约翰尼德普中文网

While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. 黑(🆓)田(tián )藩藩(fā(🕰)n )主齐隆侯将宠爱的(de )妃(fēi )子(📶)生的女儿滨(🏺)千代公(gōng )主假扮男孩，秘密(🍩)继(jì )承储(chǔ(🥓) )君之位。菩提寺(sì )住持(chí )慈(🌗)善和黑锹忍(🖐)者(zhě )得(dé )知(zhī )此事，写作秘(⚾)函送往(wǎng )江(🧗)户。拜一刀（若(🦂)山(shān )富三(sā(🆙)n )郎 饰）受黑(❌)田藩(fān )所托(tuō(📓) )，追赶主持抢(🚴)夺(duó )秘(mì )函(⏯)(hán )。 A down on his luck gambler (George Seagal) links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of desperation, he pawns most of his possessions and goes to Reno for the poker game of a lifetime. A film set mainly in casinos and races, as the two win and lose (but mainly win), get robbed, and get blind drunk. In 1830's England, young medical student Victor Frankenstein (Leonard Whiting), following the drowning death of his beloved brother, bitterly renounces God and vows to find the secret to creating life himself. He crosses paths with the eccentric Dr. Henry Clerval (David McCallum) who shares his quest and takes the younger Victor under his wing. When experiments in reanimating insects and a severed human arm succeed, the two prepare to bring to life a man whom they have assembled from body parts of victims of a mining accident. On the eve of their attempt, Henry discovers that the process will reverse itself and dies from heart failure before he can sufficiently warn Victor. Committed to carrying on his late friend's work, Victor forges ahead and brings to life a creature of incredible beauty and innocence (Michael Sarrazin). The two develop a close, affectionate relationship and Victor looks forward to presenting his creation to society as "the new Adam." Inevitably, the flaw in Clerval's procedure results in the grotesque distortion of the Creature's appearance, causing Victor to callously reject him. The Creature attempts suicide but to his dismay finds he can't be killed. He leaps from the White Cliffs of Dover, and Victor assumes he's seen the last of his bungled handiwork. 凯蒂，罗马的(🍤)一(yī )个(gè )摄(🎳)影师，一次意(🍝)外的(de )目击了一(🌑)名手挥利刃(🚼)(rèn )，带(dài )黑色手套的年轻(qī(🥠)ng )女杀(shā )手。于(😹)是凯蒂和她(tā )的(de )未婚夫阿(🎈)尔贝托去警(⚡)(jǐng )方进行报案，发现先(xiān )前(🏊)其(qí )他目击(♎)犯罪的证(zhèng )人都(dōu )一一死(🍝)亡。凯蒂(dì )担(💈)(dān )心(xīn )她会成(🦄)为下一个受(🚨)害(hài )者。此时(🚻)她的一位跳(tià(🐴)o )芭蕾(lěi )舞的(👱)朋友玛格达(🥎)(dá )也残(cán )酷杀(🎃)害，情况难(ná(🚥)n )以捉(zhuō )摸。警(🐰)方也感到困(kù(👚)n )惑(huò )，无法找(😴)到一个切入(rù )点。这时阿尔(🗳)贝托发(fā )现(🕉)了(le )一个线索：所有(yǒu )被害(💐)(hài )的都是跳(♒)舞的女孩(hái )。凯蒂进一步调(📵)查，发(fā )现了(🌉)凶手的照片并提(tí )醒了(le )阿(🦊)尔贝托。但是(🕞)(shì )凯蒂(dì )却被(🔠)困在一个偏(🎠)(piān )僻(pì )的(de )房(🚐)间里，疯子凶手(🥨)正(zhèng )步步逼(😗)近...... 影片描述(🌿)日(rì )本占(zhàn )领(😮)韩国时期，身(📥)(shēn )怀绝(jué )技(🙎)的抗日志士李(🤕)(lǐ )峻九(jiǔ )率(🌃)领一群武功(🚞)高强(qiáng )的(de )徒众(🤱)进行复国运(🍑)动。茅瑛是韩国长大的中(zhō(🧣)ng )国女(nǚ )子，和(✔)师兄黄仁(rén )植也(yě )加入其(🧀)中 前松田(tiá(🐛)n )组(zǔ )干(gàn )部岛谷良一（高(🛴)倉健(jiàn ) 饰）(🌰)在人生最巅峰时(shí )选择(zé(🛑) )隐退，从此不(🕑)问(wèn )江湖(hú )恩(🔷)怨，偏居东京(🐌)(jīng )一(yī )隅(yú(🆑) )经营一家饭店(🧜)，并和(hé )倾慕(🍭)自己的女记(🅿)者仁(rén )木克(kè(⬇) )子（梶芽衣(📨)子 饰(shì )）萌(🙂)(méng )生了爱情。