女孩(🏍)(hái )Radha与男(nán )孩(🌧)Sunder和Gopal两小(xiǎo )无(🥗)猜地长(zhǎng )大，成年后，Sunder参加了空军部队，Gopal到英(🦗)国(guó )去攻读(🍣)法律，学成(ché(🙊)ng )归国后成(ché(🌶)ng )为了(le )一名律(🙁)师(shī )，两个长(🈂)大的(🥪)(de )男孩都(🏦)爱上(🚇)了(le )Radha。而Radha只(⛄)爱Gopal，当(🍕)Gopal得知Sunder也喜欢(😙)Radha后，他为(wéi )了成(chéng )全好友，以沉(chén )默回答了(le )Radha。Sunder随(suí )部队去(🕊)作(zuò )战，不久(🐝)(jiǔ )，传(chuá(🎷)n )来他(🥌)牺牲的消息(🚭)。这时，Gopal才没有(📓)负(fù(👂) )疚感(gǎ(🍄)n )地与(🕍)Radha相爱(à(👗)i )并准(🍮)(zhǔn )备结婚，但(🏢)就(jiù )在这时(💡)，Sunder回来了，Gopal再一(yī )次退让了。Radha与Sunder结婚了，婚后，Sunder发(🌃)现(xiàn )了一封(🦄)写给Radha的(de )信，失(🎌)去理智(zhì )的(🐋)Sunder逼(bī )问这封(🏬)信(xìn )是谁写(🆙)的，Radha决(⛺)(jué )定收(🗃)拾东(🏦)西出(chū(❣) )走，Gopal来(👤)了，他告诉了(🙅)Sunder实情，两个昔(xī )日的(de )好友，面(miàn )对友(yǒu )情和爱情(qíng )都陷(♒)(xiàn )入了深深(🌖)(shēn )的痛(📔)苦中(🍎)，最(zuì )后，为了(😞)能让Sunder和Radha幸福(🌄)地生(🎀)活下去(🎵)，Gopal开枪(🗡)(qiāng )自杀(🤮)了…(🕓)…
Broke Edith murders and assumes the identity of her recently widowed, well-to-do twin sister Margaret, who had married Edith's former flame 20 years before. Can she fool the servants and the authorities and keep her new-found wealth?
导(dǎo )演：(🐣)王天(tiān )林
The closest Japanese cinema ever came to the full-blown Broadway-style musical, with singing and dancing on the streets of Tokyo, music by avant-garde composer and jazzman Toshiro Mayuzumi, lyrics by renowned poet Shuntaro Tanikawa, and direction by one of Toho’(🚚)s most prominent “new wave” directors, Eizo Sugawa. Popular jazz drummer and actor Frankie Sakai stars in this comic version of the “industrial competition” genre: two tourism companies compete for foreign clients in the run-up to the 1964 Tokyo Olympics. Highlighting the coming internationalization of Japan, the film dramatizes the felt tensions between tradition and modernity, the pressures of the “economic animal” lifestyle, and the energy of high economic growth.
Franco and Ciccio are two simple-minded Italian guys whom are mistaken by KGB spies by government agents from their government and other foreign governments.
刘绮(qǐ )兰与(yǔ )母相依为命，赖经营小卖店(🧠)维生，因开罪(👎)飞仔刘(liú )大(🎱)森(sēn )，兰母被(📚)(bèi )殴伤(shāng )垂(🏦)危，着(zhe )兰往投(🐡)靠生(🚓)父(fù )刘(👤)伯成(🐔)——原(♐)来兰(👏)母女为成所(🗯)遗弃。兰母逝，兰(lán )办妥(tuǒ )母身后事(shì )，即(jí )往见成，成大(🈷)(dà )喜，却碍(à(🐋)i )于恶妻(🔶)权大(🏸)，不敢直认，要(🔱)兰以世伯相(🕰)称，兰(💬)无(wú )奈(🏢)接(jiē(🈶) )受。 岂料(🏳)(liào )森(➗)竟(jìng )为成之(🍄)子(zǐ )，即(jí )兰之异母(mǔ )兄。森于(yú )夜间(jiān )潜入房意图强(🦃)奸兰，成被惊(💌)动赶至(🔦)(zhì )，追(🎤)打森时不(bú(💔) )慎滚(gǔn )下楼(🚭)梯，重伤(shāng )逝(🌾)世。森(🥛)(sēn )母怒(📘)而逐(👧)兰，幸兰(🧀)男友(✳)邓守仁及时(⛴)从乡返港，即接兰返家，岂(qǐ )料遭(zāo )仁父误会(huì )嫌弃(qì(😛) )，迫两人(rén )分(🕟)手(shǒu )，兰(🏒)悄然(🦖)(rán )离去。兰得(🕦)好(hǎo )友爱华(🥋)收留(🌩)并介绍(📳)到工(🏋)厂做工(♋)，恰(qià(👞) )巧工(gōng )厂老(🕕)板为(wéi )森之(zhī )舅父，森(sēn )为经(jīng )理，借势(shì )调戏兰，幸仁(⏪)(rén )及时寻至(♟)，与森大(🥢)打出(🌱)手，华急忙(má(🐖)ng )通知老板，事(🕐)(shì )件得(dé )以(🥟)平息(🔡)，仁带(dà(🛂)i )兰离(🚚)去并(bì(🈚)ng )加以(🚄)照顾。森(sēn )嫁(🌮)祸仁藏毒，兰迫于求仁父保释仁，仁父不允。华建(jiàn )议往(😲)求森(sēn )，森(sē(🤰)n )乘机要挟(jiā(🆓) )兰。时仁母到(🐒)(dào )港，着仁父(🗄)保(bǎ(✴)o )释仁，同(😜)时警(🗑)方亦已(😂)查出(✖)真相。仁(rén )赶(🍕)往(wǎng )救兰，与(yǔ )森搏(bó )斗，众人(rén )及时(shí )赶至，森(sēn )被捕(🤐)，森(sēn )母恍(huǎ(🆒)ng )然知错(🐩)，决承(🕒)认兰地位，双(📻)方家长(zhǎng )亦(😸)乐于玉成两(🥨)(liǎng )人(🛳)婚(hūn )事(👏)。
he movie may well be one of the first 'Conceptual' film ever made anywhere in the world. It was a rather slow, but clearly defined daily motions of Kazakura, a mysterious underground figure of Japan, who is still unknown in Tokyo, yet has a strange presence in his remote area of Japan, KYUSYU island.