But the price is too high. Betrayed, and with his life falling apart around him, Ryan goes on a murderous, bloody revenge spree against the Ten Men who took his life away from him. Ten men took away his life. Now Ten Men Will Pay. Ten Dead Men is a pulse pounding British action feature, brought to you by the team behind the cult international success 'Left For Dead'. Written by Phil Hobden
In Medieval France a warlock is be-headed and his wife tortured and executed. Hundreds of years later an isolated group of people discover his head buried on their property. Soon it comes back to life, possessing people and using them to commit sacrifices and to search for the rest of his body
5个大(🌀)学生(🛬)为了(🦄)处理(🤔)宿舍(🍨)(shě )里(💭)(lǐ )顽(🧢)皮小(🔇)女孩(👖)的鬼魂，他们(men )意(yì )外地把杀死小女孩的杀手(shǒ(🌎)u )征(zhē(📘)ng )召(zhào )回来。
解放军某营房，夜(yè )间(jiān )流动哨兵孙大个子发现伙(huǒ(🎯) )房(fá(🌌)ng )的灯亮着，过去一看，只(zhī )见(jiàn )炊(chuī )事员小钱正(❓)抢着(🛅)干活(👆)，后(hò(🍕)u )来(lá(📃)i )经班(🎒)长再(😷)三劝(🦒)说，小(🍑)钱才(🏎)(cái )离(lí )开伙房。小钱走后，班长(zhǎng )把(bǎ )面(miàn )揉好(🌈)，又为(🤲)同志(❌)们修(🌘)补胶(🍥)(jiāo )鞋(🖋)(xié )。一(💮)会儿(🐿)，小钱(📘)悄悄(🖤)走来(lái )，关掉了电灯，班长只好回(huí )到(dào )宿舍。他(🌰)以为(🚒)小钱在睡觉(jiào )，就(jiù )写了张条子叫他起床后修(xiū )电(diàn )灯，然后把(🔍)闹钟(🧙)上到四点(diǎn )半(bàn )，就睡下了。他哪里知道(dào )，这(zhè(📜) )时小(🔮)钱正(🗝)在学(🧜)他的(🖥)样子(📶)补(bǔ(💚) )胶(jiā(🍨)o )鞋。孙(⛸)大个(🔘)子目睹这些情(qíng )况(kuàng )，他来到伙房，强迫小钱(qiá(🏉)n )回(huí(🧑) )宿(xiǔ(👈) )舍休(🃏)息，自(😰)己下(🧝)岗后(🌹)却到(✒)(dào )伙(🍢)(huǒ )房(📪)做了包子又烧菜汤。班(bān )长(zhǎng )和小钱醒来，来到(📋)伙房(✖)见(jiàn )到(dào )已做好的包子，正要寻找(zhǎo )帮(bāng )厨(chú )的人时，大个子急(🦉)忙关(🔐)了(le )电(diàn )灯，于是三个人在黑暗中(zhōng )摸(mō )来摸去(🌋)。天渐(🗽)渐发(🌳)亮了(🦆)，大(dà(🛁) )个(gè(🕛) )子终(🍭)于被(❇)班长(👏)和小(🌽)钱发现(xiàn )。