韩剧见一次面做两次

"In a town in southern Sweden, Sven Klang decides to enliven his dance combo with a new sax player, Lasse from Stockholm. At first all goes well; but bit by bit Lasse brings into question all the rigid values, musical and social, by which the faintly supercilious Sven has set his life's course. Gunnel, the vocalist, falls for the newcomer's charms and finds herself pregnant when Lasse and Sven eventually part in high dudgeon. The daily round continues. Eventually Lasse pops up again, and disappoints all save Sven by turning tail in the face of Gunnel's love and his sense of guilt at having fathered her child....The appeal of Sven Klang's Combo lies in its utter lack of pretension, in its small town atmosphere and its vivid characterisation. One imagines that the actors were able to improvise their lines and contribute personal touches that fleshed out their roles. Their autobiographies become fiction; but fiction, as so often, also becomes truth. This film recognises that big emotions stem from small incidents and that one is forever a prisoner of one's generation." (Peter Cowie, 1978 International Film Guide) 中(🚮)文名(🌃)(míng )海上明珠(⏹) 年届(👹)(jiè )不惑的老盖（(🕚)野峰(fēng ) 饰）一生辛劳(láo )贫苦，为了赚钱养(🔭)(yǎng )家(🏆)(jiā )辛(🌞)苦(kǔ )受(🛠)累，做(🕍)着各(🤱)(gè )种(⚾)下贱工作，几(🚻)十年(🚭)(nián )来却一事无(wú )成。大(dà )女儿小红（葛(gě(🐱) )荻华(🎼) 饰）嫁给(gě(💶)i )海员(🧙)(yuán )，并(🔄)育有一子(zǐ(🥡) )，但不(🔨)(bú )久(🐍)丈夫因海难(🎧)(nán )而死，成为寡妇；次女小艳（陈(chén )萍 饰）与(🌎)一富(🌕)家子弟(💭)(dì )拍(❓)拖，结(🔙)果被(🍇)人搞(gǎo )大肚(🚄)子后(🛬)甩掉(diào )，无奈(nài )只(⏫)得带着襁褓(bǎo )中的宝贝回家；小(xiǎo )女儿(🚫)小芬(🤙)（林(🎾)(lín )珍奇 饰(shì(🔅) )）因(📇)家境(🏍)贫(pín )苦(kǔ )，早(🔅)(zǎo )早(⛽)失学。苦于(yú )生计，老盖向(xiàng )放高利(lì )贷的(😳)龙姐(🔠)，却无力(lì )偿(⛪)还。在(💥)龙姐(🐏)(jiě )的逼迫下(🥈)，老(lǎ(🗳)o )盖开(⏩)(kāi )设(shè )一家(🔎)娼馆，三个女(nǚ )儿也被迫出卖(mài )肉体替父还账(✖)。珍(zhē(📜)n )爱的女(🔩)儿们(⛰)在(zà(🚮)i )自己(🔖)眼(yǎn )皮底下(🔌)卖身(😞)，个中酸楚惟有老(🔠)盖(gài )一人得知。 实(shí )习医生(shēng )方洁（林青(🛬)霞(xiá(🙏) )）是(🛋)位俏佳人。许(🍺)(xǔ )多(🛤)男“病(🌁)人”慕貌而(é(🐖)r )来。路(🌌)一鸣(míng )（邓光(guāng )荣）真患感冒(mào )，来找方(🏴)医生(📡)(shēng )看病，也被(🌼)当成(🗂)捣(dǎ(👢)o )乱者……邂(🦔)逅相(☝)识，路(😠)一鸣开始追(👒)求方(fāng )医(yī )生。但方医(yī )生拒之(zhī )千里。无奈下(📖)(xià )，路(🗿)的朋友(💓)屡次(🏫)使(shǐ(🎻) )用“狼(🕉)来了”的招数(⏳)(shù )，诓(📱)骗方医生(shēng )给路(🎇)看“病”，以(yǐ )求一见……其(qí )中，误(wù )会接二(👤)连三(🗺)，情节(🌕)颇为戏剧。整(🌃)(zhěng )个(🍾)影片(😃)节奏明(míng )快(🛶)，搞(gǎ(🧚)o )笑不断。是(shì )一部十(shí )分好看的电影(yǐng )。 本(🆓)片是(🥙)费拉(lā )里对(⛄)现(xià(🚦)n )代社(🏗)会文明(míng )和(💑)小家(Ⓜ)(jiā )庭(🕑)中男子的作(🎲)(zuò )用的最新探讨的成(chéng )果(guǒ )。工程师热(rè )拉尔(📊)德(dé(🐏) )被妻子(🍅)抛弃(🤔)了(le )，并(🚴)把小(🔄)儿子皮耶(yē(😽) )罗特(😑)留给了他(tā )。当工(😙)(gōng )厂宣布休假时(shí )，他把保姆当作情(qíng )人(🍴)；在(🧜)短短(🎃)的(de )时间内(nè(🍆)i )，他重(💅)新经(🎂)受(shòu )了令人(🗺)伤脑筋的以(yǐ )两性斗争为特(tè )点的两(liǎng )人关(🕌)系发(💗)展(zhǎn )的全过(❎)(guò )程(🔧)。热拉(🕑)尔德(dé )完全(💨)被以(🍰)性交(jiāo )为表现(xià(🚆)n )的男性意识(shí )所支配(pèi )。当他同情人(rén )的关系(🌳)发生(☕)危机时(🔲)(shí )，他(🏜)的情(🦎)人却(🤖)(què )和他的(de )前(⛵)妻成(😒)了好朋(péng )友。他出于抗议和(hé )绝望用一把厨(chú )房用的(de )电锯(🧜)把自(🈸)己的(🎟)(de )生殖器割掉(🏺)了。这(🚎)(zhè )个(🗣)可以作为模(🚮)(mó )式的事(shì )件的大部分 (就(jiù )象在戏剧舞台上(🤛)一(yī(🕤) )样)发生在一(♒)套(tà(🔶)o )高层(🎿)小(xiǎo )公寓里(🎊)。费(fè(😉)i )拉里批(pī )判了他(🎒)的主人(rén )公的大男子主(zhǔ )义，同(tóng )时也表现了(🍚)(le )由于(🌌)生(shēng )活(🎧)(工作(🐲)，住宅(🐽)(zhái )，千(🌥)篇一律的生(🧖)活(huó(🏟) )秩(zhì )序，孤独寂(jì )寞)造成(chéng )的绝望和灰心(xīn )丧气。如果说影(🏈)片(pià(🧡)n )留下(🎛)了一种相(xià(🎮)ng )互矛(🐵)盾(dù(🈲)n )的印象，那是(🕎)(shì )由于影片以独特的(de )方式提出了问(wèn )题：这(🌀)(zhè )个(🕞)男人是他的(👙)(de )行为(📞)的牺(👙)牲品，也(yě )是(🤵)妇女(💟)全面反(fǎn )抗的牺(🥚)(xī )牲品；费拉(lā )里在这(zhè )部影片中同样(yàng )使(🦎)用了(👥)多种手(🔮)(shǒu )法(🌌)，而(é(🦎)r )且通(🧟)过一些(xiē )“煽(📦)动(dò(♈)ng )性"的细节和效(xiào )果来吸引更多的观(guān )众(zhòng )。 Tapasya - meaning penance is the story of Indu, eldest child of Prof Chandrakant Sinha takes on the responsibility of rearing her younger siblings, Vinod, Madhu and the youngest sister. Indu is the breadwinner of the family and acts as both father and mother to the children. The family doctor, young Sagar Verma who treated Chandrakant through his terminal illness falls in love with Indu, which is reciprocated. Being the only son of his widowed mother brings expectations Sagar's wife is expected to take on the responsibility of managing the affairs of their palatial home, giving up her siblings and her parental home. This is not possible for Indu, who is willing to sacrifice her own love and happiness at the altar of responsibility to her brother and sisters. It is only when the children are settled in their own homes that Indu can think for herself. Sagar in the meantime has handed over his clinic to a locum and left without any forwarding address or informing anyone of his return date. Now that Indu is free, where is Sagar? Has he also given up on Indu as her siblings have and left her alone in her twilight years? Does Indu have any happiness in store for her, or is her life a penance (Tapasya) at the altar of responsibility. 丁(🤨)佩以自(zì )己(🔖)的角(🌰)(jiǎo )度(🤨)，把功夫影(yǐ(🍟)ng )帝李(🔴)小龙(🛀)生前一切(qiē(🎇) )的第一手事实(shí )，毫无(wú )保留地公诸于(yú )世，包(🌱)括她(🥛)如何认(rèn )识(📌)李小(🤛)龙，及(✌)(jí )重逢後(hò(🐛)u )如何(🦕)发展成可(kě )以倾(👖)诉肺腑之言的(de )红颜知己。究(jiū )竟李小(xiǎo )龙与丁(🏔)佩在(🙄)(zài )私生(👷)活(huó(🚄) )中，是(⏩)缠绵(🥥)的(de )爱情、抑(👲)或纯(✡)(chún )洁的友(yǒu )谊，在银幕(mù )上自有(yǒu )说明。而全片(⛎)(piàn )最珍贵的(🕳)部分(🛵)，当(dā(🚿)ng )然(rán )是对李(🏪)小龙(🦉)(lóng )死(👄)因的(de )交代。 Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great. 美(🔬)食杂(zá )志主编Charles Duchemin（Louis de Funès）具有(yǒu )天赋异禀的嗅(xiù(🍒) )觉和(🥘)味(wèi )觉，食物(🍾)经他(🚟)(tā )的(🕧)鼻子一闻、(🏕)嘴巴(✝)(bā )一品，是否真(zhē(😉)n )如传说(shuō )中美味便可(kě )得(dé )知。为了让读者品(🈂)(pǐn )尝(🔀)到真正(🍡)可口(⛹)(kǒu )的(📸)食物(🏙)(wù )，他常乔装(⬇)(zhuāng )打(🥚)扮潜(qián )入各大饭店、旅馆品尝食物(wù )，好的(de )，他(🥑)会在杂(zá )志(📇)上极(🦍)(jí )力(😝)推荐，差的(de )，则(🕖)痛快(🍌)骂之(🗣)。因(yīn )此(cǐ )，他(⛲)成了饭(fàn )店、旅(lǚ )馆老板眼中的(de )魔鬼，却也是(🥣)读者(🎻)(zhě )心中的上(🙍)帝。