盲(👮)目标Hermoso提供圣穷人微(🛵)小(xiǎo )的(🌩)(de )拉(lā )美(měi )国(guó )家移(📲)民的罢(❗)工只作为一(💮)个作家(🤤)在(zài )美(měi )国的(de )富人(🏦)和名人(❎)的一名年(👮)轻女子的(♎)故事(shì(🛡) )。当(dāng )她(tā(💜) )回到她的家乡，以促(😏)进她的(🈸)小说(shuō )“绝(jué )望(wàng )的(🐹)信” - 路人(♟)皆知暴露她的家乡(👊)土地的(😸)(de )政(zhèng )治(zhì )腐(🈶)败 - 她是(🛌)一个值得欢迎的，她(💶)无(wú )法(➰)(fǎ )想(xiǎng )象(🥝)(xiàng )在她最(🔬)糟糕的恶梦。 封闭(🕕)的环境中，人物(wù )孤(🐑)独茫然(🥒)，任凭凛冽的命运摆(🎞)布(bù )
《罪(🏣)(zuì )恶(è )》
大学(👕)生原田(🌋)（村冈博 饰）、辍(👏)学(xué )的(🆚)(de )学生(shēng )松(😰)本（坂口(🌾)俊正 饰(🕌)）和工厂(🌀)工人大(dà )泽(zé )（城(🌶)(chéng )一也(⬇) 饰）生活在一间局(😪)促简陋(🕍)的(de )公(gōng )寓(yù )内(nèi )。三(🕑)人皆来(♐)自青森乡下(🗒)，穷困潦(🔆)倒的(de )生(shē(🗜)ng )活(huó )让他(😤)们对社(🙃)会和富人(🚚)充满了憎(♏)恨(hèn )。某(mǒu )天(tiān )他(🔼)(tā )们搭火车前往网(🙏)走市（(🦕)石井辉男电(diàn )影《网(🏩)走番外(🖇)地》的拍摄地(㊙)）散心(🔚)，在(zài )海(hǎi )边(biān )强(qiá(🔔)ng )暴了一(🍧)位富家千(😮)金。
A typical Nazi-era melodrama, The Comedians features a strong-willed female protagonist who refuses to live according to the rules of society. Naturally, such revolutionary behavior must be punished by death and the film's Karoline suffers the fate of so many heroines of the Third Reich. That this heavy-handed nonsense was directed by the same genius who gave the world Pandora's Box (1928) is nearly incomprehensible but, if nothing else, The Comedians offered employment for Henny Porten, a silent screen star otherwise more or less blacklisted by the regime. To her eternal credit, Porten delivers a finely tuned performance despite what must have been extremely difficult circumstances.
故事发(🐫)生在(zà(⚾)i )位(wèi )于罗(📰)(luó )马的历史古城斯(🥅)波莱罗(🍇)，克莱尔（詹(zhān )妮(nī(🐢) )弗(fú )·(🛫)康纳利 Jennifer Connelly 饰）从纽约(🚏)远道而(👃)来，准(zhǔn )备(bè(👩)i )进(jìn )入(🍚)此地的芭(🧣)蕾舞学校(🚈)学习深(😑)造。在这(zhè(✒) )里(lǐ )，克莱(⤴)尔邂逅了名为杰(✉)森（Gary McCleery 饰）青(qīng )年(niá(🌦)n )，两(liǎng )个(🙉)(gè )人漫步街头，在鬼(🌀)使神差(🎭)之下来到(dà(🍧)o )了著(zhe )名(🤶)芭蕾舞演员娜塔莉(🏖)（詹妮(🕑)弗·康(kā(🐀)ng )纳(nà )利(lì(📪) ) Jennifer Connelly 饰(shì )）(🎟)的旧宅。
一(🔃)位新婚燕尔的年轻(💹)(qīng )女(nǚ(🔞) )子突(tū )然被人杀害(🚤)了。究竟(📱)谁是凶手？是(shì )她(🆚)(tā )的(de )丈(📑)(zhàng )夫，还是她(🔺)昔日的(🙍)情人、仇(⏰)人抑(yì )或(🛶)(huò )情(qí(🏷)ng )敌(dí )？一(🛢)对喜欢侦(🦌)探的青年决心将(🤵)此事查(chá )个(gè )水(shuǐ(🥪) )落石出(🈯)。他们私访知情者，调(👙)查(chá )当(🏽)(dāng )事(shì )人(ré(💳)n )，几经曲(🚄)折，数历危难，克服了(✒)有人(ré(🆒)n )故意(yì )设(🍜)置的层层(🧚)障碍，躲(✌)过了杀人(🤣)者(zhě )的(de )冷(lěng )枪(qiāng )暗(🚿)(àn )箭，终(🌶)于使事实真相大白(🕡)与天下(☔)(xià )……
少(shǎo )女胡春(💷)梅嫁到(🕥)了当地一个(👳)有钱人(😚)家，新(xīn )郎(👃)(láng )是个傻(🎟)子，胡春(🍮)梅坚决不(🎄)从，受(shòu )到(dào )家(jiā )里(lǐ )人的(💹)围攻。她不堪忍受这(🏴)种生活(🦇)，在(zài )一天(tiān )夜里逃(☔)离了出(🍫)来，想结束自(💩)己的(de )生(🔩)(shēng )命(mìng )，幸(xìng )遇富家(🌚)子弟杨(🚃)大鹏搭救(🤶)并收留，但(🍲)(dàn )由于(yú )胡春梅(🐳)在干活时经常出错(💧)，被杨(yá(💼)ng )大(dà )鹏(péng )父(fù )亲(qī(🏇)n )赶出家(👻)门，在大雪中冻晕。杨(🧐)大(dà )鹏(péng )回家(jiā )后(😃)不见胡(🍖)春梅，外出(🥪)寻找后遇(🥣)见傻新(🛏)(xīn )郎(láng )的(🔥)(de )家人，胡春梅被傻新郎家人(🚧)抢走(zǒu )关(guān )入(rù )密(🔱)(mì )室，杨(🛷)大鹏追到密室，救出(🚐)了胡春(🗯)梅(méi )。
广(guǎng )东(🛁)大良富(🏯)家子南斗官（张展(🌯)鹏）学(🤑)(xué )得(dé )一(👎)(yī )身(shēn )功(🐁)夫，在乡间常闯祸(👨)，其母希望斗(dòu )官娶(🕵)(qǔ )妻立(🍻)品，乃遣其上京参加(🌋)香格格(🕒)招(zhāo )亲(qīn )大(dà )会(huì(🕢) )。其实斗官所以答允(👋)上京，目(🎼)的(de )是(shì )找(🕌)三(sān )名北(😤)少爷—(🤘)—[千术北(🆓)少爷]车载（傅声(shēng )），[泡妞(🖲)高手]真厉害（陈百(🍙)祥） [神(💘)偷(tōu )北(běi )少(shǎo )爷(yé(🔷) )]时三手(🏳)（汪禹）四(🔨)人不打(😇)不相识好友(yǒu )， 以(yǐ(🥗) )其合力(🌫)对付仇家(🕕)三眼道人(🌹)（王龙(lóng )威(wēi )）(🏋)
法(fǎ )国(guó )电影先驱(🌾),影史最(👤)伟大的导演之一雷(🧕)(léi )蒙德(😆)(dé )·伯纳德代表作(🎻)！影片以第一次世(shì(🐮) )界(jiè )大(👽)(dà )战(zhàn )为(🖼)背景，讲述(🌾)一个法(💚)国军人经(🍢)历(lì )了(le )战争(zhēng )之后的醒悟(🍹)。作为一部1932年的影片(👷)，它(tā )既(🛀)(jì )没(méi )有带上过多(🦆)的默片(⚡)手法，也避免(🈷)(miǎn )了(le )有(🥊)(yǒu )声(shēng )片初期的一(🏮)些通病(🕔)，是一部相(🌡)对成熟(shú(🔙) )的有(yǒu )声电影。
The New Women is a post-apocalyptic adventure about Lisa LaStrada (Mary Woronov) and her small town group of women friends who clearly haven't come a long way, baby. Lisa spends her nights pining over the infidelities of her philandering sheriff husband who is having an affair with her nemesis, Virginia Van Upp (Roma Maffia). A recovering alcoholic, Lisa falls off the wagon and tries in vain to drown her sorrows in booze, drugs and RV fantasies until one day, at a local barbeque, along comes a huge rainstorm that quite literally puts everyone in the entire world to sleep. In a couple of days, slowly but surely, all of the women wake up to a world that has come to a complete standstill. Well, not a complete standstill, their men remain fast asleep in comas, getting erections every forty-five minutes. There was definitely something in that rain! Now Lisa and her friends struggle to rebuild their world (and face their issues of low self-esteem) until they realize by degrees, as their men start dying and food starts to run out, that there's no hope for survival in isolated Lacuna. So they hit the road following a shaky radio signal to find a new model of society made by women for women called Elysium. But the brave new world has way more out there than they bargained for. Will the new-age hippy chicks and angry, jilted lady bikers they cross on the winding path to Elysium stand in our heroines' way of true happiness? Or is Elysium, too, just another impossible dream?