江(🔗)先(xiān )生(shēng )一(🏮)家(jiā )多年膝(xī )下未有(yǒ(🍁)u )子(❔)女，去孤儿(é(🥋)r )院领养了一名男童取(👞)名(🔏)江俊辉，他从(🐛)小的理(lǐ )想就是(shì )当(🏿)明(🌃)星(xīng )，而(ér )在(🐁)一段(duàn )幸福的(de )时光过(guò(🆓) )程(🕤)中，江太太怀(♑)孕了，并生下了一对龙(🌩)凤(🦇)胎，欣喜之余(😿)却(què )对江俊(jun4 )辉关心(xī(🈷)n )甚(🍦)少(shǎo )，这时(shí(🎖) )随(🥑)着俊(jun4 )辉慢慢(màn )长大，对(💺)养(🖼)父母的子女(👯)心生怨恨，一次偶然之(👝)下(🌛)，他发现(xiàn )了(➡)人口(kǒu )贩卖(mài )的(de )信息(xī(🎒) )，便(⛓)冒(mào )出了贩(🗳)(fàn )卖掉自(zì )己弟妹(mè(💣)i )的(🕤)邪恶想法。
日(🌈)本偶像女团“桃色幸运(🍘)草(📻)”（百田(tián )夏(👞)菜子(zǐ )、玉(yù )井诗织(zhī(🎞) )、(🧔)高城(chéng )灵似(⛅)、有安杏(xìng )果、佐佐(😜)木(🌌)彩夏）5位美(🎂)少女联袂主演的新片(🔥)《大(🧢)幕(mù )拉开》（(🌋)导(🌛)演(yǎn )本广(guǎng )克行）上(🌺)映(✝)在(zài )即，扮(bà(🔐)n )演高中(zhōng )老师的黑木(🔝)华(🔻)，一改以往温(🚊)柔形象，变身严厉麻辣(là(🚶) )教(🏔)师，愤怒扔(rē(🤕)ng )盘子(zǐ )的剧照(zhào )首度(📜)曝(🎮)(pù )光。
这(zhè )是(🎎)一个(gè )“人越来越多 ，世(💖)界(🥠)却越来越小(🌸)”的——小(xiǎo )世界。佛罗伦(♑)(lú(📭)n )萨、布(bù )拉(🏣)格(gé )、巴黎(lí )、上海(📆)(hǎ(📡)i )、北海(hǎi )道(🛐)小樽，五座城市，五段不(💝)同(💵)的爱情故事在(🆖)这个“小世界(jiè )”中上(shà(✋)ng )演(🎇)。
这是一(yī )个(🎡)“人(rén )越来越(yuè )多 ，世(shì(🍧) )界(💇)却越来越小(🌜)”的——小世界。佛罗伦萨(🥀)、(🛌)布拉格(gé )、(👋)巴黎(lí )、上海(hǎi )、北(📀)(bě(💙)i )海道小(xiǎo )樽(🍞)，五(wǔ )座城市(shì )，五段(duà(🥛)n )不(🍔)同的爱情故(🤶)事在这个“小世界”中上演(Ⓜ)。
而(💼)立之(zhī )年的(🚬)François迷惑(huò )冒(mào )失，他知(✉)道(🚕)(dào )自己是(shì(🤗) )领养的(de )孩子，一直在寻(🐶)找(🍠)亲生母亲，只是(🌁)她不愿见他。他(tā )使小(➡)伎(🚄)(jì )俩获得(dé(🖱) )了地(dì )址前往(wǎng )。发现(🚝)(xià(🎫)n )当日在(zài )举(🍯)办生(shēng )日会，他假扮服务(🔴)生(🛌)，搞出太多乌(🕕)龙。母亲并没有(yǒu )第一(🦃)时(🥪)(shí )间认出(chū(😜) )他，他原本(běn )准备离(lí(💲) )开(💻)，但(dàn )受到女(🍦)(nǚ(😌) )服务员的鼓舞，决定再(🕧)尝(🙎)试一下。母子(🤭)间有没有相(xiàng )认呢？(📼)
A woman falls in love with a man who is somewhat unavailable.
Unable to fly the nest due to the economic crisis that grips Spain, a penniless, young couple have trouble consummating their fledgling relationship in their parents' homes. As they become increasingly desperate to make love, they are forced to look to popular public hot spots commonly used for sex among young people, known by the locals as "picaderos". However, things are never as easy as they seem, and their relationship is quickly tested as they try to break free from the shackles of a crumbling economy. "Picadero" depicts the quiet humiliations of the economic crisis through a simple narrative that unfolds through tableaus of observational dead-pan humour.