三○年代(💩)(dài )初(🤞)期(qī(🌙) )，德(dé )国某处小剧院(🍤)里可见(🧖)(jiàn )到(🍅)希(xī )特勒(lè )与史达(🆒)林携(🍵)手高(🎄)歌共(gòng )舞的(de )荒谬景(🌵)(jǐng )象，将(📩)国际紧绷局势化(huà )为一(📇)声(shē(🦗)ng )声哄(😛)堂大笑。当纳粹开(kā(㊗)i )始四处(💵)(chù )猎杀(shā )异议人士，随之(⏱)也拆(👲)(chāi )散了(le )希特(tè )勒、史达(🔺)林这对(🐋)合作(zuò )无间(jiān )的喜剧(jù(❤) )搭档(🚩)，两人被迫各自亡(wáng )命天(🏃)涯(🤭)(yá )。他(🧚)原本以为自己将前(😜)(qián )往(🦖)应许(🛎)(xǔ )之地(dì )好莱坞，没想到却(🛌)辗(niǎ(🎆)n )转在(zài )莫斯(sī )科落(🎙)脚，被(🔊)一群(💔)流亡(wáng )共产(chǎn )党员(🔍)(yuán )、间(📁)谍与线民所环绕(rào )，阴(yī(🥀)n )错阳(🕯)差(chà(🎎) )成了史达林本尊的(🚝)御用(yò(🥌)ng )占星家(jiā )。伴君如伴虎，在(🌁)史达(💹)(dá )林阴晴(qíng )不定(dìng )的脾(🅰)气下，他(👀)该如何(hé )保住(zhù )自己(jǐ(📑) )的一(📣)条小命？
五个性(xìng )格迥(🥑)(jiǒ(🔕)ng )异，年(🦇)(nián )纪加起来将近三(💵)个(gè(♍) )半世(🍎)(shì )纪的超(chāo )级挚友，各别(🎬)因(👻)为迈(🤙)入(rù )高龄而(ér )面临(🍩)(lín )不(🥫)同的(🍮)老化课题，拒(jù )绝按(🌊)(àn )照儿(👿)(ér )女安排的养老生活的(🧘)(de )他们(🌟)(men )，决(jué(🏪) )定住在一起，组织一(⛩)(yī )个有(💞)(yǒu )乐同享(xiǎng )有难同当的(🖼)自治(😋)家庭，而他们(men )雇来协助日(💳)常起居(👯)生活(huó )的大学(xué )生丹(dā(🔮)n )尼尔(🍇)，也在这非一般(bān )的家(jiā(🍳) )庭(🤦)生(shē(💂)ng )活里，从一个沉默的(📵)(de )观察(🚘)(chá )者(🎹)，渐(jiàn )渐融为他们生活的(🦆)(de )一(🕕)份(fè(👧)n )子。
"WHAT IS MIYAVI?"
The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. María Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when María Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it. Written by Diego Lerman
作为浪漫电(🤳)影导(💝)演的(❔)(de )助理，男孩(hái )杰伊并(🍵)不相信(💐)爱情故(gù )事，女孩(hái )辛兰(🍕)则深(⏬)信不(🙇)疑，没(méi )想到(dào )两人(🈴)(rén )却擦(⏸)出了火花……
在(zài )英国(⏺)(guó )的(🔤)一个(gè )小村庄里，来了一(🚬)位曼(mà(🌜)n )妙的整(zhěng )容美女塔玛拉(🚒)·德(🍈)鲁（杰玛·阿特(tè )登 Gemma Arterton 饰(🕦)）(⛪)，她曾(😫)经在这(zhè )里长(zhǎng )大(🐅)，现在(📩)她已(🍅)在外闯荡多(duō )年，还给自(😱)己(🤙)天生(🔗)的大鼻子整(zhěng )了形(🍿)(xíng )，成(📆)为(wé(🧟)i )一名年轻的记者，她(🛰)此(cǐ )行(🕖)只是(shì )为了将母亲遗留(🚎)下的(🙍)房子(👞)卖掉(diào )。然(rán )而，当曾(🐩)经的大(🎃)鼻子(zǐ )丑女(nǚ )以如(rú )此(😟)美艳(🎛)的形象出现在(zài )众人(ré(🤫)n )面前时(🛒)(shí )，宁静的村庄一下子波(💬)(bō )澜(🎖)起伏(fú )，男人们接二连三(🤭)地拜(bà(📿)i )倒在塔(tǎ )玛拉(lā )的(🉑)石榴(✊)裙下(🌱)：小伙子(zǐ )安迪(dí )（卢(🎟)(lú(🥀) )克·(😓)伊万斯 Luke Evans 饰）从小(xiǎ(🎰)o )就被(🔗)(bèi )她(🚟)吸引，乐队鼓手本（(🆗)多(duō )米(👮)尼(ní )克·库(kù )珀 Dominic Cooper 饰）更(🥜)是与(🐅)其展(👰)开热(rè )恋，甚(shèn )至连(💆)中年作(💶)家尼古拉斯（罗杰(jié )·(🦂)阿(ā(❄) )拉姆 Roger Allam 饰）也背着妻子(zǐ(🏚) )与她(tā(🚣) )纠缠(chán )。然而纸包不住火(🛺)，事情(🗂)(qíng )渐渐暴(bào )露并发生一(💋)连串戏(🦀)剧性(xìng )的转折(shé )，塔(♊)玛拉(🛀)和村(🍗)民们的生(shēng )活如何(hé )才(🧚)能(🍑)(néng )回(🥪)归正轨？