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While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. A strange series of solar flares proves fatal for inhabitants of the Earth, except for the fortunate few who are somehow immune from the effects. Animals go insane and human beings turn to white powder, leaving behind only empty clothing. A handful of survivors attempt to rebuild their lives on the de-populated Earth. Saverio Mazzacolli - young Roman lawyer who wants to build a tourist complex in Salerno. He has enough Ideas and relationships, but lack of funds. But a lot of money has Countess Raymonda, which looks forward Saverio. However, it is tricky and requires in exchange for financing the project with a high rate of interest income. To overcome this lawyer decides to marry a beautiful but mentally retarded daughter of Countess Clotilde. Donna Raymond agrees, but not retreating from her claims. Then Saverio arranges the kidnapping of Clotilde and unexpectedly falls in love with her ... Alberto Lattuada also directed Stay As You Are and Bianco, rosso e… 将少(🐸)林寺(sì )视为眼(🚳)中钉(dìng )的清廷(🍒)利用安插(chā )在(🍷)少林寺中(zhōng )的(🚶)奸细提供(gòng )的(🌆)情(🦂)报，调(diào )遣了各(😔)路高(gāo )手火烧(🗽)少林(lín )寺，处心(🚴)积虑地(dì )想一(🧀)举消灭(miè )少林(📦)子弟。事出突然(😀)，寺(🔺)中僧人及(jí(😞) )俗(🥓)家弟子仓(cāng )促(♒)应战一番后十(🛤)(shí )死其九。 Uneven and overlong but generally enjoyable thriller with tongue firmly in cheek, an engaging Hitchcockian premise, and plenty of action and stunts (as befits the rather misleading international title). Popular "Euro Cult" star Giuliano Gemma is a racing-car champ who suddenly finds himself embroiled in a murder case while at the same time pursued by thugs (from two different factions!) in search of a drug consignment; regular starlet Susan Scott (the director's wife) appears all-too-briefly as Gemma's shady lover and the murder victim involved. Archana, an educated daughter of retired principal loves Professor Sukhesh. This love born out of intellectual impact is supported by the fond hopes of her father that leads to matrimonial alliance. Archana's mother is of a different class with materialistic notions of life and she too unwillingly gives her consent to the marriage. Seeds of marital love have not yet flowered into sweet joys of wedlock when whims and ego's of Archana and Sukhesh start clashing. Though a dutiful loving wife of a sweet husband, Archana is very much the daughter of her mother, who with all good intentions intervenes in the day to day life of the couple. Understanding leads to misunderstandings and the lovers start misinterpreting each other's sentiments. This ultimately leads to break in marriage - hence the ultimate- eventual separation. Kora Kagaz answers the struggle of intellectual lovers who find it difficult to enjoy marital bliss. The film is a lesson in both love and marriage. "A serial killer uses a scythe to slash his murder victims--or maybe it's *her* murder victims?" A widow invites a number of guests to stay at her mansion. She reveals that she knows that one of the group killed her husband. Soon they too are being murdered one by one. Stuart Whitman is Shatter, an international hitman who is hiding out in Hong Kong after he has completed a contract out on an African leader. Shatter soon finds out that everyone wants him dead, including the crime syndicate, the cops and the brother of the African leader he killed. Shatter teams up with a kung fu expert (Ti Lung) to try to get the money that is owed to him. Various double crosses and fight scenes ensue. 《骗术(😸)大观》，集结众多(😒)(duō )港台友好包(📍)(bāo )括赵雷、甄(🖊)(zhē(🕴)n )珍、孙越、(♈)张(🏙)扬(yáng )、李昆、(🥢)吴(wú )家驤、王(🌂)琛(chēn )等联合主(👞)演(yǎn )，卖座亦不(🛂)(bú )俗，再接再(zà(🌦)i )厉推(tuī )出《骗术(🈲)奇(👋)(qí )中奇》，亦(yì(🎐) )为(💳)集锦片。