南加州大学电影学院

Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. 一名(🚑)波(🎙)(bō )士顿警探调(dià(🕺)o )查了一系列令人(💖)(ré(🙁)n )毛骨悚(sǒng )然(💐)的(🔼)(de )、(🙈)由一名戴(dài )着黑皮衣的(de )连环杀(🛺)手(🌩)组(zǔ )成的大学校园里(lǐ )，他怀(huái )疑(📪)一(💳)(yī )位著名的(🌄)人(🏜)(ré(🤢)n )类学教授和(hé(🍭) )他的女同住(zhù )的(🛍)助(🍏)手。 一年一度的万(wàn )圣节(jiē )再度来(😢)临(🏽)，大街小巷都(dō(🔴)u )沉(🥅)浸在欢乐(lè )气(🍬)氛(⛷)中。然(rán )而，这个(😱)节(🚓)(jiē(🆙) )日对(duì )于卢米(mǐ )思医生（唐纳(🆖)德(👣)(dé )·普利森斯(sī(🍒) ) Donald Pleasence 饰）来说却(què )是(📿)一(🏴)个彻头(tóu )彻(🔏)尾(🏿)的(🐭)灾难(nán )，因为他负责控(kòng )制的杀(⭕)(shā(🤭) )人狂(kuáng )迈尔斯（Tony Moran 饰(shì )）逃走了，很(📇)显(👮)然，他(tā )想在(😍)这(🌅)个(🆖)属于他(tā )的节(🐫)日(rì )中再(zài )度大(📴)开(🙋)杀戒(jiè )。 This TV movie focuses on the life of actor Humphrey Bogart, particularly the part of his life when his marriage to actress Mayo Methot was breaking up and his relationship with future wife Lauren Bacall was just beginning 常青公社(shè )的马大车驾(jià(😯) )着(🥅)一辆装满化肥(🚫)的(🚖)三驾(jià )马车(chē(🥍) )走(🌰)在首都京(jīng )郊(🤐)某(🌮)条(🦑)车水(shuǐ )马龙的公路(lù )中央。为了(📛)(le )确(🌓)保首都蔬(shū )菜供(🕐)(gòng )应以及(jí )环境(🔭)卫(🧟)生，北京(jīng )有(♍)关(🌟)部(⛲)门决(jué )定禁止马车(chē )进城，并委(🎛)(wě(✍)i )派艾京华到(dào )常青公社装备一(yī(🛥) )批(🥇)汽车(chē )代替(📿)(tì(🍝) )马(🕟)车进城送(sòng )菜(👰)。以马大(dà )车为首(😒)的(👟)马(mǎ )车把式们却把艾(ài )京华视(shì(🍘) )为(📙)眼(yǎn )中钉。马大(⛹)(dà(🐻) )车的儿子马(mǎ(🕝) )三(⛹)辈站在未(wèi )婚(🛰)妻(⛏)艾(🍐)京华一边和爸爸(bà )展开(kāi )了斗(💔)争(📭)。在(zài )结婚筵席山(shān )，马大车才(cái )知(📣)道(🏅)艾京华(huá )就(🔹)是(🤩)自(😥)己的(de )儿媳妇，公(gōng )公和儿媳妇终(✏)于(👺)(yú )相互理解。马车不能进(jìn )城了，马(⛸)大(🍫)(dà )车赶着马车(🍥)(chē(🥤) )在京郊公路上(🚜)担(dān )负着汽(qì )车(📦)无(💠)(wú )法完成的运(yùn )输使命。 中(zhōng )国女(🛏)排(🧚)正积(jī )极训练准(🐮)备参加(jiā )粉碎(😏)“四(😕)人(rén )帮”后第一(🖌)(yī(🌶) )个(🛋)国际锦标(biāo )赛。队医韩(hán )医生（(🌅)卢(🤒)君 饰）告诉主(zhǔ )力队(duì )员沙鸥(常(🔡)珊(🎉)珊 饰)，她腰(yā(😖)o )部(🍷)严(🛠)重劳损(sǔn )，需要尽快(kuài )休养，因此(🎣)(cǐ(🌫) )她未列入出(chū )国名单。沙鸥执(zhí )意(🐓)要(🍇)参加出(chū )国比(🗿)赛(👧)训练(liàn )，母亲(江(⛎)韵(yùn )辉 饰)为了她(🙈)(tā(🚸) )的健康也劝她离(lí )队，同(tóng )在国(guó(🍂) )家(🈚)登山队队(duì )员的(😃)未婚夫(fū )沈大(✴)威(🍞)（郭(guō )碧川 饰(🗽)）(🤬)却(🏢)支持她，她(tā )战胜(shèng )伤痛坚持训(🎎)(xù(🦀)n )练，终于获(huò )准出国参赛(sài )。沙鸥在(🚱)比(👀)(bǐ )赛中获得(👏)银(🏋)(yí(🚺)n )牌，在归国的轮船上沙鸥痛(tòng )心(🌃)的(🧔)将银牌(pái )丢进了大海(hǎi )。不久，沈(shě(🍝)n )大(🥊)威在攀登(dēng )珠(🚩)穆(🥪)拉玛峰时遇(yù(🥙) )雪崩遇难，事业和(🐰)失(🔼)去(qù )亲人双重打(dǎ )击，使沙鸥(ōu )陷(🌰)入(🦓)极大的痛苦(kǔ )中(🚨)。她(tā )慢慢(màn )的重(💱)新振作(zuò )起来(🤾)，担(👖)任(🥪)(rèn )了女排教练(liàn )。数年后她培养(🎵)的(🔻)女排(pái )姑娘(niáng )们战胜了日(rì )本女(😢)排(🌪)。此(cǐ )时已瘫(🐚)痪(🍉)坐(👺)(zuò )在医院轮椅(yǐ )上的沙鸥在(zà(👗)i )电(🦐)视(shì )上观看比赛...... Two household robots run away and try to start a family. 青年维尔（Aki Kaurismäki 饰(🛢)）(🍊)整日(rì )无所事(🗃)事(💨)，勤于用奉承(ché(🦖)ng )话儿逗那些(xiē )大(🌒)街(👾)上的陌生姑(gū )娘，有时也(yě )从她们(💦)手(👼)中(zhōng )骗点喝酒的(💹)(de )零钱，维尔(ěr )的主(🍑)要收入来源(yuá(💦)n )于(🥥)各(📲)式(shì )朋友(yǒu )、熟人，他(tā )用各种(🔞)谎(🍝)话(huà )借钱之余，也和几个浪荡青年(🔽)、(✖)知(zhī )识分(fè(🦅)n )子(😳)流(🥇)连酒吧(ba )，谈论哲学(xué )文学的话题(🔠)(tí(😀) )。维尔在游(yóu )乐场偶遇游(yóu )艺女(nǚ(🍵) )郎(🧞)图拉，维尔将她(💏)拽(📻)走(zǒu )，向她灌输(😱)(shū )自尊的重要(yà(🙀)o )，并(👊)表示自(zì )己可以担负(fù )养家的责(🈂)任(📳)，二(èr )人生活到了(🤛)(le )同一屋檐下(xià )，但(📪)维尔毫(háo )无改(🚖)变(🌨)，执(🚼)(zhí )着于自己那发表(biǎo )前景并(bì(🌯)ng )不(🎸)明(míng )朗的写作事(shì )业，依靠骗(piàn )钱(🎩)与(💴)偶发性(xìng )的(🔞)盗(👅)窃(👬)度日。二人终于(yú )吵翻(fān )，图拉离(😁)他(🗯)(tā )而去，当两(liǎng )人再一次在(zài )街上(🤜)相(👑)遇，维尔像自己(🏄)(jǐ(🍙) )看过(guò )的那场(⏪)新浪潮电影一样(🔊)(yà(🦖)ng )，给(🏊)出了一(yī )个荒诞的结(jié )局。 A Yugoslavian man meets a woman in Paris, where he has come to do some research, and their mutual attraction leads to a liaison and shared adventures, not many good.