はい(🌵)、(❔)今回ご(🏷)紹介す(🌆)る(🚏)のは 「(🅾)寄生獣」 です。
19世纪(jì )末的西班牙巴塞(🦕)罗那，阿(🐄)图(🖕)尔·普(👌)拉特（(⛲)塞(🔅)尔(ěr )吉(👲)·马特乌 Sergi Mateu 饰）经营着(zhe )慈父望(wàng )远镜行，他事业(🚸)(yè(♊) )有成，家(🏏)境富裕(😘)(yù(🚏) )，但是(shì(💄) )爱女乔(qiáo )安娜（芭(bā )芭拉·格娜加(jiā ) Bárbara Goenaga 饰）(😠)因(yīn )出(🍖)生(😑)时(shí )患(🍴)有(📎)脑(nǎo )炎(📶)，因此(cǐ )自幼罹(lí )患了一种极为罕(hǎn )见的病(bì(📛)ng )症——(🕉)失(😚)认症（(🚡)agnosia）。这(zhè(💅) )种(🃏)病症让(🚾)她在身(shēn )体各个(gè )感官都健全的情(qí(🗄)ng )况下，无(💰)法(🥫)顺(shùn )利(🍜)地认知(💋)周(🅰)遭的人(🌺)与物(wù )。
本片基于1970年的真实故(gù )事改编。1970年5月11日(🍋)，美(🖼)国(guó )北(📣)卡罗(luó(🔴) )来(🤴)纳州牛(😅)(niú )津市发(fā )生了一(yī )起当地白(bái )人商人(rén )涉(📠)嫌杀(shā(🎀) )害(🌖)一名黑(🏘)(hē(🈵)i )人越战(🐖)(zhàn )老兵的(de )事件，涉(shè )嫌谋杀(shā )的三名(míng )白人被(🐱)当(dāng )地(🕐)法(🌶)院(yuàn )判(🎎)处无罪(🐊)。由(⏯)此(cǐ )引(🚴)起了(le )当地群众，尤其(qí )是黑人(rén )居民的(🌝)和平抗(👜)议(👰)(yì )活动(📑)，抗议活(🚩)动(♍)影响范(⏱)(fàn )围遍及全国。
汉娜（苏菲·罗艺斯 Sophie Rois 饰(shì )）和(👞)西(🏡)蒙（塞(🎌)巴斯蒂(🍁)安(🍤)(ān )·施(🗽)普尔 Sebastian Schipper 饰）永远都不(bú )会想到(dào )，他们之(zhī )间稳(✅)定(dìng )而(👒)坚(🚿)固(gù )的(😚)婚(〽)姻也(yě(⏪) )会有濒(bīn )临破碎(suì )的这一天(tiān )，一个(gè )名叫亚(🧓)(yà )当（(🌰)大(🆎)卫(wèi )·(🔁)史崔(cuī(👦) )梭(🔢)德 Devid Striesow 饰(shì(🌥) )）的男人(rén )的出现(xiàn )让这一切变成了(🕍)(le )现实。面(🦑)对(🐬)英俊又(🏯)深情(qí(♍)ng )的(🔺)亚当(dā(😹)ng )，汉娜沦陷了，尽管背(bèi )叛婚姻的罪恶感(gǎn )从未(🕛)放(🕖)过她，但(✈)她还是(👟)义(🐝)无返顾(📦)的跌(diē )进了偷情的深渊中去。
汉娜（苏菲·罗(🔦)艺斯 Sophie Rois 饰(🐆)(shì(🦄) )）和西(⏪)(xī )蒙（塞(⛳)巴斯蒂安(ān )·施普(pǔ )尔 Sebastian Schipper 饰）永(yǒng )远都不(bú )会(🌌)想到(dà(💸)o )，他(😴)们之(zhī(🔛) )间稳定(🧓)(dì(🐝)ng )而坚固(🥈)(gù )的婚姻也(yě )会有濒(bīn )临破碎(suì )的这一天(tiā(🔧)n )，一(🐜)个(gè )名(💃)叫亚当(🧚)（(🚒)大卫(wè(🕝)i )·史崔(cuī )梭德 Devid Striesow 饰）的男人(rén )的出现(xiàn )让这一(Ⓜ)切变成了(🕌)(le )现实。面(🎅)对(⬆)英俊又(🥅)深情(qíng )的亚当，汉娜沦陷了，尽管背叛婚姻(yīn )的(👙)罪恶感(👞)从(🛵)未放过(🗾)她，但她还(🎃)是义无返顾的跌(diē )进了偷(tōu )情的深渊中去。
《狂(🐃)暴(bào )飞(🌩)车(🐷)3D》由(yóu )帕(🗂)特里(lǐ(🗽) )克(🥘)·卢(lú(🥧) )西尔执导(dǎo )，是尼(ní )古拉斯(sī )·凯奇的(de )第一部(📿)(bù(🏣) )3D电影。
格(🏅)雷瓜尔(📊)(ě(⛱)r )是当地(🏖)(dì )一名受人尊敬的(de )药剂师(shī )，无意间犯下命(mì(🐡)ng )案，因(yīn )为(💮)没有目(🚤)击(🔺)者，他迅(⤵)速(sù )逃离现场。很快(kuài )一名在农场帮工的阿拉(❎)伯人被(😯)当(🍞)做嫌(xiá(😲)n )疑犯获捕(🏨)入狱。60年代，法国的边远小镇，阿尔(ěr )及利亚(yà )战(⛑)争刚刚(🆙)熄(🎓)火，阿拉(💛)伯(bó )人(🧒)成(👶)了替(tì(🚼) )罪羊的(de )最佳人(rén )选。讽刺(cì )的是，被叫去(qù )担任(📍)陪(🧕)审(shěn )团(👟)成员(yuá(🍿)n )的(🏮)男人(ré(⛹)n )事实上就(jiù )是犯罪(zuì )者，受审的卻是(shì )无辜的(🙄)(de )人。
Considering all the critical attention Howard Hawks has received over the years it's rather surprising that this film, the sixth he directed, is so little known. Admittedly, FAZIL is not at all typical of Hawks' work and lacks most of his recognizable directorial motifs, and on top of that features stars whose names only buffs will recognize, but it's a beautifully filmed, sumptuously mounted late silent drama that's worth seeing for its production values alone. For viewers of our era the most striking aspect of the film is that its story is based on a culture clash of West vs. East, specifically, the difficulties that arise when a European (presumably secular) woman who prides herself on being "free" and modern marries an Arab man who follows the old ways and is a devout Muslim. This material lies in a danger zone that Hollywood has rarely ventured into, even in recent years, and while to our eyes FAZIL is quite dated and very much a product of its time in its depiction of Arabic culture, it's nonetheless surprisingly even-handed in presenting both sides of the case in a painful divide that, needless to say, is still with us.
In 1936 Nazi Germany, a young,innocent apprentice, full of Olympic fever, leaves his rural village to see the ceremonies in Berlin. Upon arriving in the capitol, he meets a widow and a relationship blossoms. They spend an idyllic summer at her lakeside home, but the forces of totalitarianism cannot be held at bay and soon invade their lives.
《小东西(🍴)》将影片(👺)(pià(🌐)n )背景设(😉)在遥远偏(piān )僻的内(nèi )蒙古大草原，一(yī )个西方(🐐)游客借(🐆)宿(🌺)在一个(🧜)中国牧民(🌿)的家(jiā(🧔) )里，发生了一段中西方(fāng )文化的碰撞。出(🍼)演主角(⏭)(jiǎ(🤗)o )的画家(⚓)毛焰和(🛒)他(🖲)的模特(🔸)(tè )Thomas是合作(zuò )了10年的搭(dā )档，在(zài )当代艺(yì )术圈(💲)成(🎩)了(le )独特(🔮)的(de )现象(🤦)。影(🔊)片最后(⛰)(hòu )回到毛(máo )焰的画(huà )室，语境(jìng )变了，但碰撞仍(📓)在继续(xù(🥘) )，而一(yī(🧑) )个(🥍)自称来(🔕)自外星(xīng )的人却(què )被毫不犹豫地排(pái )斥在外(🧞)(wài )。